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Visit www.Hokibet99.cc
Trusted Secure Online Gambling Agent
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Place of origin. i>
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Mississippi Delta i>
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is one of those places. i>
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It saw birth
more music genres i>
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than anywhere else
on the planet this. i>
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Extraordinary numbers
music artists i>
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come from this region. i>
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Countless award winners i>
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who will influence i>
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and inspire music
all over the world. i>
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And in the middle of it all i>
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cities on the river. i>
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You know there is something
special brewing in Memphis.
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Wherever you click
start spring from this i>
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integrated music utopia i>
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And that voice
brought out i>
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was heard all over
all over the world. i>
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Martin Shore music producer i>
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and the director of this film i>
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have collected one the legendary
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Persian people i>
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to create a historic new album. i>
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Sitting on
studio building my mentor, i>
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legendary manufacturer
Jim Dickinson, i>
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I got inspiration
for this project. i>
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Together with me
friend Cody Dickinson, i>
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we will reintroduce
influential music from Memphis i>
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by pairing legendary musicans i>
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All of us < br /> Touch turns to gold,
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and they can't
find out how
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With stars today. i>
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No matter what
what style or genre,
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It feels good to you,
This touches the spirit.
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< i> Everything rooted from Memphis i>
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to the Mississippi Delta. i>
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To record new music i>
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This session was witnessed by the legendary
master i>
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mentoring and passing
on their musical magic i>
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to the new generation i>
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Booker T. and M.
G. it's really
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new phenomena for
the world, okay
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The music is different
than anything it has
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ever played before
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We are a band integrated.
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We can't just do it
wherever we want.
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We don't play black clubs,
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we don't play
white club together.
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Not at first.
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Many people
think that
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a black band
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Many people think
it's a white band.
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They don't know what it is,
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Because we don't
have photos out
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You want to
/> go see the studio
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Yes, let's do it.
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Zebra Ranch, man.
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You listen to the voices
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from North
Mississippi Allstars
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and Booker T.
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I'm just your host
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They call me Al
Kapone, Al Kapeezy.
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Look, Dude.
Hey!
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Luther!
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Happy meet you.
WELCOME.
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How are you?
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Thank you for coming here
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Oh, thank you again.
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♪ Let's ride me
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♪ South Memphis, North
Memphis, Tenneesee
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♪ I am my
environmental product
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♪ the same environment
like Mister Booker T.
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♪ Climb in the van
where he gives the game
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♪ Some things change,
some remain the same
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♪ That doesn't matter
Because we do our things
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♪ Different periods of time
but we stay the same
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♪ We will get it back
where it should be
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♪ Black, white, not
very important to me
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♪ Past and present
bring the whole new team
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♪ We are gon & get it back
where should
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♪ We gon & apos; get it back
where should
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♪ Get money flowing
so we can all eat
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♪ We are gon & apos; get it back
where should
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♪ Memphis, Tenneesee
make history
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♪ We will get it
Memphis returns
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♪ Where it should be
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I am Luther Dickinson,
and my sister and I
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play in a band called
North Mississippi Allstars. P>
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Products from Memphis
music scene, you know
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Our father is very large
guiding our strengths
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throughout our lives
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He is a piano player,
and a guitar player
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and a record producer.
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He is very happy
playing with Bob Dylan
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on "Time runs out
from the mind" notes
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He has an extraordinary career.
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He is the true champion of
and the music hero of Memphis.
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>
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And that's how
is all about, man.
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Passing the tradition.
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Getting Memphis is great
music legend together
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with the younger generation
artists and bands, you know?
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We've talked about
this project for several years
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and I hope so
do it then, man,
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because we lost so much
many great people
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even since we started
talking about it
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♪ Return to where you should be
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♪ We will put that music
where it should be
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♪ Memphis, Tennessee is back
where should it be
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He works though.
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♪ My city gets talent, man
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♪ We get our own voice
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♪ This is Memphis
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♪ Around the world is known
and respected too
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♪ But it's a bit difficult
finish everything
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I want my inheritance < br /> in music becomes i>
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I am a person of
who helps create i>
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sounds underground
/> which has never been i>
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developed before,
made from i>
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danced like Gangsta Walk i >
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which evolved later
to buckin & apos; and jookin & apos; i>
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who is not trapped in a box, i>
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that goes beyond race. i>
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♪ We will put the music
where should
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♪ the Memphis music scene return
where it should be
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Memphis music often happens
revealed in the family. i>
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Willie Mitchell
founded Royal Studios, i>
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the home of Hi Records, and
Hi Part Rhythm. i>
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Papa Willie is
considered the architect of i>
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Memphis's voice,
and produces a hit record < / i>
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for some of the biggest
stars in Memphis i>
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including all Al
Classic Green. I>
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One, two, three! i>
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Willie Mitchell's Royal Studios. i>
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So like a young teenager,
we were brought here
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sang the background of something
It was a state session.
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And I remember Willie
always saying, you know,
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Country and R & B music,
He said, they were cousins. P>
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If something was good < br /> and musical and catch it,
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You know, it doesn't matter if
is rap, country, gospel,
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jazz, it's up to
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He will like it.
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The next thing you know we are
singing "tired of being alone".
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Fourteen number one.
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Fourteen number one
gold records in a row,
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and it's like, okay
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He will see something he wants,
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he will say, "Lord of Glory!"
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"Lord of Glory!"
That's him.
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He will come along like that
, "Lord of Glory!" P>
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He will pop that & apos; knee,
You will only send shivering
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out there like, okay,
guess him like it
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Now let's take care.
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Willie is mine
man, and he is like
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Father to me too, man.
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>
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And his son, Boo likes
what Willie is the same
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I'm sure if I need something
I can go to Boo and get it.
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I sure you can.
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We love Papa Willie.
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He also shows us up,
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and we want to say it
he and Memphis music
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and everyone here
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♪ Love you whether
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♪ Is the time good or bad
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♪ Congratulations or sad
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♪ Come on, let's live together
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Hey bro.
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Hey Mr. Otis Clay.
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You look like
someone I need to know
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You look like
someone I know.
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Ah, how are you?
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What is your name?
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Lil & apos; P-Nut.
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What!
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Are you a nut?
Yes sir.
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How do you do it with beans?
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Good.
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Yeah, nice, man.
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Have checked you out.
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I don't know what
we will do,
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but we will do it well p>
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I don't know who I am
will work with,
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But then I see P-Nut,
you know, I say, okay.
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This will be fun.
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You know?
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There is no generation gap. P>
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This is the communication gap. P>
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And when you take
time to communicate
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then you find it there
actually it makes no difference
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Alright, let's do this
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From above?
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00:09:52,124 --> 00:09:53,854
Yes, from you
above, from above you p >
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I'm talking to one of the biggest
dummers in what?
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00:10:00,199 --> 00:10:01,861
Can you give me a bop bop?
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Good.
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00:10:04,370 --> 00:10:05,599
Count that, Steve.
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00:10:06,138 --> 00:10:07,629
One two three.
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00:10:15,114 --> 00:10:20,246
♪ I used to smoke five
packs of cigarettes a day
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♪ That's the hardest
thing to get rid of them
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00:10:25,024 --> 00:10:29,155
♪ I drink four,
five bottles of wine
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00:10:29,328 --> 00:10:33,823
♪ I keep a glass of glass
my hand all the time
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00:10:34,000 --> 00:10:36,196
♪ Oh breaking old habits
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00:10:36,369 --> 00:10:38,634
♪ It's hard to do
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00:10:38,804 --> 00:10:40,830
♪ There's nothing compared < br /> for change
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00:10:41,007 --> 00:10:42,942
♪ That you made it past me
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00:10:43,109 --> 00:10:46,739
♪ Trying for my life
live without you, dear
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00:10:46,912 --> 00:10:51,782
♪ This is the hardest
things I've done
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00:10:51,951 --> 00:10:55,388
♪ Trying to forget
loving us together, now
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♪ This is the hardest
my burden will burn
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00:11:00,760 --> 00:11:04,094
♪ Oh dear, baby
212
00:11:05,665 --> 00:11:08,635
♪ Baby, now, now
213
00:11:11,170 --> 00:11:12,170
What's going on, Charles?
214
00:11:12,171 --> 00:11:13,935
Hey, what's going on?
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00:11:14,106 --> 00:11:16,041
Hey, man, it's good.
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00:11:16,208 --> 00:11:18,404
This is home sweet home.
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00:11:21,147 --> 00:11:23,309
Take nothing for granted.
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00:11:23,683 --> 00:11:25,049
Just try
keep going
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00:11:28,387 --> 00:11:30,879
I can relate to it,
but not as a girl.
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00:11:31,057 --> 00:11:33,959
I can relate to it
without have something like
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I can't live without toys,
or not like that
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00:11:36,162 --> 00:11:37,162
Right!
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00:11:37,229 --> 00:11:38,959
♪ Oh, baby, baby
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00:11:39,432 --> 00:11:42,925
>
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00:11:43,202 --> 00:11:44,202
♪ Oh dear, now, now
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00:11:44,270 --> 00:11:45,270
♪ P-Nut
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00:11:45,271 --> 00:11:46,237
♪ What's short?
228
00:11:46,238 --> 00:11:47,138
♪ You don't act the same
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00:11:47,139 --> 00:11:48,334
>
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00:11:48,441 --> 00:11:49,441
♪ I thought you and you were cool
231
00:11:49,442 --> 00:11:50,740
♪ Why are you acting embarrassed?
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00:11:50,910 --> 00:11:51,910
♪ Maybe it's me
233
00:11:51,944 --> 00:11:52,944
♪ Or maybe it's karma
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00:11:52,978 --> 00:11:53,978
♪ Whatever it's
235
00:11:53,979 --> 00:11:54,979
♪ That girl isn't normal
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00:11:54,980 --> 00:11:55,980
♪ You get your son's trippin & apos;
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00:11:56,115 --> 00:11:57,115
♪ You make your child stress
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00:11:57,116 --> 00:11:58,116
♪ I don't try to strangle you
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00:11:58,150 --> 00:11:59,277
♪ I not trying to bother you
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00:11:59,452 --> 00:12:01,318
♪ but me without you
it's a little difficult
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00:12:01,487 --> 00:12:02,487
♪ One of the many things
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00:12:02,788 --> 00:12:03,788
♪ Got the girls out
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00:12:03,789 --> 00:12:04,789
♪ Got the girls out
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00:12:04,790 --> 00:12:05,951
p>
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00:12:06,058 --> 00:12:07,058
♪ But think about you
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00:12:07,059 --> 00:12:08,059
♪ Having a curl I fell
247
00:12:08,160 --> 00:12:09,160
♪ Think about you
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00:12:09,295 --> 00:12:10,820
♪ Girl, the world is all about that p >
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00:12:10,996 --> 00:12:11,996
♪ Thinking about you hurts
250
00:12:12,131 --> 00:12:13,131
♪ Pain me from my mouth, uh
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00:12:13,132 --> 00:12:14,293
♪ Girl, you finish my life
252
00:12:14,467 --> 00:12:15,833
♪ There are no other competitors
253
00:12:16,001 --> 00:12:17,128
♪ Sho & apos; is entertainment
254
00:12:17,303 --> 00:12:18,965
♪ Lil P-Nut and
Mister Otis Clay, eh
255
00:12:19,138 --> 00:12:21,972
♪ Trying for my life
live without you, dear
256
00:12:22,141 --> 00:12:23,141
♪ I can't do it
257
00:12:23,309 --> 00:12:25,778
♪ This is the hardest
thing I've ever done
258
00:12:25,945 --> 00:12:28,176
♪ No, we can't, we can't do it
259
00:12:28,347 --> 00:12:31,374
♪ We have to walk to share now
260
00:12:38,124 --> 00:12:39,217
♪ I can't do it
261
00:12:39,391 --> 00:12:44,227
♪ Baby, baby, ooh,
dear now, now
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00:12:45,097 --> 00:12:48,329
♪ Trying to live my life
live without you, honey
263
00:12:48,501 --> 00:12:49,764
♪ without you
264
00:12:49,935 --> 00:12:51,164
♪ This is the hardest
thing I've ever done
265
00:12:51,337 --> 00:12:53,863
♪ The hardest thing I've ever experienced
266
00:12:54,039 --> 00:12:56,838
♪ Trying to forget
loving us sharing now
267
00:12:57,009 --> 00:13:01,913
♪ That's the hardest
burden I will ever
268
00:13:02,414 --> 00:13:05,873
♪ I keep running
269
00:13:06,051 --> 00:13:07,075
♪ Keep running, baby
270
00:13:07,253 --> 00:13:08,448
♪ I can't do it
271
00:13:08,821 --> 00:13:13,191
♪ Can't do it again
272
00:13:13,192 --> 00:13:14,159
♪ no no
273
00:13:14,160 --> 00:13:15,160
♪ Yes, I tried
274
00:13:15,194 --> 00:13:16,822
♪ Oh, I keep on
275
00:13:21,567 --> 00:13:22,567
♪ All right
276
00:13:26,272 --> 00:13:27,272
♪ Yes
277
00:13:30,109 --> 00:13:31,873
Real fun
278
00:13:32,044 --> 00:13:34,479
Woo, P-Nut!
279
00:13:47,026 --> 00:13:49,825
P-Nut killed him!
280
00:14:00,606 --> 00:14:02,541
P-Nut killed him!
281
00:14:02,542 --> 00:14:03,508
Hey, you are some of us
background singer
282
00:14:03,509 --> 00:14:04,509
Yes, I think, yes.
283
00:14:04,543 --> 00:14:05,543
Skip Pitts, baby
284
00:14:05,544 --> 00:14:06,311
Sharisse. P>
285
00:14:06,312 --> 00:14:07,145
Hey, Sharisse. P>
286
00:14:07,146 --> 00:14:08,079
Skip Pitts, baby
287
00:14:08,080 --> 00:14:09,139
Shontelle. P>
288
00:14:09,315 --> 00:14:10,315
Shontelle and
Sharisse, all that ?
289
00:14:10,482 --> 00:14:12,110
I like their names.
290
00:14:12,284 --> 00:14:13,912
He said, "Yes sir."
291
00:14:16,622 --> 00:14:20,024
Well, when it comes to you
he will say, "Yes, grandfather,"
292
00:14:20,192 --> 00:14:21,285
with your old ass
293
00:14:21,286 --> 00:14:22,193
- Guess what?
- What?
294
00:14:22,194 --> 00:14:23,594
I'm still here.
295
00:14:23,963 --> 00:14:24,963
Guess what?
296
00:14:25,097 --> 00:14:26,861
Me too.
297
00:14:27,032 --> 00:14:28,898
If you continue to
with me, soon.
298
00:14:30,502 --> 00:14:31,595
Hey Ben!
299
00:14:31,971 --> 00:14:33,098
We have Ben Cauley, yes!
300
00:14:33,272 --> 00:14:36,299
Hey, my brother!
I love you, man
301
00:14:36,475 --> 00:14:37,568
How are you & apos ?;
302
00:14:37,943 --> 00:14:39,912
You know Ben Cauley?
303
00:14:40,079 --> 00:14:42,014
He's the only one who live
congratulations from
304
00:14:42,181 --> 00:14:44,275
plane crash Otis Redding.
305
00:14:44,450 --> 00:14:47,443
And he's the only man
who can't swim
306
00:14:47,620 --> 00:14:49,919
And he survived from Otis
Redding plane crash
307
00:14:50,089 --> 00:14:51,387
Everyone on board.
308
00:14:51,557 --> 00:14:54,527
The band, and Otis Redding,
and the pilot all went down.
309
00:14:54,894 --> 00:14:55,894
Everyone except him.
310
00:15:04,103 --> 00:15:05,103
How are you?
311
00:15:05,104 --> 00:15:06,037
What's wrong?
312
00:15:06,038 --> 00:15:07,038
Thank you very much for coming.
314
00:15:08,173 --> 00:15:09,007
It's nice to be here.
316
00:15:09,575 --> 00:15:11,942
Really like it.
317
00:15:27,359 --> 00:15:29,555
Okay, so I want to take
one of the eight chorus bars
318
00:15:29,929 --> 00:15:31,454
come out and push the horn thing that.
319
00:15:31,630 --> 00:15:33,064
And then that verse.
324
00:15:45,511 --> 00:15:47,912
We will remake
the song Rufus Thomas called
326
00:15:49,148 --> 00:15:51,583
Real, very respectable
part of this situation
327
00:15:51,951 --> 00:15:52,951
and can
work with someone
328
00:15:53,085 --> 00:15:54,314
You grow up listening.
332
00:16:02,628 --> 00:16:03,628
What is "Push and Pull?"
333
00:16:03,963 --> 00:16:05,226
Yes, come on, we have to...
334
00:16:05,397 --> 00:16:07,059
You don't need to give
it for me, Push and Pull?
335
00:16:07,232 --> 00:16:08,700
Yes, but it's a
different structures
336
00:16:09,068 --> 00:16:10,400
I changed the structure.
337
00:16:12,338 --> 00:16:13,338
Very?
338
00:16:13,372 --> 00:16:15,034
Yes, because we have rappers.
339
00:16:15,207 --> 00:16:16,266
We have rappers.
340
00:16:16,442 --> 00:16:18,035
So some
verses of gon & apos; become 16.
341
00:16:18,210 --> 00:16:19,210
You like, take
342
00:16:19,311 --> 00:16:21,371
choir and several verses.
343
00:16:21,547 --> 00:16:22,547
That's the same song.
344
00:16:22,614 --> 00:16:23,614
The same song, yes.
345
00:16:23,615 --> 00:16:24,615
Good- okay then.
346
00:16:27,086 --> 00:16:28,086
That's Frayser Boy.
347
00:16:28,087 --> 00:16:29,087
How are you, sir?
348
00:16:30,689 --> 00:16:31,689
It's an honor, man.
349
00:16:31,690 --> 00:16:32,557
How are you?
350
00:16:32,558 --> 00:16:33,458
I can't complain.
351
00:16:33,459 --> 00:16:35,519
What is your hometown
352
00:16:35,694 --> 00:16:36,957
Here, this house is for you?
353
00:16:37,129 --> 00:16:38,129
Yes, this is home.
354
00:16:38,130 --> 00:16:39,130
This is where I came from.
355
00:16:39,298 --> 00:16:40,425
I might know
your great grandfather
356
00:16:40,566 --> 00:16:41,566
Maybe, man.
357
00:16:41,567 --> 00:16:42,660
Wake up listening to you, man
358
00:16:43,002 --> 00:16:44,664
Honor, man.
359
00:16:45,037 --> 00:16:46,037
You will be fine
360
00:16:46,105 --> 00:16:47,105
Let's do it, man.
361
00:16:47,106 --> 00:16:49,132
Ayo lakukan.
362
00:16:51,110 --> 00:16:53,636
Do we repeat
and da da da da?
363
00:16:54,013 --> 00:16:55,013
No.
364
00:16:55,147 --> 00:16:57,412
Only one above.
365
00:17:06,759 --> 00:17:07,759
Alright, yes it's ready ?
366
00:17:08,127 --> 00:17:09,127
Yes.
367
00:17:09,261 --> 00:17:10,261
Okay, Hunt will count it.
368
00:17:10,429 --> 00:17:11,658
Count hard, Hunt.
369
00:17:12,031 --> 00:17:15,126
One, two, one, two, three.
370
00:17:34,086 --> 00:17:37,579
♪ Hey everyone, Bobby
Rush is in town
371
00:17:38,557 --> 00:17:40,287
♪ Come here
business care
372
00:17:40,492 --> 00:17:42,051
♪ Don't play play
373
00:17:42,494 --> 00:17:44,520
I have been recording since 1951.
374
00:17:44,763 --> 00:17:46,527
I have 249 records.
375
00:17:46,698 --> 00:17:47,698
Wow.
376
00:17:47,699 --> 00:17:49,691
And I don't think I'm working < br /> under 200 shows a year
377
00:17:50,069 --> 00:17:51,196
for 50 years
378
00:17:51,270 --> 00:17:52,270
Wow.
379
00:17:52,271 --> 00:17:54,297
1957 I drank three glasses of beer.
380
00:17:54,606 --> 00:17:56,507
I haven't have it
before or after it.
381
00:17:56,675 --> 00:17:57,675
Wow.
382
00:17:57,676 --> 00:17:58,700
November 10.
383
00:17:59,578 --> 00:18:01,308
I am 79 years old
384
00:18:01,613 --> 00:18:03,605
Man, you don't look 79.
385
00:18:03,782 --> 00:18:04,782
You look 40
387
00:18:05,784 --> 00:18:07,343
I will not be 79 to November.
388
00:18:07,519 --> 00:18:09,044
I am 78
389
00:18:10,122 --> 00:18:12,284
♪ Gosh; push, push and pull
390
00:18:12,424 --> 00:18:13,424
♪ Just ask
391
00:18:13,425 --> 00:18:14,552
♪ He must like
bullets, like bullets
392
00:18:14,726 --> 00:18:16,718
♪ And he push it like him
Show us where to put it
393
00:18:17,096 --> 00:18:18,096
♪ Child in the candy shop
394
00:18:18,230 --> 00:18:19,230
♪ I think he got the item
395
00:18:19,264 --> 00:18:21,324
♪ Twenty-two and he
gon & apos; take the candy
396
00:18:21,500 --> 00:18:23,594
♪ Energizer Bunny, he
doesn't even need a battery
397
00:18:23,769 --> 00:18:25,761
♪ He does it there,
then he do it right
398
00:18:26,138 --> 00:18:27,138
♪ The way he moves in that thang
399
00:18:27,172 --> 00:18:28,504
♪ For me to want to come and get it
400
00:18:28,674 --> 00:18:30,666
♪ Frameser Boy, don't
say what I might do
401
00:18:30,843 --> 00:18:32,744
♪ How he needs
someone like you
402
00:18:33,112 --> 00:18:35,172
♪ Let me see it, give it < br /> what I ask
403
00:18:35,347 --> 00:18:36,508
♪ He is very good,
he is swimming & apos;
404
00:18:36,682 --> 00:18:38,378
♪ Backstroke, do bad things
405
00:18:38,550 --> 00:18:39,711
♪ Pop is like champagne
406
00:18:39,885 --> 00:18:40,885
♪ What they do in & apos;
407
00:18:41,220 --> 00:18:42,620
♪ LMG, it's so embarrassing
408
00:18:42,788 --> 00:18:44,086
♪ Queen, see she lowers it p >
409
00:18:44,123 --> 00:18:45,123
♪ Then he paused
410
00:18:45,124 --> 00:18:46,148
♪ So I called him stomp and roll
411
00:18:46,325 --> 00:18:51,195
♪ Now push, and drag
412
00:18:51,530 --> 00:18:55,797
♪ Push and drag
413
00:18:56,168 --> 00:18:57,329
>
414
00:18:57,503 --> 00:18:59,836
♪ Go up
415
00:19:00,205 --> 00:19:01,730
♪ Now lower
416
00:19:01,907 --> 00:19:03,136
I'm not a freestyler.
417
00:19:03,308 --> 00:19:04,742
I'm better at writing.
418
00:19:04,910 --> 00:19:06,776
Because I have time to really
think about what I...
419
00:19:07,146 --> 00:19:08,671
What are you doing and
what are you going to do.
420
00:19:08,672 --> 00:19:09,580
Yes.
421
00:19:09,581 --> 00:19:11,812
I wrote the lyrics "It" s
Hard Out Here For Pimp "
422
00:19:12,184 --> 00:19:13,311
I got an Oscar for that.
423
00:19:13,752 --> 00:19:15,277
Close the song, but apparently
knew you had written it
424
00:19:15,354 --> 00:19:16,354
Yes, yes.
425
00:19:16,355 --> 00:19:17,355
I'm happy for that, man.
426
00:19:17,489 --> 00:19:18,548
I appreciate that man.
427
00:19:18,724 --> 00:19:20,852
I do freestyle
in what I do,
428
00:19:21,226 --> 00:19:22,785
but most of the time,
the script already exists
429
00:19:23,162 --> 00:19:24,162
and I can vary from that.
430
00:19:24,329 --> 00:19:25,329
Do you know what I'm talking about?
431
00:19:25,531 --> 00:19:26,624
Ad lib, or whatever
you want to call it.
432
00:19:26,798 --> 00:19:27,798
Yes, yes.
433
00:19:27,900 --> 00:19:29,698
This will beat me all
days, freestyle
434
00:19:30,469 --> 00:19:31,869
But you let me write something,
435
00:19:32,437 --> 00:19:35,532
Give me a minute, I will get cha
436
00:19:35,908 --> 00:19:37,240
♪ Humans, look at that thing
437
00:19:37,409 --> 00:19:38,468
♪ Please dance
438
00:19:38,644 --> 00:19:40,613
♪ Look at the spoils
stop & apos; their pants
439
00:19:40,779 --> 00:19:42,714
♪ He makes me look
hard, just like the fan
440
00:19:42,881 --> 00:19:45,248
♪ The opposition is interesting,
you are a woman, I'm a boy
441
00:19:45,417 --> 00:19:46,417
You know, this is my first time p >
442
00:19:46,585 --> 00:19:48,486
really works with live bands.
443
00:19:48,654 --> 00:19:49,781
Like, rap sessions...
444
00:19:49,888 --> 00:19:50,888
I know.
445
00:19:50,889 --> 00:19:52,187
This is far different.
446
00:19:52,357 --> 00:19:53,825
>
447
00:19:54,193 --> 00:19:55,193
Because the computer is
stuff, and you sample it.
448
00:19:55,227 --> 00:19:58,857
Yes, yes.
449
00:19:58,897 --> 00:19:59,897
Do you know what I'm talking about?
450
00:19:59,898 --> 00:20:01,457
There is no one
creating new things
451
00:20:01,633 --> 00:20:03,261
so you have something
to sample from.
452
00:20:12,377 --> 00:20:13,845
Lotta people say
me when they come here
453
00:20:14,213 --> 00:20:16,842
and they are not from here, they feel the soul in the way
454
00:20:17,216 --> 00:20:18,946
They only feel < br /> soul in the atmosphere,
455
00:20:19,318 --> 00:20:21,344
so you know, it's fair
a city that is truly feeling.
456
00:20:21,520 --> 00:20:23,853
Only a good city,
you know what am I saying?
457
00:20:24,223 --> 00:20:27,216
I think it's up to us to let
they know where Memphis is,
458
00:20:27,392 --> 00:20:28,485
You know what I'm saying?
459
00:20:28,660 --> 00:20:30,788
It's up to the voice
today, or whatever
460
00:20:30,963 --> 00:20:32,898
It's so much talent in Memphis. P>
461
00:20:33,265 --> 00:20:37,965
♪ Push, pull, push,
pull, push, pull
462
00:20:44,876 --> 00:20:46,572
p>
463
00:20:47,312 --> 00:20:48,610
When they tell
I am an incoming rapper,
464
00:20:48,780 --> 00:20:49,873
is a young man.
465
00:20:50,249 --> 00:20:51,478
And I say, I am happy to do it,
466
00:20:51,650 --> 00:20:52,674
because this is what
all about.
467
00:20:59,391 --> 00:21:00,391
Yes!
468
00:21:00,993 --> 00:21:02,359
Some guitarists influence i>
469
00:21:02,527 --> 00:21:04,655
funk evolution and R & B < / i>
470
00:21:04,830 --> 00:21:06,594
more than Charles "Skip" Pitts. i>
471
00:21:07,432 --> 00:21:09,731
His signature wa-wa pedal i>
472
00:21:09,901 --> 00:21:12,268
changed the candle record to gold. i>
473
00:21:12,671 --> 00:21:14,867
I started recording
with Gene Chandler, i>
474
00:21:15,040 --> 00:21:16,040
believe it or not. i>
475
00:21:16,041 --> 00:21:18,909
Du-du-du-Duke of Earl.
476
00:21:19,278 --> 00:21:21,406
I can be with him when
I am 17 years old,
477
00:21:21,580 --> 00:21:24,709
and he said, "Man, do
do you know my songs?"
478
00:21:24,883 --> 00:21:26,351
I said, "I know everything
Curtis's song
479
00:21:26,518 --> 00:21:27,518
"I know your songs."
480
00:21:27,686 --> 00:21:28,915
I know it's in my ears,
I have good ears.
481
00:21:29,288 --> 00:21:31,780
I barely even read,
But I have good ears. P>
482
00:21:31,957 --> 00:21:33,255
He started taking my
to the studio
483
00:21:33,425 --> 00:21:35,451
I'll leave when he
records and watches him,
484
00:21:35,627 --> 00:21:37,960
and watch what is happening,
and then finally he says,
485
00:21:38,330 --> 00:21:39,330
"Do you want to record with me?"
486
00:21:39,398 --> 00:21:40,764
I said yes, and rightly so.
487
00:21:40,932 --> 00:21:43,561
We play with Gene Chandler
to the beginning & apos; 68.
488
00:21:43,735 --> 00:21:46,466
We leave it, like
I say, on Friday,
489
00:21:46,638 --> 00:21:48,300
and Saturday, we're in New York
490
00:21:48,473 --> 00:21:49,736
practicing with Wilson Pickett.
491
00:21:49,908 --> 00:21:51,740
♪ Good time walkin & apos;
on Broadway
492
00:21:51,910 --> 00:21:55,574
♪ Nothing nothing but good
times every day
493
00:21:59,685 --> 00:22:01,381
And I'm the band leader.
494
00:22:34,853 --> 00:22:36,788
This is my friend, man.
496
00:22:38,123 --> 00:22:39,523
It's nice to meet you
497
00:22:39,691 --> 00:22:40,691
you too.
498
00:22:40,859 --> 00:22:42,828
This is blessings,
This is a blessing, man.
499
00:22:42,994 --> 00:22:45,054
You know I don't
almost here one time
500
00:22:45,055 --> 00:22:46,030
I know.
501
00:22:46,031 --> 00:22:47,031
You know
502
00:22:47,032 --> 00:22:47,832
I know.
503
00:22:47,833 --> 00:22:48,833
He saved me too.
504
00:22:49,000 --> 00:22:50,525
I almost died, huh.
505
00:22:50,702 --> 00:22:52,568
I lost my kidney,
> I'm not ashamed. P>
506
00:22:52,738 --> 00:22:54,331
I took out my kidney
, and I'm not
507
00:22:54,506 --> 00:22:55,769
as strong as before. P>
508
00:22:55,941 --> 00:22:58,410
This man came to
help me, he did it
509
00:22:58,577 --> 00:23:01,809
He came, he helped me, he did it.
510
00:23:01,980 --> 00:23:03,778
You're a family, it's
what family is for
511
00:23:03,949 --> 00:23:05,508
Yes, but people the good
don't feel like that
512
00:23:05,517 --> 00:23:06,517
I know.
513
00:23:06,518 --> 00:23:07,485
You know that.
514
00:23:07,486 --> 00:23:09,011
I'm here today, thank you, Lord.
515
00:23:09,388 --> 00:23:11,584
By the way these people
are here and through God.
516
00:23:11,757 --> 00:23:13,658
He gave it back,
do you know?
Still
517
00:23:13,825 --> 00:23:16,124
Can't save it until
you give it.
518
00:23:18,397 --> 00:23:20,559
Singer, songwriter William Bell i>
519
00:23:20,732 --> 00:23:24,499
was instrumental in the formation of
the voice of Stax Records. i>
520
00:23:25,036 --> 00:23:27,904
legendary artists
like Jimi Hendrix, i>
521
00:23:28,073 --> 00:23:30,838
Albert King, and Cream
covered the song. i>
522
00:23:31,176 --> 00:23:32,906
Today's hottest musician i>
523
00:23:33,078 --> 00:23:35,877
continue to sample
his signature. i>
524
00:23:38,083 --> 00:23:40,518
All of us ghettos
children might would i>
525
00:23:40,685 --> 00:23:42,483
die or be imprisoned. i>
526
00:23:43,422 --> 00:23:44,583
We have to give back.
527
00:23:44,756 --> 00:23:47,055
We have to perpetuate music
528
00:23:47,426 --> 00:23:49,657
and help children together,
529
00:23:49,828 --> 00:23:51,956
because the older ones
people help us
530
00:23:52,130 --> 00:23:54,793
I work with Old Man
Phineas band for four years
531
00:23:54,966 --> 00:23:58,562
in middle school and high school
school on weekends
532
00:23:58,737 --> 00:24:00,865
B. B is like a substitute father. P>
533
00:24:01,039 --> 00:24:03,873
These people, they are
close enough to us
534
00:24:04,042 --> 00:24:05,772
but where do they mentor,
535
00:24:05,944 --> 00:24:08,106
and tell us that
there are more lives
536
00:24:08,480 --> 00:24:12,850
than bangin & apos; and robbin & apos;
and stealing & apos; and all that,
537
00:24:13,018 --> 00:24:14,987
and that gives us a purpose.
538
00:24:15,654 --> 00:24:20,752
We don't care, or know
it will have a long life.
539
00:24:21,092 --> 00:24:23,857
We don't care whether it
will make a hit or not.
540
00:24:24,029 --> 00:24:26,794
We just want to hear our own voices
sounds on the radio
541
00:24:26,965 --> 00:24:29,093
The music they
make in their time
542
00:24:29,468 --> 00:24:30,766
what we make
543
00:24:30,936 --> 00:24:32,131
We only express
what we experience
544
00:24:32,504 --> 00:24:33,631
as young people from the ghetto.
545
00:24:33,805 --> 00:24:36,741
If we don't knock and singing, we will do it
dead or jailed
546
00:24:36,908 --> 00:24:38,467
This is the same story,
it's the same connection
547
00:24:39,978 --> 00:24:41,469
Old record company,
548
00:24:41,646 --> 00:24:46,550
Sun, Stax, America,
Hi, every studio in Memphis
549
00:24:46,885 --> 00:24:48,581
has its own stuff
550
00:24:48,753 --> 00:24:51,848
Stax doesn't say,
"We want sound. P>
551
00:24:52,023 --> 00:24:54,925
"We want you to sound like
This or sounds like that. "
552
00:24:55,093 --> 00:24:57,858
Stax said," Come on
inside and be yourself. "
553
00:24:58,029 --> 00:24:59,964
And then the authors will do it
write the appropriate song
554
00:25:00,131 --> 00:25:02,532
and be suitable for
this artist.
555
00:25:02,701 --> 00:25:05,034
It's made specifically, that
what makes it so authentic
556
00:25:06,771 --> 00:25:08,797
They're not about
seeing how
557
00:25:08,974 --> 00:25:11,739
can sound like this person,
sounds like that person
558
00:25:11,910 --> 00:25:15,711
It's about trying to
create one unique and original
559
00:25:15,881 --> 00:25:18,976
passion about what
you do.
560
00:25:19,150 --> 00:25:21,051
As the main writing team of Stax,
562
00:25:24,956 --> 00:25:26,822
today's biggest song
563
00:25:26,992 --> 00:25:30,952
for Otis Redding, Carla
Thomas, and Sam & Dave.
564
00:25:43,275 --> 00:25:45,176
Man, what do you know?
565
00:25:45,544 --> 00:25:46,739
Stax Records is an institution
566
00:25:46,912 --> 00:25:48,881
and foundation for
all American music
567
00:25:49,047 --> 00:25:50,174
And you see two people
568
00:25:50,549 --> 00:25:53,018
That is an important part
of the foundation here.
569
00:25:54,119 --> 00:25:55,747
On real deal.
570
00:25:55,921 --> 00:26:00,791
This is the person in trouble
full of lyircs.
Overcrowded
571
00:26:00,959 --> 00:26:03,121
"Wait for me Comin" "
and all that.
572
00:26:03,295 --> 00:26:06,993
I'm talking about
full of lyrics.
573
00:26:07,165 --> 00:26:12,035
"Wait a minute, I'm Comin & apos;", David
Must go to the men's room.
574
00:26:12,203 --> 00:26:13,967
David Porter must do it
go to the men's room, p >
575
00:26:14,139 --> 00:26:17,940
and he and Isaac worked
with Sam & Dave on the song.
576
00:26:18,109 --> 00:26:20,772
Isaac had little
riffs away, and so
577
00:26:20,946 --> 00:26:21,970
When he was playing riffs,
578
00:26:22,147 --> 00:26:24,844
David said, "I'll go
here to the bathroom,"
579
00:26:25,016 --> 00:26:28,214
and he stays so
long, so Isaac says,
580
00:26:28,720 --> 00:26:29,720
"Hey, Dave!"
581
00:26:29,888 --> 00:26:31,948
"Yes, wait, I comment."
582
00:26:32,123 --> 00:26:35,116
That's the song.
583
00:26:36,194 --> 00:26:38,095
We sit, at 20
A few minutes, we have written
584
00:26:38,296 --> 00:26:39,559
"Wait a minute, I'm Comin & apos;".
585
00:26:39,831 --> 00:26:40,958
This is a true story.
586
00:26:41,132 --> 00:26:42,930
But that is what is produced
a monster song
587
00:27:09,260 --> 00:27:12,822
Don't you ever feel sad?
Rely on me during bad times.
588
00:27:12,998 --> 00:27:14,125
When the day arrives
and you're down
589
00:27:14,299 --> 00:27:16,598
on the river of trouble
and it will sink,
590
00:27:16,768 --> 00:27:18,930
wait a minute, I comment.
591
00:27:19,104 --> 00:27:21,300
Hold it.
592
00:27:21,673 --> 00:27:24,768
We arrived at one time
in the sixties and seventies
593
00:27:24,943 --> 00:27:26,809
where we want
to have some substance
594
00:27:26,978 --> 00:27:28,708
for what we
say in music,
595
00:27:28,880 --> 00:27:29,939
and we want it to taste good .
596
00:27:30,115 --> 00:27:32,914
A hook that will draw
you to the message
597
00:27:33,084 --> 00:27:34,084
You know, we don't have access to
598
00:27:34,219 --> 00:27:36,381
to Pro Tools and so on
other technologies
599
00:27:36,755 --> 00:27:38,883
are designed
to make you sound
600
00:27:39,057 --> 00:27:41,083
as if you could
sing when you can't
601
00:27:41,259 --> 00:27:45,856
Or to fix your time
When your rhythm is bad.
602
00:27:46,031 --> 00:27:48,023
So they have to be right.
603
00:27:48,199 --> 00:27:51,931
And that's true
art.
It's true art.
604
00:27:52,103 --> 00:27:54,902
It's not
artwork that is marketed
605
00:27:55,073 --> 00:27:56,632
for people, but true art.
606
00:27:56,808 --> 00:28:02,213
Ability and talent and
consistency are requirements,
607
00:28:02,814 --> 00:28:04,749
and if not
do your actions together
608
00:28:04,916 --> 00:28:06,817
as far as singing or
playing or something,
609
00:28:06,985 --> 00:28:09,352
they will send you back home
and tell you to go practice.
610
00:28:09,888 --> 00:28:12,824
Nothing can play anything
get out of the synthesizer
611
00:28:12,991 --> 00:28:15,358
or punch button
on the drum machine,
612
00:28:15,727 --> 00:28:17,958
but ask them to really play?
613
00:28:18,129 --> 00:28:19,324
They don't know how. P>
614
00:28:22,000 --> 00:28:23,059
And that's right. P>
615
00:28:23,234 --> 00:28:24,258
Autotune. P>
616
00:28:24,436 --> 00:28:25,768
Autotune, yes, yes
617
00:28:25,937 --> 00:28:27,166
Change your voice
618
00:28:27,338 --> 00:28:30,399
619
00:28:30,775 --> 00:28:33,973
they take autotune
and put it in the rig.
620
00:28:34,145 --> 00:28:35,875
Yes, actually
today, you really don't have to be able to sing.
621
00:28:36,047 --> 00:28:37,106
The audience
listen to you
622
00:28:37,282 --> 00:28:38,807
don't know what
they heard really you
623
00:28:38,983 --> 00:28:43,887
I think if you
make notes, man
624
00:28:44,355 --> 00:28:46,256
You enter the room, you can
be ready, and you play it, man.
625
00:28:46,424 --> 00:28:50,191
This isn't much
overproduced, overdubbing,
626
00:28:50,361 --> 00:28:54,298
or cut and paste.
627
00:28:54,466 --> 00:28:55,832
I think the real record is
proof of people playing
628
00:28:56,000 --> 00:28:57,969
in a room and recorded directly.
629
00:28:58,136 --> 00:28:59,866
Hey Joe, I will need
your guitar for just one second.
630
00:29:21,059 --> 00:29:24,359
Charlie, how about me?
come your scoop, man
631
00:29:29,267 --> 00:29:30,860
We start working.
632
00:29:31,035 --> 00:29:32,094
Kita mulai bekerja.
633
00:29:32,270 --> 00:29:34,830
Part of me just wants
to do up-tempo songs,
634
00:29:35,006 --> 00:29:36,440
but that's only because
my mood is currently,
635
00:29:36,808 --> 00:29:38,140
it becomes clear
can't influence it
636
00:29:38,309 --> 00:29:39,971
Hey, Charlie!
637
00:29:40,145 --> 00:29:41,272
How are you doing?
638
00:29:43,114 --> 00:29:45,447
How does it feel
Back to Memphis right now?
639
00:29:45,817 --> 00:29:47,945
I always like
back in Memphis
640
00:29:48,119 --> 00:29:51,851
Like I remember we
caught the train here
641
00:29:54,526 --> 00:29:56,085
Hey, I know you
642
00:29:56,261 --> 00:29:58,526
I made you Dr. Pepper today. P>
643
00:29:58,897 --> 00:30:00,229
Are you
Good. P>
644
00:30:00,398 --> 00:30:02,060
Feel like being home. P>
645
00:30:02,233 --> 00:30:03,233
You are. P>
646
00:30:06,938 --> 00:30:07,938
How Do you do it? P>
647
00:30:08,106 --> 00:30:10,234
Hey, Charlie, I'm David Hood. P>
648
00:30:10,408 --> 00:30:11,967
Charlie is the name,
harmonica is the game. P>
649
00:30:12,143 --> 00:30:13,167
Good. P>
650
00:30:13,344 --> 00:30:14,437
Hey, I'm George.
651
00:30:14,813 --> 00:30:15,837
I'm Charlie Musselwhite.
652
00:30:15,838 --> 00:30:16,580
It's nice to meet you.
653
00:30:16,581 --> 00:30:17,347
It's nice to meet you.
654
00:30:17,348 --> 00:30:18,407
Joe Restivo, man.
655
00:30:18,583 --> 00:30:20,074
Make some noise and
have fun doing it
656
00:31:06,598 --> 00:31:08,032
What do you think about that?
657
00:31:08,199 --> 00:31:12,534
I like that.
I don't know what
I do, I'm just noodling.
658
00:31:12,904 --> 00:31:13,904
Awesome
659
00:31:13,972 --> 00:31:14,972
Now it's an instrumental ,
660
00:31:15,106 --> 00:31:16,870
or we will
write vocals for it
661
00:31:17,041 --> 00:31:18,236
This is only instrumental.
662
00:31:18,409 --> 00:31:20,002
This is an instrumental?
663
00:31:20,144 --> 00:31:21,144
Really?
664
00:31:21,212 --> 00:31:22,976
I don't even think
about lyrics, I'm just...
665
00:31:23,147 --> 00:31:24,308
You don't even
think about the lyrics?
666
00:31:24,482 --> 00:31:25,575
No.
667
00:31:25,917 --> 00:31:26,917
Oh, I love you
so many voices, man
668
00:31:26,918 --> 00:31:27,651
I really hope
you will sing.
669
00:31:27,652 --> 00:31:29,211
I mean I know a lot songs,
670
00:31:29,387 --> 00:31:31,947
But they're all just
straight ahead of the blues
671
00:31:32,123 --> 00:31:34,524
Sing blues,
humans, what are you doing
672
00:31:34,893 --> 00:31:39,126
Well I don't know
That's what they want to do.
673
00:31:39,297 --> 00:31:40,856
Yes, bro.
Name
674
00:31:41,032 --> 00:31:42,261
A shuffle? P>
675
00:31:42,433 --> 00:31:44,959
Eddie Taylor Shuffle. P>
676
00:31:45,136 --> 00:31:47,571
I'll do my best for Eddie Taylor. P>
677
00:31:47,939 --> 00:31:52,639
And you can start the guitar
like.
678
00:32:01,586 --> 00:32:02,586
Can I show you how to do it?
679
00:32:02,954 --> 00:32:04,582
Yes yes.
680
00:32:04,956 --> 00:32:06,891
Something in the order...
681
00:32:07,058 --> 00:32:09,220
I have to put my foot
here about something
682
00:32:26,311 --> 00:32:27,311
You'd better play the guitar.
683
00:32:27,345 --> 00:32:29,041
Sounds good.
684
00:32:29,113 --> 00:32:30,113
Wow.
685
00:32:30,114 --> 00:32:31,114
Just something like that.
686
00:32:31,182 --> 00:32:32,309
He's a boogie deer marsh.
687
00:32:32,483 --> 00:32:35,647
He's a boogie deer swamp.
688
00:32:43,361 --> 00:32:46,695
As I grow up here
in the forties and fifties,
689
00:32:47,065 --> 00:32:50,524
Looks like Memphis is so
just loaded with music
690
00:32:50,702 --> 00:32:52,534
I don't know if it's
that way everywhere,
691
00:32:52,704 --> 00:32:55,970
but I found out later
it's quite special
692
00:32:56,140 --> 00:32:58,166
There are street singers in the city
693
00:32:58,343 --> 00:33:00,312
that I was very fascinated
with, blues singer.
694
00:33:00,979 --> 00:33:03,107
But always there
this jam session,
695
00:33:03,281 --> 00:33:04,613
a spontaneous jam session p >
696
00:33:04,983 --> 00:33:08,010
Someone just stopped by
with a bottle and guitar,
697
00:33:08,186 --> 00:33:11,418
and then you know,
we play just for fun.
698
00:33:11,589 --> 00:33:15,287
♪ If I have to have bad luck
699
00:33:15,460 --> 00:33:18,259
♪ Honey, long,
away from home
700
00:33:21,065 --> 00:33:23,398
♪ If I have to have bad luck
701
00:33:24,502 --> 00:33:27,438
♪ Honey, long,
away from home
702
00:33:30,074 --> 00:33:32,669
♪ Well now since
I know you love me
703
00:33:33,544 --> 00:33:35,638
♪ Dear, your love
will make me go away
704
00:33:36,214 --> 00:33:38,012
♪ Comin & apos; home for your baby
705
00:33:39,117 --> 00:33:41,382
I have done a little
moonshine running
706
00:33:41,552 --> 00:33:45,546
and put the cement floor > That doesn't interest me,
so go to Chicago
707
00:33:45,723 --> 00:33:46,747
and get one
that big factory job
708
00:33:47,125 --> 00:33:50,755
with all the benefits. P>
709
00:33:51,129 --> 00:33:52,620
I don't know Chicago
710
00:33:52,797 --> 00:33:54,390
all the big blues sang there. P>
711
00:33:54,565 --> 00:33:55,658
And when I got there,
boy, it felt like
712
00:33:56,034 --> 00:33:58,060
a child in a candy shop
713
00:33:58,236 --> 00:34:00,728
I hang out
at Pepper's Lounge
714
00:34:01,105 --> 00:34:02,505
with Muddy Waters, or
Silvio with Wolf Howlin,
715
00:34:04,675 --> 00:34:06,701
or run to Will
Walter and Sonny Boy,
716
00:34:07,078 --> 00:34:09,445
and they are all there.
717
00:34:09,614 --> 00:34:12,277
Everyone up there
from below,
718
00:34:12,450 --> 00:34:13,748
and I've met Jimmy
Reed here in Memphis,
719
00:34:14,118 --> 00:34:15,643
Semua orang di atas sana
dari bawah sini,
720
00:34:16,554 --> 00:34:19,683
dan aku sudah bertemu dengan Jimmy
Reed disini di Memphis,
721
00:34:20,058 --> 00:34:23,085
and I met Muddy and
James Cotton here
722
00:34:24,328 --> 00:34:26,024
You know, south
the Chicago side is
723
00:34:26,197 --> 00:34:27,563
like North
Memphis or the like
724
00:34:47,485 --> 00:34:49,420
This is more than just music.
725
00:34:49,587 --> 00:34:52,216
There is that substance,
that feeling for it
726
00:34:52,390 --> 00:34:53,483
It only reaches people.
727
00:34:53,658 --> 00:34:56,787
As soon as they hear it,
they need to have more
728
00:34:57,161 --> 00:34:59,096
Because they know
it's a deep thing,
729
00:34:59,263 --> 00:35:01,630
and it's real and original,
and directly from the heart.
730
00:35:01,799 --> 00:35:05,702
If you don't get the secret
the material of South Memphis,
731
00:35:05,870 --> 00:35:09,466
that you can't put into
a book or write,
732
00:35:09,640 --> 00:35:13,077
it won't be the same.
733
00:35:26,524 --> 00:35:29,358
We only crash.
734
00:35:40,605 --> 00:35:43,871
Bas.
This is the bass section.
735
00:35:44,542 --> 00:35:46,841
In true passion
collaboration, i>
736
00:35:47,211 --> 00:35:50,511
we match blues English
extrordinaire, Ian Siegal i>
737
00:35:50,681 --> 00:35:53,173
with Memphis
guitar slinger, Eric Gales. i>
738
00:35:53,351 --> 00:35:56,116
Mentoring is the legendary
Hubert Sumlin. i>
739
00:35:56,287 --> 00:35:58,483
That's it, that's the bass part.
740
00:36:04,495 --> 00:36:07,158
Hubert Sumlin plays
with the blues icon i>
741
00:36:07,331 --> 00:36:08,765
< i> Howlin & apos; Wolf and Muddy Waters, i>
742
00:36:08,933 --> 00:36:11,528
and they influence the new
musician generation i>
743
00:36:11,702 --> 00:36:13,762
created
British invasion. I>
744
00:36:13,938 --> 00:36:16,271
the magic was inspired
musicians to travel i>
745
00:36:16,440 --> 00:36:19,740
from all over the world
to record in Memphis. i>
746
00:36:19,911 --> 00:36:22,403
Robert Plant said,
"Once I hear music i>
747
00:36:22,580 --> 00:36:25,516
"from the Mississippi Delta,
I'm no longer an Englishman. i>
748
00:36:25,683 --> 00:36:28,152
" I am a world person. " i>
749
00:36:29,387 --> 00:36:30,878
I'm thinking of that debt
750
00:36:31,255 --> 00:36:34,589
that the British musician
owes this city, this area.
751
00:36:34,759 --> 00:36:37,228
And as a child, you
find your escape
752
00:36:37,395 --> 00:36:39,557
With the overall idea
bringing Lead Belly,
753
00:36:39,730 --> 00:36:42,529
brings Delta music
to the mainstream of the United Kingdom
754
00:36:42,700 --> 00:36:43,793
besides traditional jazz.
755
00:36:43,968 --> 00:36:47,200
>
756
00:36:47,371 --> 00:36:50,307
We always see, we can't
do anything else but look,
757
00:36:50,474 --> 00:36:51,635
and try and imitate this music.
758
00:36:51,809 --> 00:36:52,809
That's phenomenal.
759
00:36:52,944 --> 00:36:54,606
It's amazing.
760
00:36:54,779 --> 00:36:57,749
When I drove the last car
night in the rain,
761
00:37:07,458 --> 00:37:08,892
I said to Nick, I said, "We are back."
762
00:37:09,260 --> 00:37:10,260
♪ Yes.
763
00:37:11,963 --> 00:37:13,829
♪ I know you're glad I went
764
00:37:15,466 --> 00:37:18,231
♪ Oh,
I've lived, boy
765
00:37:18,402 --> 00:37:19,461
♪ Yes, sir
766
00:37:19,804 --> 00:37:21,898
♪ In this phase too long
767
00:37:25,009 --> 00:37:26,910
♪ I'm not worried
768
00:37:29,647 --> 00:37:31,707
♪ I'm not worried
769
00:37:33,551 --> 00:37:40,355
♪ Because I'm sitting
Above the world
770
00:37:50,801 --> 00:37:51,928
Yes!
771
00:37:52,303 --> 00:37:54,431
BB King, Buddy Guy, and
Hubert Sumlin, you know,
773
00:37:58,976 --> 00:38:01,445
the blues people around
first generation, humans
774
00:38:01,612 --> 00:38:05,481
It is a miracle that it
775
00:38:05,650 --> 00:38:08,347
> cat even with us, man.
776
00:38:08,519 --> 00:38:09,519
I mean, we love you, BB,
and we love you, Hubert.
777
00:38:09,687 --> 00:38:10,882
Allah!
778
00:38:11,055 --> 00:38:14,719
You are a major
legend for me, man
779
00:38:14,892 --> 00:38:16,258
And you really
a great inspiration
780
00:38:16,427 --> 00:38:18,589
and have spoken to you
that we have had before.
781
00:38:18,763 --> 00:38:21,494
And you mean a whole lot
for me, man,
782
00:38:21,666 --> 00:38:24,431
and at any time < br /> we can be together
783
00:38:24,602 --> 00:38:27,367
to do something together, man,
I am always there for you, man.
784
00:38:27,538 --> 00:38:31,498
And as I said, no
a help you can't ask me
785
00:38:31,676 --> 00:38:32,803
that I won't be there
786
00:38:32,977 --> 00:38:33,977
I'll be there, man,
787
00:38:34,078 --> 00:38:36,513
because you are a true legend
788
00:38:36,681 --> 00:38:38,547
You are a pioneer,
you are the person.
789
00:39:07,578 --> 00:39:10,070
It's nothing but a party here.
790
00:39:10,448 --> 00:39:12,747
Hey, Luther!
791
00:39:12,917 --> 00:39:14,783
How do you do it, Luther?
792
00:39:14,952 --> 00:39:15,952
I miss you so much
793
00:39:15,953 --> 00:39:17,717
Oh, I miss you guys, man.
794
00:39:17,888 --> 00:39:19,789
I miss you so much.
795
00:39:19,957 --> 00:39:21,482
Kami merindukan kalian semua.
796
00:39:21,659 --> 00:39:22,888
Miss Yvonne, hey.
797
00:39:23,060 --> 00:39:25,586
You acted like you didn't
in a family no more.
798
00:39:25,763 --> 00:39:27,322
Luther, we heard you
had a little girl p >
799
00:39:27,498 --> 00:39:28,498
Seducing!
800
00:39:28,599 --> 00:39:29,599
He is my heart.
801
00:39:29,800 --> 00:39:31,701
Hey, so we are grandmother now.
802
00:39:31,869 --> 00:39:35,806
I will show you your picture later.
803
00:39:35,973 --> 00:39:37,703
> I know he's cute. P>
804
00:39:37,875 --> 00:39:39,366
I know him, Luther. P>
805
00:39:39,543 --> 00:39:40,543
He looks like my father. P>
806
00:39:40,644 --> 00:39:43,773
I'm very proud of you
807
00:39:43,948 --> 00:39:45,883
I miss you so much! P>
808
00:39:45,884 --> 00:39:46,883
My children. P>
809
00:39:46,884 --> 00:39:47,817
We love you so much. P>
810
00:39:47,818 --> 00:39:48,818
I love you too. P>
811
00:39:48,886 --> 00:39:50,081
We miss you.
/> We love
you, Miss Yvonne. P>
812
00:39:50,454 --> 00:39:51,454
Oh, God, it's not easy. P>
813
00:39:54,892 --> 00:39:56,622
I grew up in this matter
record here,
814
00:39:56,794 --> 00:39:58,820
"Staple singer
makes you happy".
815
00:39:58,996 --> 00:40:00,828
Our way is actually,
our family must know
816
00:40:00,998 --> 00:40:02,899
The Staples Family
because of the song,
817
00:40:03,067 --> 00:40:04,535
"Freedom of Highway".
818
00:40:04,702 --> 00:40:06,364
We are playing the song,
we will record it, p >
819
00:40:06,537 --> 00:40:08,938
But there is one line
we don't know.
820
00:40:09,106 --> 00:40:11,132
And my mother called
Yvonne and Mavis
821
00:40:11,509 --> 00:40:12,772
and asked her what that was.
822
00:40:12,943 --> 00:40:14,878
>
823
00:40:15,045 --> 00:40:16,138
I was very impressed that
I found it, you know?
824
00:40:16,514 --> 00:40:19,814
And they are so cool.
825
00:40:19,984 --> 00:40:21,612
"My children want to sing
& apos; March Freedom Highway. P>
826
00:40:21,786 --> 00:40:23,049
"Can we have the lyrics?" P>
827
00:40:23,421 --> 00:40:28,121
And they are like, "Do
are these young white boys on
828
00:40:28,526 --> 00:40:30,927
"Mississippi sings us
civil rights protest songs?"
829
00:40:42,807 --> 00:40:44,742
I'm like, "Hey
Man, I feel it."
830
00:40:44,909 --> 00:40:48,607
Mavis Staples is a queen , man.
831
00:40:52,983 --> 00:40:55,578
Pops, you know, Pops Staples,
he knows Charlie Patton,
832
00:40:55,753 --> 00:40:57,517
and Mavis talks
about Howlin & apos; Wolf
833
00:40:57,688 --> 00:40:59,452
comes to the house and
Hang out, you know?
834
00:40:59,623 --> 00:41:02,650
And Pops Staples takes
blues country
835
00:41:02,827 --> 00:41:05,956
straight into the future
836
00:41:06,130 --> 00:41:07,928
through Civil
Rights Movement
837
00:41:16,474 --> 00:41:20,206
When we
are brought here as slaves
838
00:41:20,578 --> 00:41:22,604
and not allowed
gathered or talked,
839
00:41:22,780 --> 00:41:26,080
slaves are organized
how to communicate,
840
00:41:26,250 --> 00:41:27,946
and that through singing.
841
00:41:28,118 --> 00:41:32,055
From the song field and so on
the way through the gospel
842
00:41:32,223 --> 00:41:34,590
and Civil Rights
Movement, where the church is
843
00:41:34,758 --> 00:41:36,488
in the middle of the movement,
844
00:41:36,660 --> 00:41:38,993
and black preachers
motivate people
845
00:41:39,163 --> 00:41:43,863
to defend what they are
trust, and their rights.
846
00:41:47,705 --> 00:41:49,503
Mavis Staples moves and sings
847
00:41:49,673 --> 00:41:52,609
side by side with
Martin Luther King, Jr.
848
00:41:52,776 --> 00:41:54,972
in the struggle for
racial equality.
849
00:41:55,145 --> 00:41:58,513
After decades of breaking records
with The Staple Singers
850
00:41:58,682 --> 00:42:01,743
and solo career,
Mavis is appointed
851
00:42:01,919 --> 00:42:03,888
into Rock &
Roll Hall of Fame
852
00:42:04,054 --> 00:42:07,786
and get a Grammy
Lifetime Achievement Award. P>
853
00:42:14,999 --> 00:42:16,865
God knows, humans
need change
854
00:42:17,034 --> 00:42:19,196
They are ready for a
Change, changes must come. P>
855
00:42:19,570 --> 00:42:21,562
And the music
reflects that, you know
856
00:42:21,739 --> 00:42:26,609
And Memphis music
develops through battles,
857
00:42:26,977 --> 00:42:28,172
and humans, I don't know
858
00:42:28,546 --> 00:42:30,777
"Keep Marching", I
will not turn around, man
859
00:42:30,948 --> 00:42:32,109
We will continue
on marching, Mavis. P>
860
00:42:32,283 --> 00:42:33,283
We love you, dear
861
00:42:33,617 --> 00:42:34,880
God, they are so cool.
862
00:42:35,052 --> 00:42:36,611
Look here,
what's wrong with this song
863
00:42:36,787 --> 00:42:37,914
we keep changing?
864
00:42:38,088 --> 00:42:39,886
What have we decided?
865
00:42:40,057 --> 00:42:41,057
"I already Buked ". P>
866
00:42:41,125 --> 00:42:42,125
♪ I've been repaid
867
00:42:42,126 --> 00:42:43,126
It will be beautiful
868
00:42:43,294 --> 00:42:44,694
I'll just say, that's good. P>
869
00:42:44,862 --> 00:42:46,763
I said," I have been ridiculed "
good, but tell them
870
00:42:46,931 --> 00:42:49,958
to listen to" my dear
has answered "too. P>
871
00:42:50,134 --> 00:42:51,693
He did not tell us that. P> >
872
00:42:51,869 --> 00:42:56,773
Papa is playing to get it
873
00:42:58,075 --> 00:42:59,236
Sounds good.
874
00:42:59,610 --> 00:43:01,203
You may not have "Wish
I have answered" to you.
875
00:43:01,278 --> 00:43:02,278
I never heard of it. P>
876
00:43:02,279 --> 00:43:03,838
Oh man! P>
877
00:43:06,584 --> 00:43:07,950
Maybe you can find it
on the computer
878
00:43:08,118 --> 00:43:09,118
Yeah, I'll see. P> >
879
00:43:09,153 --> 00:43:10,153
That's what we will do.
880
00:43:10,321 --> 00:43:11,321
Oh well.
881
00:43:11,355 --> 00:43:13,915
"Wish I & ve; ve Answered", Cody.
882
00:43:14,091 --> 00:43:15,115
We go, drop it.
883
00:43:15,292 --> 00:43:16,292
I know it doesn't take long.
884
00:43:16,327 --> 00:43:18,319
There are some Montana bad.
885
00:43:18,696 --> 00:43:19,789
♪ Don't you know that I want it?
886
00:43:19,964 --> 00:43:21,796
♪ I want an answer
887
00:43:21,966 --> 00:43:23,594
Oh yeah!
Seduce!
888
00:43:25,069 --> 00:43:26,594
That's it.
889
00:43:26,770 --> 00:43:30,798
Go, Cody
Go, Cody,
You scutter a little!
890
00:43:30,975 --> 00:43:32,238
I like this song,
It sounds amazing .
891
00:43:32,610 --> 00:43:35,239
This is a great song, Cody.
892
00:43:35,613 --> 00:43:36,979
Write the Pops.
893
00:43:36,980 --> 00:43:37,947
Beautiful.
894
00:43:37,948 --> 00:43:38,948
Isn't that bad?
895
00:43:38,983 --> 00:43:39,983
The guitar part is very funky.
896
00:43:40,150 --> 00:43:41,174
Yes, yes, that's what I like.
897
00:43:42,353 --> 00:43:43,878
I know you will like it.
898
00:43:44,054 --> 00:43:46,990
Listen to the spirit.
899
00:43:58,736 --> 00:43:59,760
Now, Pops is bad.
900
00:43:59,937 --> 00:44:00,996
That's the bomb!
901
00:44:01,171 --> 00:44:03,163
Isn't that hip?
902
00:44:03,340 --> 00:44:04,899
You mean, you wrote it?
903
00:44:11,115 --> 00:44:14,847
♪ He saw me
904
00:44:15,019 --> 00:44:16,019
That's too high.
905
00:44:16,153 --> 00:44:17,815
♪ For 104
906
00:44:17,988 --> 00:44:20,389
♪ He say oh
907
00:44:20,758 --> 00:44:23,853
I'm 22 years old.
908
00:44:24,028 --> 00:44:26,327
♪ Deep down
909
00:44:26,697 --> 00:44:28,996
♪ And I feel her fear
910
00:44:29,166 --> 00:44:32,000
♪ From the swell of the waves
911
00:44:32,169 --> 00:44:34,638
♪ You know I hope
912
00:44:38,208 --> 00:44:41,303
Who will sing the Pops section?
913
00:44:41,679 --> 00:44:42,977
Do you want me to sing
in the Pop section too?
914
00:44:42,980 --> 00:44:43,980
Yes.
915
00:44:43,981 --> 00:44:44,781
Good.
916
00:44:44,782 --> 00:44:45,248
We will all do the background.
917
00:44:45,249 --> 00:44:46,249
Background, okay
918
00:44:49,319 --> 00:44:50,412
Five, yes.
919
00:44:50,788 --> 00:44:53,053
One, six, six, five.
920
00:44:53,223 --> 00:44:56,955
Woo Pops, you're slippery
921
00:44:57,127 --> 00:44:59,096
That's what Pops & apos do now.
922
00:44:59,263 --> 00:45:00,263
I hear it, it's complicated.
923
00:45:04,201 --> 00:45:07,330
Aww, alright, I'm leaving now.
924
00:45:09,006 --> 00:45:11,407
Go Pops.
Go Pops.
925
00:45:11,875 --> 00:45:13,036
But Luther, you can get it.
926
00:45:13,777 --> 00:45:14,777
Luther can get it.
927
00:45:14,778 --> 00:45:15,837
Thank you
will keep faith
928
00:45:15,913 --> 00:45:16,913
If anyone can get it.
929
00:45:16,914 --> 00:45:18,075
I will keep faith.
930
00:45:21,218 --> 00:45:22,218
No.
931
00:45:36,734 --> 00:45:37,963
That is there.
932
00:45:38,135 --> 00:45:43,039
933
00:45:43,841 --> 00:45:48,779
♪ Woo, to 103
934
00:45:48,946 --> 00:45:53,850
♪ The Old Death looks at me
935
00:45:54,184 --> 00:45:59,122
♪ Then rises to 104
936
00:45:59,923 --> 00:46:04,884
♪ Says "Old Death, that's
> knockin at your door "
937
00:46:05,062 --> 00:46:10,023
♪ Up to 105
938
00:46:10,501 --> 00:46:13,801
♪ Say" I don't believe,
God, you will survive "
939
00:46:13,971 --> 00:46:16,031
♪ Don't you know I hope? P>
940
00:46:16,206 --> 00:46:18,505
♪ Say I wish
941
00:46:18,876 --> 00:46:20,742
♪ Say me... Nevermind. P>
942
00:46:20,911 --> 00:46:23,005
Now, continue now. P>
943
00:46:23,180 --> 00:46:26,947
I can't breathe.
It hurts.
944
00:46:27,117 --> 00:46:28,117
Wow, it made me cold.
945
00:46:28,285 --> 00:46:31,016
Alright, we have one, yes.
946
00:46:31,188 --> 00:46:33,089
It also makes me cold. P>
947
00:46:33,257 --> 00:46:34,452
This is bad Montana. P>
948
00:46:34,825 --> 00:46:35,825
Still get it. P>
949
00:46:36,527 --> 00:46:40,055
Inside the house.
Inside the house! P>
950
00:46:40,397 --> 00:46:44,858
♪ He said "Oh that Death
knockin & apos; at your door"
951
00:46:45,102 --> 00:46:47,367
But look, I can't make my obstacle.
952
00:47:24,274 --> 00:47:26,937
We do everything
session, though, human. i>
953
00:47:27,110 --> 00:47:28,134
We put so many items on the can. i>
954
00:47:28,312 --> 00:47:30,872
We create music, see?
955
00:47:31,048 --> 00:47:33,916
And bass has.
956
00:47:34,084 --> 00:47:38,988
No, bass has.
957
00:47:40,524 --> 00:47:41,524
Now puttin & apos ; this.
958
00:47:45,996 --> 00:47:47,259
It's yours. i>
959
00:47:47,431 --> 00:47:50,060
"It & apos; s Your Thing" came out and
It immediately became a hit. i>
960
00:47:50,934 --> 00:47:52,926
So after "It & apos; s Your Thing"
We have carte blanche
961
00:47:53,103 --> 00:47:54,503
with The I sley Brothers. i>
962
00:47:54,872 --> 00:47:58,104
I left The Isley Brothers
and came here in 1970,
963
00:47:58,375 --> 00:48:00,276
because Isaac called
for me from doing < / i>
964
00:48:00,344 --> 00:48:01,344
"This Is Your Thing". i>
965
00:48:01,345 --> 00:48:02,345
He got his own band. i>
966
00:48:02,479 --> 00:48:05,142
And Isaac gave us a lot of work. i>
967
00:48:05,315 --> 00:48:07,045
If I'm not in
studio, I'm on the road. i>
968
00:48:07,217 --> 00:48:08,378
Isaac was hot. i>
969
00:48:08,552 --> 00:48:10,418
Isaac Hayes! i>
970
00:48:20,464 --> 00:48:25,164
Yes yes!
971
00:49:20,991 --> 00:49:24,223
We have Isaac Hayes's
Academy Award here
972
00:49:24,394 --> 00:49:27,421
1972, for "Shaft".
973
00:49:27,597 --> 00:49:29,657
p>
974
00:49:30,033 --> 00:49:32,559
was the first African
American musician
975
00:49:32,736 --> 00:49:35,968
in Academy history.
976
00:49:36,139 --> 00:49:37,607
That was also very
special, because
977
00:49:37,975 --> 00:49:39,500
He brought it go home to Memphis.
978
00:49:40,410 --> 00:49:41,969
Then Isaac Hayes & apos' s Cadillac.
979
00:49:42,179 --> 00:49:46,173
This doggone car causes more
road accidents
980
00:49:46,350 --> 00:49:48,945
Memphis than you
You can imagine, i>
981
00:49:49,119 --> 00:49:52,248
because people never
saw anything like that before. i>
982
00:49:52,422 --> 00:49:55,415
This is just a car,
isn't it?
983
00:49:57,594 --> 00:49:59,995
And I played with it from then on
984
00:50:00,163 --> 00:50:01,597
until around & apos; 81, when
he went bankrupt
985
00:50:01,765 --> 00:50:02,994
and stopped playing for a while.
986
00:50:03,166 --> 00:50:04,429
He went abroad somewhere.
987
00:50:04,601 --> 00:50:08,265
Then, Isaac go back and
start working on & 94; i>
988
00:50:08,438 --> 00:50:10,100
And call me. i>
989
00:50:10,273 --> 00:50:11,536
I finally became the leader of the band i>
990
00:50:11,708 --> 00:50:13,267
and I was with him
until the day he died
991
00:50:13,443 --> 00:50:15,036
That day,
had to go have lunch with him,
992
00:50:15,212 --> 00:50:16,578
and I can't
get there on time
993
00:50:16,747 --> 00:50:18,010
He died before I
got to him. i>
994
00:50:18,181 --> 00:50:22,619
He has left. i>
995
00:50:28,125 --> 00:50:29,457
Now Jesse Jackson
says that "Stax
996
00:50:29,626 --> 00:50:31,754
" Not just a record company.
997
00:50:32,129 --> 00:50:33,256
"That is a sound. i>
998
00:50:33,630 --> 00:50:35,189
"I am a culture. i>
999
00:50:36,233 --> 00:50:37,997
"I am a human conscience movement i>
1000
00:50:38,168 --> 00:50:41,661
" and
experience at the right time. " i>
1001
00:50:42,439 --> 00:50:44,135
This is here
the music environment,
1002
00:50:44,307 --> 00:50:47,038
on Stax Records and Hi Records
1003
00:50:47,210 --> 00:50:51,545
we respect each other
culturally.
1004
00:50:51,715 --> 00:50:53,547
We respect each other
as men and women
1005
00:50:53,717 --> 00:50:56,050
and as professionals.
1006
00:50:56,219 --> 00:50:58,415
And we really don't care
what is your gender,
1007
00:50:58,588 --> 00:51:00,784
and we don't care
what color you are
1008
00:51:01,158 --> 00:51:02,786
It's all about the music.
1009
00:51:03,160 --> 00:51:04,651
p>
1010
00:51:04,828 --> 00:51:09,732
There are some
strange times,
1011
00:51:10,100 --> 00:51:12,569
because racism still
permeates our society
1012
00:51:12,736 --> 00:51:15,171
at that time, but
we have two people
1013
00:51:15,338 --> 00:51:18,331
who is bigger
love for music
1014
00:51:18,508 --> 00:51:22,741
So they allow
people, black and white,
1015
00:51:23,113 --> 00:51:25,344
to enter and they
work together. "
1016
00:51:25,515 --> 00:51:29,043
We just can't & see colors.
1017
00:51:30,220 --> 00:51:34,715
I think you can say Stax
is rather like an oasis,
1018
00:51:35,092 --> 00:51:37,584
As soon as we walk
out of the door,
1019
00:51:37,761 --> 00:51:38,761
it hits us on the face
1020
00:51:38,829 --> 00:51:41,162
Sometimes it's open,
because of the police
1021
00:51:41,331 --> 00:51:44,062
will sit across
the way on the Big D's,
1022
00:51:44,234 --> 00:51:45,702
and they will come
squeaky,
1023
00:51:45,869 --> 00:51:48,065
and sometimes with the rifle pulled,
1024
00:51:48,238 --> 00:51:50,571
because we will turn
and lock the door.
1025
00:51:50,740 --> 00:51:53,232
At 3:00 a.m., we
exit the studio
1026
00:51:53,410 --> 00:51:55,436
to lock the door, "What < Are you here? "
1027
00:51:55,612 --> 00:51:57,080
" Did you rob the place? "
1028
00:51:57,247 --> 00:51:58,840
We just locked the door.
1029
00:51:59,216 --> 00:52:00,309
Will we rob it? < br /> and lock the door?
1030
00:52:04,321 --> 00:52:05,619
Hey, kid!
1031
00:52:06,289 --> 00:52:07,587
Happy New Year!
1032
00:52:07,757 --> 00:52:09,248
What happened, honey?
1033
00:52:09,426 --> 00:52:10,587
This is is my partner here, man.
1034
00:52:10,760 --> 00:52:12,626
This is Leroy Hodges,
bass player,
1035
00:52:12,796 --> 00:52:14,321
Teenie Hodges brothers.
1036
00:52:15,165 --> 00:52:17,566
Minister!
Other Hodges, you.
1037
00:52:17,734 --> 00:52:19,862
We cut so many items
with these people
1038
00:52:20,237 --> 00:52:21,671
As he cut "LOVE,
Love" and he said
1039
00:52:21,838 --> 00:52:23,397
he didn't even remember
what key was
1040
00:52:23,573 --> 00:52:26,338
You cut so much, You can't
think about what you are doing
1041
00:52:26,710 --> 00:52:29,236
I have a lot of
blankets, I don't even know. P>
1042
00:52:30,514 --> 00:52:33,279
I mean, I have more than 26 < br /> gold and platinum.
1043
00:52:36,386 --> 00:52:40,255
D-flat, big seventh,
1044
00:52:40,423 --> 00:52:45,327
A-flat, seventh B-flat.
1045
00:52:47,464 --> 00:52:48,464
We do it together.
1046
00:52:48,565 --> 00:52:49,897
We do it together.
1047
00:52:50,267 --> 00:52:54,864
That's what
made it so beautiful
1048
00:52:55,505 --> 00:52:59,272
Hi Rhythm, Leroy, Howard,
Hubby, Teenie and myself. I>
1049
00:52:59,442 --> 00:53:04,312
one behind the other, 27 in a row.
1050
00:53:04,614 --> 00:53:06,879
Leroy, Teenie and
myself, Charles, i>
1051
00:53:07,250 --> 00:53:10,743
we are the first brothers,
you know, the three of us. i>
1052
00:53:10,921 --> 00:53:12,856
My father, Leroy Hodges, Senior. i>
1053
00:53:13,223 --> 00:53:15,317
He is, without a shadow of doubt,
1054
00:53:15,492 --> 00:53:19,862
is one of the greatest
blues pianists in the world
1055
00:53:20,230 --> 00:53:21,357
He plays with some /> the best that ever existed,
1056
00:53:21,531 --> 00:53:23,830
Memphis Slim, some
of all those people
1057
00:53:24,201 --> 00:53:26,227
But he started to have it
all these children
1058
00:53:26,403 --> 00:53:29,840
My mother and father have seven people
children in four years. i>
1059
00:53:30,207 --> 00:53:33,769
Nine children in six years, but that
didn't stop playing. i>
1060
00:53:33,944 --> 00:53:35,708
And so we
all started. i>
1061
00:53:35,879 --> 00:53:37,677
We work in the band. i>
1062
00:53:37,847 --> 00:53:41,215
I'm sitting here,
Teenies are always here.
1063
00:53:41,384 --> 00:53:44,548
Charles, that organ and
the piano is in the same place
1064
00:53:44,721 --> 00:53:49,625
for, the same since
Bill Black appears.
1065
00:53:50,227 --> 00:53:51,855
D-flat.
1066
00:53:52,229 --> 00:53:53,229
About what?
1067
00:53:53,263 --> 00:53:54,754
D-flat, big seventh.
1068
00:53:54,931 --> 00:53:56,763
Wait, slow down, slow.
1069
00:53:56,933 --> 00:53:57,933
Do it slower.
1070
00:53:58,001 --> 00:54:00,334
Hold it there, D-minor?
1071
00:54:00,503 --> 00:54:01,503
Yes, D-minor. P>
1072
00:54:01,671 --> 00:54:05,608
No, you call it
come out the first time
1073
00:54:05,775 --> 00:54:07,209
Are we in the same place? P>
1074
00:54:07,377 --> 00:54:08,470
Do it again. P>
1075
00:54:08,645 --> 00:54:11,911
Hold F
1076
00:54:12,282 --> 00:54:16,378
to the seventh F to B-flat.
1077
00:54:16,553 --> 00:54:18,647
We love, we care
for each other,
1079
00:54:20,423 --> 00:54:23,222
We also never
busy or too big
1080
00:54:23,393 --> 00:54:26,761
to just sit down and
talk about your problem,
1081
00:54:26,930 --> 00:54:27,930
what you experience
1082
00:54:27,931 --> 00:54:29,331
If you need some
help something,
1083
00:54:29,499 --> 00:54:30,797
I'm here for you
1084
00:54:30,967 --> 00:54:32,230
Oh, I also have something else ,
1085
00:54:32,402 --> 00:54:33,426
you will really like
1086
00:54:33,603 --> 00:54:34,901
So, let's start
something like...
1087
00:54:43,947 --> 00:54:44,947
♪ Drama, drama
1088
00:54:45,015 --> 00:54:46,483
♪ Babies, mamas they like
1089
00:54:46,650 --> 00:54:48,551
♪ "You promise, but
you are dishonest"
1090
00:54:48,718 --> 00:54:50,983
♪ Now you have some
trips with calm down
1091
00:54:51,354 --> 00:54:53,516
♪ There is only one
pimp on this trip
1092
00:54:53,690 --> 00:54:57,684
♪ So you walk
1093
00:54:59,396 --> 00:55:01,922
That's cool
1094
00:55:18,948 --> 00:55:20,814
Learn that.
1095
00:55:20,984 --> 00:55:23,749
Give us around 15,
20, 30 minutes.
1096
00:55:23,920 --> 00:55:26,515
Willie says, "Ready?"
1097
00:55:26,690 --> 00:55:27,919
Let's roll it.
1098
00:55:47,844 --> 00:55:49,312
>
1099
00:55:49,479 --> 00:55:50,879
♪ Try to get it
all the cheese
1100
00:55:51,047 --> 00:55:52,743
♪ Like people, like Russell
1101
00:55:52,916 --> 00:55:53,916
♪ Pray to God
1102
00:55:53,950 --> 00:55:55,885
♪ With everyone < br /> please tell
1103
00:55:56,052 --> 00:55:57,486
♪ Enter the back door
1104
00:55:57,654 --> 00:55:58,781
♪ What is the front?
1105
00:55:58,955 --> 00:56:00,821
♪ Mister, I think
you have to go
1106
00:56:00,990 --> 00:56:01,990
p>
1107
00:56:02,058 --> 00:56:03,492
♪ What if I don't go?
1108
00:56:03,660 --> 00:56:05,390
♪ Then the police shows
1109
00:56:05,562 --> 00:56:06,860
♪ Raise your hands, kneel down
1110
00:56:07,030 --> 00:56:08,030
♪ Turn around, face the floor
1111
00:56:08,365 --> 00:56:09,856
>
1112
00:56:10,033 --> 00:56:11,729
♪ But I'm all "No
1113
00:56:11,901 --> 00:56:14,928
♪" I'm not gon & apos; kneeling "
1114
00:56:15,105 --> 00:56:16,573
♪ It's not my place, bro
1115
00:56:16,740 --> 00:56:17,740
♪ I'm not have no
warrants or felonies
1116
00:56:17,907 --> 00:56:19,671
♪ You have a problem, I understand
1117
00:56:19,843 --> 00:56:20,902
♪ Because of my afro
1118
00:56:21,077 --> 00:56:22,443
♪ Let them take a nap
1119
00:56:22,612 --> 00:56:24,478
♪ Sir, you better freeze
1120
00:56:24,647 --> 00:56:25,808
>
1121
00:56:25,982 --> 00:56:27,917
♪ I no longer don't tell you
1122
00:56:28,084 --> 00:56:30,747
♪ I'm lining up, I'm
finished telling you someday
1123
00:56:30,920 --> 00:56:32,889
♪ Don't forget that
you talk to me
1124
00:56:33,056 --> 00:56:35,582
♪ You are walkin & apos; excellent and
respect what belongs to me
1125
00:56:35,759 --> 00:56:36,818
♪ why don't you take
your partner and run away
1126
00:56:36,993 --> 00:56:38,052
♪ This is score,
1127
00:56:38,428 --> 00:56:40,363
♪ They have three
weapons, no four of them
1128
00:56:40,530 --> 00:56:42,692
♪ I'm thinking of war, but there
Maybe a few more of them
1129
00:56:42,866 --> 00:56:44,562
♪ Maybe there are some
hands and I'm free
1130
00:56:44,734 --> 00:56:47,397
♪ So we walk
1131
00:56:47,570 --> 00:56:49,835
♪ Walk
1132
00:56:50,006 --> 00:56:54,535
♪ Walk
1133
00:56:54,711 --> 00:56:57,704
Willie Mitchell has
one of the few clubs
1134
00:56:57,881 --> 00:56:59,611
black people can play in. P>
1135
00:56:59,783 --> 00:57:01,809
I have a club at the end of the road. P>
1136
00:57:01,985 --> 00:57:03,146
The first is all integrated,
1137
00:57:03,520 --> 00:57:04,749
and I catch all types of flack.
1138
00:57:04,921 --> 00:57:08,483
They try to put
medicine in the bathroom
1139
00:57:08,658 --> 00:57:11,457
But thank goodness I
have people in the city center
1140
00:57:11,628 --> 00:57:12,994
said we would be raided
1141
00:57:13,163 --> 00:57:15,723
So we passed it
all that, man
1142
00:57:15,899 --> 00:57:18,528
And then on the tour,
it's just as bad as
1143
00:57:18,701 --> 00:57:19,930
in all countries.
1144
00:57:20,103 --> 00:57:21,799
I mean, we have to go up
all night sometimes
1145
00:57:21,971 --> 00:57:24,873
because you can't
live everywhere
1146
00:57:25,041 --> 00:57:26,942
Highway Patrol
will pull you,
1147
00:57:27,110 --> 00:57:29,807
drag all your instruments
out of the trailer,
1148
00:57:29,979 --> 00:57:31,140
and then, "Oh, you are a musician? p >
1149
00:57:31,514 --> 00:57:32,777
"Play something."
1150
00:57:32,949 --> 00:57:33,949
Real?
1151
00:57:34,017 --> 00:57:36,179
Mmmhmm.
1152
00:57:36,553 --> 00:57:37,851
It's like...
1153
00:57:38,021 --> 00:57:39,114
Man, you must humiliated
1154
00:57:39,489 --> 00:57:40,752
to play music
side of the road.
1155
00:57:40,924 --> 00:57:41,983
Yes, by the side of the road.
1156
00:57:42,158 --> 00:57:45,526
There is something rampant
segregation here at that time .
1157
00:57:45,662 --> 00:57:47,756
And seeing a lot of black people
1158
00:57:47,931 --> 00:57:52,198
drive around the city in
new Jaguar and Cadillac
1159
00:57:52,569 --> 00:57:54,162
and make big
the amount of money
1160
00:57:54,537 --> 00:57:56,028
p>
1161
00:57:56,206 --> 00:58:00,541
and become
internationally famous
1162
00:58:00,710 --> 00:58:02,906
Luxury open rubbing lots of
people in the wrong way
1163
00:58:03,079 --> 00:58:06,015
And they show
their displeasure
1164
00:58:06,182 --> 00:58:08,014
If we go to a
restaurant, and they say,
1165
00:58:08,184 --> 00:58:09,584
"Okay, no, no, no. You can't.
1166
00:58:09,752 --> 00:58:11,220
" You have to go around corner.
1167
00:58:11,588 --> 00:58:12,886
"We don't serve you."
1168
00:58:13,056 --> 00:58:14,056
No.
1169
00:58:14,123 --> 00:58:15,921
Everyone comes out.
1170
00:58:16,092 --> 00:58:17,092
I remember
that they don't want to
1171
00:58:17,193 --> 00:58:19,162
let's eat at this restaurant.
1172
00:58:19,529 --> 00:58:22,761
So he said, "All right
we get something to go?"
1173
00:58:22,932 --> 00:58:24,161
And everyone said, "Oh no, no.
1174
00:58:24,534 --> 00:58:25,832
" We won't spend
money here
1175
00:58:26,002 --> 00:58:27,129
"If they don't let us eat."
1176
00:58:27,504 --> 00:58:28,836
So he said, "No, no, no.
1177
00:58:29,005 --> 00:58:31,975
" Give us 40 hamburgers.
1178
00:58:32,141 --> 00:58:34,076
"Everything is in 40 hamburgers."
1179
00:58:34,244 --> 00:58:36,941
I see the man started
repairing the item
1180
00:58:37,113 --> 00:58:40,049
and throw the meat
the grill and everything,
1181
00:58:40,216 --> 00:58:44,847
we all walk out and
take the bus and go
1182
00:58:48,758 --> 00:58:50,727
♪ Hey baby now
1183
00:58:50,894 --> 00:58:52,886
♪ You have a dangerous city
1184
00:58:53,062 --> 00:58:55,054
♪ Al things you do
1185
00:58:55,231 --> 00:58:57,564
♪ Babies, you change the rules
1186
00:58:57,734 --> 00:59:00,033
♪ Ooh, you tell me how
1187
00:59:00,203 --> 00:59:02,195
♪ The more you scream and shout
1188
00:59:02,572 --> 00:59:04,768
♪ This is just a game with you
1189
00:59:04,941 --> 00:59:07,172
♪ Do what you have to do
1190
00:59:14,117 --> 00:59:19,021
Yes yes!
Wow!
Yes! P>
1191
00:59:19,722 --> 00:59:20,951
That can be in front. P>
1192
00:59:21,124 --> 00:59:22,251
Wow! P>
1193
00:59:22,625 --> 00:59:24,594
It's like stopping you
from problems. P>
1194
00:59:24,761 --> 00:59:27,856
It's like, "Walk. Walk.
1195
00:59:28,031 --> 00:59:31,126
" Just walk. "
1196
00:59:41,878 --> 00:59:43,244
Trash workers in Memphis
1197
00:59:43,613 --> 00:59:44,911
start the whole movement
1198
00:59:45,081 --> 00:59:47,243
Trash workers stop,
everything will fall apart
1199
00:59:47,617 --> 00:59:50,678
But they can't feed them
family, so they stand up,
1200
00:59:50,853 --> 00:59:52,321
and once they do that ,
everything starts to change.
1201
01:00:03,266 --> 01:00:05,997
Somewhere I read i>
1202
01:00:06,169 --> 01:00:08,104
freedom of association. i>
1203
01:00:08,271 --> 01:00:09,864
Somewhere I read i>
1204
01:00:10,039 --> 01:00:11,974
freedom of speech. i>
1205
01:00:12,141 --> 01:00:13,803
Somewhere I read i>
1206
01:00:13,977 --> 01:00:16,105
freedom of the press. i>
1207
01:00:16,279 --> 01:00:18,248
Somewhere I read i>
1208
01:00:18,615 --> 01:00:22,143
that American greatness
was the right to protest
1209
01:00:22,318 --> 01:00:23,843
for right
1210
01:00:30,059 --> 01:00:34,929
I've seen the promised land.
1211
01:00:35,098 --> 01:00:37,329
I might not get there with you.
1212
01:00:37,700 --> 01:00:40,169
But I want you to know tonight,
1213
01:00:40,336 --> 01:00:44,637
that we as people will
get to the promised land
1214
01:00:50,713 --> 01:00:51,737
So I'm happy tonight.
1215
01:00:51,914 --> 01:00:53,940
I'm not worried about anything.
1216
01:00:54,117 --> 01:00:56,780
I not afraid of anyone.
1217
01:00:56,953 --> 01:01:01,857
My left eye has seen its glory
the coming of God
1218
01:01:13,002 --> 01:01:16,131
At that time Dr.
Martin Luther King was shot i>
1219
01:01:17,073 --> 01:01:19,042
utopia begins to collapse. i>
1220
01:01:20,276 --> 01:01:22,268
Our environment is burning. i>
1221
01:01:22,445 --> 01:01:24,414
It seems as if
the spirit of Memphis i>
1222
01:01:24,781 --> 01:01:27,080
is fighting with time, i> p >
1223
01:01:27,250 --> 01:01:32,154
just as scared as the unknown
covering the whole city. i>
1224
01:01:32,722 --> 01:01:35,351
It's like, destroying.
1225
01:01:35,725 --> 01:01:38,058
I mean, the whole environment
1226
01:01:38,227 --> 01:01:39,889
just came out on
the way to scream,
1227
01:01:40,063 --> 01:01:41,122
and shout and cry.
1228
01:01:44,233 --> 01:01:46,225
They don't know
which way to change, i>
1229
01:01:46,402 --> 01:01:49,998
because Dr. King, to
the black community,
1230
01:01:50,173 --> 01:01:52,699
is everything
1231
01:01:52,875 --> 01:01:54,935
When Martin Luther
the King was killed,
1232
01:01:55,111 --> 01:01:58,912
Don't forget, the Stax < br /> like black and white
1233
01:01:59,082 --> 01:02:00,710
and at the time of the riot,
1234
01:02:00,883 --> 01:02:02,408
black people, like
Isaac and everyone
1235
01:02:02,785 --> 01:02:05,983
must be someone's companion < like Steve Cropper
1236
01:02:06,155 --> 01:02:07,817
and they all enter
and get out of Stax,
1237
01:02:07,990 --> 01:02:12,291
Because that white person
will only be destroyed
1238
01:02:12,462 --> 01:02:13,760
So we just said, "Hey man,
1239
01:02:13,930 --> 01:02:15,228
" only, please man,
they work with us
1240
01:02:15,398 --> 01:02:17,060
"Leave them alone,
brother.
Let them go. "
1241
01:02:17,233 --> 01:02:19,964
And then called
me, Isaac, and David,
1242
01:02:20,136 --> 01:02:22,765
and some other people
to enter the radio
1243
01:02:22,939 --> 01:02:27,843
and try to calm down
people down,
1244
01:02:28,044 --> 01:02:29,876
but there's a
lot of frustration
1245
01:02:30,213 --> 01:02:34,048
Burning and looting,
and even in talking i>
1246
01:02:34,217 --> 01:02:35,947
with some
environmental people, i>
1247
01:02:36,119 --> 01:02:37,712
you have to tell them, i>
1248
01:02:37,887 --> 01:02:41,449
"But you're burning
down your own house. i>
1249
01:02:41,824 --> 01:02:45,124
" You're burning
riding your own car. "
1250
01:02:45,294 --> 01:02:46,887
It hurts the city.
1251
01:02:47,063 --> 01:02:49,362
At that time, the music industry
1252
01:02:49,532 --> 01:02:53,060
was the third largest
employer in the city,
1253
01:02:53,236 --> 01:02:56,434
p>
1254
01:02:56,806 --> 01:02:58,798
led by Stax Records.
1255
01:02:58,975 --> 01:03:00,068
That is the second largest
black-owned business i>
1256
01:03:00,243 --> 01:03:02,337
in the United States, p >
1257
01:03:02,512 --> 01:03:04,743
and in this region,
is the biggest.
1258
01:03:04,914 --> 01:03:07,383
marketing tools owned by Memphis.
1259
01:03:07,550 --> 01:03:10,952
Because of the Stax sound
go all over the world
1260
01:03:11,120 --> 01:03:13,453
If you have something
like the one who was born,
1261
01:03:13,823 --> 01:03:16,054
You can copy it,
as a large company,
1262
01:03:16,225 --> 01:03:19,389
You copy it, or you get it,
1263
01:03:19,562 --> 01:03:21,463
and if you can't do that
two , you destroyed it
1264
01:03:27,069 --> 01:03:29,470
So I was offered money,
they want to buy Stax,
1265
01:03:29,839 --> 01:03:31,831
and I don't want to sell it.
1266
01:03:32,008 --> 01:03:33,499
I want to build
something to go
1267
01:03:33,876 --> 01:03:36,209
for my family and
future generations.
1268
01:03:36,379 --> 01:03:38,780
So I stand on my ground.
1269
01:03:38,948 --> 01:03:42,817
There is that element
don't want Stax to survive,
1270
01:03:42,985 --> 01:03:47,889
and that systematically
quit the business
1271
01:03:48,524 --> 01:03:51,961
Once they are aware
they can
1272
01:03:52,128 --> 01:03:55,963
stop the creative community
from ever developing
1273
01:03:56,132 --> 01:03:58,226
and introduce
other Isaac Hayes,
1274
01:03:59,168 --> 01:04:01,034
or other Booker
Q. & MG & apos; s,
1275
01:04:01,938 --> 01:04:03,406
or Rufus Thomas,
1276
01:04:04,540 --> 01:04:07,009
I think they have
silent commitments
1277
01:04:07,176 --> 01:04:09,304
never let that
happen again
1278
01:04:10,146 --> 01:04:12,547
The Union Plan, at that time
time, was one of the biggest
1279
01:04:12,915 --> 01:04:13,939
or the second largest bank.
1280
01:04:14,116 --> 01:04:15,243
That was in trouble.
1281
01:04:15,418 --> 01:04:17,182
That was in trouble.
1282
01:04:17,353 --> 01:04:18,981
I have a meeting
with Bill Matthews, i>
1283
01:04:19,155 --> 01:04:21,590
who is the president i>
1284
01:04:22,325 --> 01:04:25,386
I said to him, "You asked me
1285
01:04:25,561 --> 01:04:27,086
" to participate
an economic death penalty
1286
01:04:27,597 --> 01:04:32,058
"from Stax Records." P>
1287
01:04:32,235 --> 01:04:36,536
And he tried several
things to save the bank,
1288
01:04:36,906 --> 01:04:38,875
to save the bank,
that in my judgment,
1289
01:04:39,041 --> 01:04:41,943
will be
illegal, and I disclose
1290
01:04:42,111 --> 01:04:43,909
to it on one
opportunity , and he said,
1291
01:04:44,080 --> 01:04:46,572
"Nigger, I didn't
ask you to do it
1292
01:04:46,949 --> 01:04:49,009
" I told you to do it. "
1293
01:04:49,185 --> 01:04:53,486
You have finance < br /> to make a system
1294
01:04:53,656 --> 01:04:57,286
that ensures that
you can realize
1295
01:04:57,460 --> 01:04:59,952
the results of your prejudices.
1296
01:05:00,129 --> 01:05:01,129
That's racism.
1297
01:05:01,130 --> 01:05:02,996
That is systemic.
1298
01:05:03,165 --> 01:05:05,464
They have attacked
my indictment 16 times
1299
01:05:05,635 --> 01:05:08,264
accusing me
of conspiring to deceive the bank
1300
01:05:08,437 --> 01:05:11,407
of 18 , 9 million dollars
1301
01:05:11,574 --> 01:05:13,566
There's nothing crooked
bone here, get here
1302
01:05:13,943 --> 01:05:18,643
I believe that Al
Bell was charged
1303
01:05:19,348 --> 01:05:23,115
as sacrificial sheep in sequence
1304
01:05:23,286 --> 01:05:27,621
for them to collect
on insurance.
1305
01:05:27,990 --> 01:05:30,323
And that allows them
to support the bank
1306
01:05:30,493 --> 01:05:33,361
keep the Comptroller from
the currency from their closing
1307
01:05:33,529 --> 01:05:35,361
until they know
Another way to save it.
1308
01:05:35,531 --> 01:05:37,659
Meanwhile, they
try to put me in jail
1309
01:05:38,034 --> 01:05:40,196
for two or three
for life and all that.
1310
01:05:40,369 --> 01:05:41,928
" But we have to get it
get rid of this Negro. " P>
1311
01:05:43,139 --> 01:05:45,131
I will never forget it
1312
01:05:45,308 --> 01:05:47,004
that there are people
in this community
1313
01:05:47,176 --> 01:05:51,272
who can rally
the Stax Records side
1314
01:05:51,447 --> 01:05:54,975
and realize that with
a little help,
1315
01:05:55,151 --> 01:05:57,313
we can be overcome
our difficulties,
1316
01:05:57,486 --> 01:06:00,684
and we can, maybe,
be in business today
1317
01:06:01,057 --> 01:06:03,117
We have found a note on the charts
1318
01:06:03,292 --> 01:06:06,990
when Stax filed for bankruptcy,
who is crazy
1319
01:06:09,031 --> 01:06:13,025
When Stax Records
closed the door in 1975, i>
1320
01:06:13,202 --> 01:06:15,501
the environment was destroyed. i>
1321
01:06:15,671 --> 01:06:17,435
Allowed to fall into despair, i>
1322
01:06:17,606 --> 01:06:20,303
the building eventually
sold for a dollar, i >
1323
01:06:20,476 --> 01:06:22,445
before being ripped off. i>
1324
01:06:24,113 --> 01:06:26,981
Booker T. Jones
said, and I quote,
1325
01:06:27,149 --> 01:06:29,983
"If Martin Luther King
hasn't been killed
1326
01:06:30,152 --> 01:06:32,018
in Memphis,
Tennessee, Stax Records
1327
01:06:32,188 --> 01:06:33,520
will still enter
business today. "
1328
01:06:35,324 --> 01:06:37,953
It just killed
Memphis music scene
1329
01:06:38,127 --> 01:06:43,031
p>
1330
01:06:58,347 --> 01:07:03,308
I think it's fair
very horrible thing
1331
01:07:04,220 --> 01:07:08,021
♪ There is no sunlight
when he goes
1332
01:07:29,378 --> 01:07:30,778
♪ Just darkness when
1333
01:07:31,147 --> 01:07:33,048
Lifetime Grammy
Achievement Award Winner i>
1334
01:07:33,215 --> 01:07:36,413
Bobby Blue Bland starts
Beale Streeter i>
1335
01:07:36,585 --> 01:07:41,046
returned in 1949 with unknown
guitar player named BB King. i>
1336
01:07:41,223 --> 01:07:44,193
He started a
sizzling solo career, i>
1337
01:07:44,360 --> 01:07:46,761
that had been
sampled by mega- star i>
1338
01:07:47,129 --> 01:07:50,622
like Jay-Z on his hit,
"City Heart". I>
1339
01:08:05,781 --> 01:08:07,716
Good. P>
1340
01:08:08,084 --> 01:08:11,782
We base the structure
around, like, that damage,
1341
01:08:12,154 --> 01:08:13,554
the call and
the response you do
1342
01:08:13,722 --> 01:08:16,282
with the audience
and everything.
1343
01:08:16,459 --> 01:08:20,760
But basically, like,
the first choir at the beginning,
1344
01:08:21,130 --> 01:08:25,067
will, it's like damage,
and that's you, Bobby.
1345
01:08:25,234 --> 01:08:28,727
Then enter a verse
it will be a rap verse.
1346
01:08:29,105 --> 01:08:31,438
Then there is another choir.
1347
01:08:31,607 --> 01:08:32,700
Rap?
1348
01:08:32,875 --> 01:08:36,368
A rapper , yes, Yo Gotti
will come and rap on it.
1349
01:08:36,545 --> 01:08:37,808
I want to hear it.
1350
01:08:38,180 --> 01:08:39,648
Yes.
Oh, of course.
1351
01:08:39,815 --> 01:08:41,477
He must come soon.
1352
01:08:41,650 --> 01:08:42,743
He will come soon.
1353
01:08:43,119 --> 01:08:44,143
Good.
1354
01:08:44,320 --> 01:08:46,221
And after the rap verse,
There is another choir
1355
01:08:46,388 --> 01:08:49,415
And then your verse, which
leads to the details.
1356
01:08:49,592 --> 01:08:51,151
The, "I know, I know..."
1357
01:08:51,327 --> 01:08:53,592
We want you do it,
we will get it together
1358
01:08:53,729 --> 01:08:54,729
Good.
1359
01:08:54,730 --> 01:08:55,663
So I can do it right.
1360
01:08:55,664 --> 01:08:57,428
There is never one way to sing it.
1361
01:08:57,533 --> 01:08:58,533
There is never one way to sing it. p>
1362
01:08:58,534 --> 01:08:59,558
Right.
1363
01:08:59,735 --> 01:09:00,862
Let me hear the song
again now, please,
1364
01:09:01,237 --> 01:09:04,605
if you don't mind
1365
01:09:11,714 --> 01:09:12,714
How are you?
1366
01:09:12,715 --> 01:09:13,774
How are you, man?
1367
01:09:14,150 --> 01:09:15,311
I'm good, honored
to meet you, you know
1368
01:09:15,484 --> 01:09:16,747
With pleasure.
1369
01:09:16,919 --> 01:09:18,217
All honor to enter,
you know , do this situation.
1370
01:09:18,387 --> 01:09:19,650
Thank you for that.
1371
01:09:19,822 --> 01:09:23,452
We will lay it down
down, it will be nonsense.
1372
01:09:33,669 --> 01:09:37,162
I just need to get it < br /> The first part of this blow
1373
01:09:37,339 --> 01:09:39,240
When I enter, you
know what I mean.
1374
01:09:39,408 --> 01:09:40,842
Yes, then
the guitar licks,
1375
01:09:41,210 --> 01:09:42,701
It's slide-down, that's it.
1376
01:09:42,878 --> 01:09:45,746
You will do it twice
1377
01:09:45,915 --> 01:09:49,408
and then after
the second time, enter?
1378
01:09:49,585 --> 01:09:50,883
Yes. P>
1379
01:09:51,253 --> 01:09:56,157
♪ Yes, every day, my love
1380
01:10:04,967 --> 01:10:07,835
Ah wait, I have to
enter here right?
1381
01:10:07,937 --> 01:10:08,937
Yes sir.
1382
01:10:08,938 --> 01:10:10,873
This is complicated.
1383
01:10:11,240 --> 01:10:13,232
This is weird.
That
intro is really...
1384
01:10:13,409 --> 01:10:14,843
No, no, let me understand. P>
1385
01:10:18,247 --> 01:10:19,772
I just have to enter it. P>
1386
01:10:19,949 --> 01:10:22,783
Cool.
1387
01:10:22,952 --> 01:10:23,952
I've heard it often,
1388
01:10:24,220 --> 01:10:26,712
But it's pretty nice there.
1389
01:10:26,889 --> 01:10:30,519
You want to say it
am you good?
1390
01:10:30,626 --> 01:10:31,626
No, yeah
You
it's good, man
1391
01:10:31,627 --> 01:10:32,594
That's why it's very easy.
1392
01:10:32,595 --> 01:10:33,790
We have to get it together.
1393
01:10:33,963 --> 01:10:35,261
I have done this before,
1394
01:10:35,431 --> 01:10:37,957
but every day it's a
new time, you know
1395
01:10:38,334 --> 01:10:39,334
Right.
1396
01:10:39,501 --> 01:10:40,969
So never
where you're so perfect
1397
01:10:41,337 --> 01:10:42,337
You can be right there.
1398
01:10:42,471 --> 01:10:43,871
Okay, all right...
1399
01:10:44,240 --> 01:10:45,833
Where are you anyways
1400
01:10:46,008 --> 01:10:48,341
He is in window.
1401
01:10:48,510 --> 01:10:51,776
You sound amazing
1402
01:10:51,947 --> 01:10:53,540
When I do it right
1403
01:10:53,716 --> 01:10:55,685
it might
1404
01:10:55,851 --> 01:10:57,615
This should make sense to you
1405
01:10:57,753 --> 01:11:00,450
This will, once I get it
enter through this thick head.
1406
01:11:00,623 --> 01:11:03,787
I'll be fine.
1407
01:11:03,959 --> 01:11:06,360
Let me hear it again.
1408
01:11:13,869 --> 01:11:18,830
♪ No there is sunshine
as he goes
1409
01:11:19,975 --> 01:11:23,878
♪ Only darkness when
he goes, Lord
1410
01:11:24,046 --> 01:11:25,639
Yes!
1411
01:11:25,814 --> 01:11:28,750
♪ No light sun
when he goes
1412
01:11:28,917 --> 01:11:31,944
♪ He always goes too long
1413
01:11:32,321 --> 01:11:36,816
♪ Whenever he goes
1414
01:11:36,992 --> 01:11:39,461
you do it, Yo Gotti.
1415
01:11:39,628 --> 01:11:40,721
♪ Chill
1416
01:11:40,896 --> 01:11:42,956
♪ Last night I
thought about it
1417
01:11:43,332 --> 01:11:46,302
♪ Press your phone, let you
know I didn't forget about you
1418
01:11:46,468 --> 01:11:48,903
♪ I remember when I
couldn't live without you
1419
01:11:49,071 --> 01:11:50,835
♪ Now I can't live with you
1420
01:11:51,006 --> 01:11:52,804
♪ There's nothing around here
1421
01:11:52,975 --> 01:11:54,876
♪ Yes, you're used to
being my sunshine
1422
01:11:55,044 --> 01:11:57,707
♪ I know, I know, I know,
is the same as punchline
1423
01:11:57,880 --> 01:11:58,880
♪ One life , like history
1424
01:11:58,914 --> 01:12:00,439
♪ My work is a mystery
1425
01:12:00,616 --> 01:12:03,415
♪ I'm a street guy, Shorty
says he likes my chemistry
1426
01:12:03,585 --> 01:12:04,848
♪ Look at my eyes
1427
01:12:05,020 --> 01:12:06,386
♪ Shorty really came to me
1428
01:12:06,555 --> 01:12:09,024
♪ Samples about that, I know
that will never reach me
1429
01:12:09,391 --> 01:12:11,986
♪ You don't get focused
and I'm ready for anything
1430
01:12:12,361 --> 01:12:13,454
♪ And I'm the king type
1431
01:12:13,629 --> 01:12:18,499
♪ There is no sunlight
as he goes
1432
01:12:18,934 --> 01:12:23,872
♪ Only darkness when
he goes, Lord
1433
01:12:25,007 --> 01:12:27,909
♪ There is no sunlight
when he goes
1434
01:12:28,077 --> 01:12:31,445
♪ And he always goes too long
1435
01:12:31,613 --> 01:12:36,517
♪ Whenever he goes
1436
01:12:36,819 --> 01:12:41,780
♪ I'm surprised this time
where is he going
1437
01:12:42,691 --> 01:12:47,652
1438
01:12:48,597 --> 01:12:51,567
1439
01:12:51,734 --> 01:12:55,398
p>
1440
01:12:55,571 --> 01:13:00,009
♪ I want to know if he went to stay
1441
01:13:00,376 --> 01:13:02,675
♪ There is no sunlight
when he goes
1442
01:13:02,811 --> 01:13:05,474
♪ He always goes too long
1443
01:13:05,647 --> 01:13:08,481
♪ Whenever he goes
1445
01:13:11,086 --> 01:13:13,021
♪ Hey
1447
01:13:15,657 --> 01:13:20,561
♪ I know, I know, I know
1448
01:13:22,664 --> 01:13:26,601
♪ I know, I know, I know
1449
01:13:26,769 --> 01:13:28,761
and the method of Baptism.
1450
01:13:28,762 --> 01:13:29,637
Very?
1451
01:13:29,638 --> 01:13:30,638
Yes.
1452
01:13:30,739 --> 01:13:32,867
See also
Baptists are one place
1453
01:13:33,041 --> 01:13:36,478
You get everyone to cry.
1454
01:13:36,645 --> 01:13:38,944
Methodical, you get diction.
1455
01:13:39,114 --> 01:13:41,674
You know, and how do you
say your words better.
1456
01:13:41,850 --> 01:13:45,582
See me learning mine
from Nat King Cole. P>
1457
01:13:45,754 --> 01:13:47,120
Listen, yeah
1458
01:13:47,489 --> 01:13:49,048
Don't sing like him now. P>
1459
01:13:49,425 --> 01:13:52,862
But I like the music,
and I like the approach
1460
01:13:53,028 --> 01:13:54,087
to a lyrics.
1461
01:14:01,069 --> 01:14:02,697
So what do you
think about the drum
1462
01:14:02,871 --> 01:14:03,871
I think it's very good.
1463
01:14:03,972 --> 01:14:05,565
>
1464
01:14:05,741 --> 01:14:06,741
Sounds like someone I know.
1465
01:14:06,742 --> 01:14:07,508
Someone you picked up?
1466
01:14:07,509 --> 01:14:08,209
Yes.
1467
01:14:08,210 --> 01:14:09,210
Someone you made?
1468
01:14:12,214 --> 01:14:13,648
Yes, well, that's me. P>
1469
01:14:18,821 --> 01:14:20,881
Pretty good, kid. P>
1470
01:14:23,759 --> 01:14:27,059
Thank you.
I appreciate it
1472
01:14:29,565 --> 01:14:31,534
Well, we'll put
something hot together
1473
01:14:31,767 --> 01:14:33,463
I appreciate you
have me here , you know
1474
01:14:33,669 --> 01:14:35,501
And don't do that
last, okay?
1475
01:14:35,704 --> 01:14:36,704
Believe that
1476
01:14:36,772 --> 01:14:37,772
For sho
1477
01:14:41,009 --> 01:14:42,033
Yes.
1478
01:14:50,552 --> 01:14:52,043
It's okay, buddy.
1479
01:14:54,089 --> 01:14:55,990
♪ I have a woman
1480
01:14:56,191 --> 01:14:58,558
♪ The way to live above the city
1483
01:15:04,199 --> 01:15:06,532
♪ He gives me money
1485
01:15:08,070 --> 01:15:10,630
Come here, come here, come here.
1486
01:15:10,806 --> 01:15:11,967
Come here.
1487
01:15:12,140 --> 01:15:14,609
Now, I want you to say it again.
1488
01:15:14,776 --> 01:15:16,472
♪ He gave me money
1489
01:15:16,645 --> 01:15:18,136
♪ He gives me money
1490
01:15:18,514 --> 01:15:20,142
No, you sing
from your diaphragm
1493
01:15:25,587 --> 01:15:27,852
Here makes it sweet.
1494
01:15:51,001 --> 01:15:31,084
Here to continue
the note is longer
1495
01:15:31,260 --> 01:15:33,923
♪ He gives me money
1496
01:15:33,996 --> 01:15:34,996
Sing it
1497
01:15:34,997 --> 01:15:36,829
♪ He gives me money
1498
01:15:36,999 --> 01:15:38,831
Talk to me.
1501
01:15:43,071 --> 01:15:44,699
♪ Walk across the city
1504
01:15:49,111 --> 01:15:50,204
Uh uh p >
1506
01:15:52,214 --> 01:15:53,773
♪ When I need it
1510
01:15:59,221 --> 01:16:01,247
I don't know anything else.
1511
01:16:01,623 --> 01:16:05,754
Yeah, okay, but
come here for a moment
1512
01:16:05,928 --> 01:16:07,829
♪ I have a woman
1513
01:16:07,996 --> 01:16:10,295
♪ Walk across the city
1514
01:16:10,666 --> 01:16:12,794
♪ She's good to me
1515
01:16:12,968 --> 01:16:14,869
♪ Wow, she is
1516
01:16:15,037 --> 01:16:17,768
♪ She gave me money
1517
01:16:17,940 --> 01:16:19,909
♪ When I need
1518
01:16:20,075 --> 01:16:22,306
♪ Whoa, she's the type of woman
1519
01:16:22,678 --> 01:16:24,112
♪ Everyone needs
1520
01:16:24,279 --> 01:16:25,975
♪ I have a woman
1521
01:16:26,148 --> 01:16:27,946
♪ Walk across the city
1522
01:16:28,116 --> 01:16:29,709
♪ Good for me
1523
01:16:29,885 --> 01:16:31,183
Good?
1524
01:16:31,353 --> 01:16:33,754
All I care about is you.
1525
01:16:33,922 --> 01:16:35,322
Yes, you alright, Peter.
1526
01:16:35,624 --> 01:16:36,624
Thank you.
1527
01:16:36,625 --> 01:16:37,820
Don't you stop doing it, listen?
1528
01:16:37,993 --> 01:16:38,993
Yes sir.
1529
01:16:38,994 --> 01:16:39,994
Me and you.
1530
01:16:39,995 --> 01:16:43,955
I'm right in your corner.
1531
01:16:48,236 --> 01:16:51,898
You can't destroy Stax,
1532
01:16:52,074 --> 01:16:54,270
because it lives in the heart
1533
01:16:54,643 --> 01:16:57,306
and in the minds of the people.
1534
01:16:57,679 --> 01:17:00,012
And not in bricks and mortar
1535
01:17:00,182 --> 01:17:03,949
in the building, or
on the master cassette.
1536
01:17:04,119 --> 01:17:05,178
Be alive and well,
1537
01:17:05,354 --> 01:17:07,687
and it is alive and healthy today.
1538
01:17:07,856 --> 01:17:09,882
original Stax
the recording studio i>
1539
01:17:10,058 --> 01:17:12,254
was reborn as
the Stax Museum. i>
1540
01:17:12,394 --> 01:17:14,863
Stax Music Academy
and School Charter, i>
1541
01:17:15,030 --> 01:17:17,898
practice sites for
aspiring musicians young i>
1542
01:17:18,066 --> 01:17:20,592
and students who see
to bring inheritance i>
1543
01:17:20,769 --> 01:17:23,170
Memphis music
to the future. i>
1544
01:17:23,338 --> 01:17:25,239
Many Memphis legends teach here, i>
1545
01:17:25,407 --> 01:17:29,208
pass the torch, so
music will live forever. i>
1546
01:17:52,434 --> 01:17:54,096
Return to Royal Studios i>
1547
01:17:54,269 --> 01:17:56,329
with students from
Stax Music Academy. I>
1548
01:17:56,938 --> 01:17:58,839
This time, we have
raised ante. i>
1549
01:17:59,007 --> 01:18:01,670
We collected three
generations of musicians. i>
1550
01:18:01,843 --> 01:18:04,108
And the next one
is F, C, A-flat.
1551
01:18:04,279 --> 01:18:05,804
Good.
1552
01:18:05,981 --> 01:18:07,973
When I walk
in, it's okay.
1553
01:18:08,150 --> 01:18:11,382
This is the same energy,
the same vibration you get
1554
01:18:11,753 --> 01:18:12,982
when you come here
1555
01:18:13,155 --> 01:18:15,920
Ahhh!
Guru, bagaimana
kamu lakukan, master
1556
01:18:16,091 --> 01:18:17,184
Senang melihatmu!
1557
01:18:17,359 --> 01:18:18,418
Ingin menjadi seperti
kamu saat aku dewasa,
1558
01:18:18,794 --> 01:18:20,353
that's all I will say.
1559
01:18:21,129 --> 01:18:22,392
I like it when a
plan comes together
1560
01:18:22,764 --> 01:18:26,724
We will get this
assembled objects
1561
01:18:26,902 --> 01:18:28,734
A lot of music has
left here,
1562
01:18:28,904 --> 01:18:31,169
lots of great music
has left here
1563
01:18:31,339 --> 01:18:33,774
I have two guitars,
you give I stand up.
1564
01:18:33,942 --> 01:18:35,808
Alright, are you carrying your Strat?
1565
01:18:35,944 --> 01:18:36,944
Yes, I got my Strat.
1566
01:18:36,945 --> 01:18:37,945
All right, you know I like Strat.
1567
01:18:38,046 --> 01:18:39,046
Right,
You like Strat.
1568
01:18:39,047 --> 01:18:41,278
It's amazing,
It's like déjà vu.
1569
01:18:41,450 --> 01:18:43,248
When you enter here, okay.
1570
01:18:44,820 --> 01:18:47,085
And we're good to go,
let's cut the session
1571
01:18:56,798 --> 01:18:58,733
♪ I don't want to lose
1572
01:19:01,303 --> 01:19:02,362
E-flat.
1573
01:19:02,738 --> 01:19:03,738
We have you
1574
01:19:03,872 --> 01:19:05,704
Hey, my dear, where are
other guitars?
1575
01:19:10,212 --> 01:19:12,306
Major, once.
1577
01:19:16,017 --> 01:19:18,714
You will be on the horn & apos;
What if you don't, see?
1579
01:19:21,990 --> 01:19:24,983
from music, and not
only from the sixties,
1580
01:19:25,160 --> 01:19:26,287
but all the way back,
1581
01:19:26,461 --> 01:19:28,089
so they can get it
a good base.
1582
01:19:28,263 --> 01:19:30,232
Once they get a good foundation,
1583
01:19:30,398 --> 01:19:31,957
they can survive in it.
1584
01:19:32,134 --> 01:19:35,195
Two, three, four.
1585
01:19:39,007 --> 01:19:40,976
One time!
1586
01:19:41,143 --> 01:19:43,009
♪ It's no secret
1587
01:19:43,178 --> 01:19:44,178
That's it.
1588
01:19:44,312 --> 01:19:48,841
Look, you can't step on
horns, vocals. P>
1589
01:19:49,017 --> 01:19:51,418
You have to learn how to
to play in the groove. P>
1590
01:19:51,486 --> 01:19:52,486
I get you. P>
1591
01:19:52,487 --> 01:19:53,487
And it's simple, really.
1592
01:19:53,522 --> 01:19:55,013
It's not nonsense.
1593
01:19:55,157 --> 01:19:56,157
How old are you?
1594
01:19:56,158 --> 01:19:57,182
Seventeen.
1595
01:19:57,359 --> 01:19:59,123
Good , you're a great person,
for 17, isn't he a human?
1596
01:19:59,261 --> 01:20:00,261
Yes.
1597
01:20:00,362 --> 01:20:01,362
What is your first name?
1598
01:20:01,363 --> 01:20:02,456
Andrew.
1599
01:20:02,831 --> 01:20:04,766
Have you ever used this
on your guitar?
1600
01:20:04,933 --> 01:20:07,425
Have you tried it?
1601
01:20:07,803 --> 01:20:10,932
Let me give you
some slide capabilities.
1602
01:20:11,106 --> 01:20:12,106
Now run your hand
up and down it
1603
01:20:12,274 --> 01:20:14,038
and tell me something
1604
01:20:14,209 --> 01:20:15,233
Is that sweet
1605
01:20:15,410 --> 01:20:16,878
Yes! P>
1606
01:20:17,045 --> 01:20:18,843
Look, I want you
some things, young blood
1607
01:20:19,014 --> 01:20:20,014
Ease of Finger. P>
1608
01:20:20,048 --> 01:20:21,048
Some tricks from
trading there, see? P>
1609
01:20:29,291 --> 01:20:33,285
You have to do it clean, now
1610
01:20:33,461 --> 01:20:34,929
There is no such thing as color
1611
01:20:35,096 --> 01:20:36,291
when it comes to children current child.
1612
01:20:36,464 --> 01:20:39,923
My children's friends are
like multicultural,
1613
01:20:40,101 --> 01:20:41,296
it becomes like, when I go home,
1614
01:20:41,436 --> 01:20:43,928
my children get diversity
friends at home
1615
01:20:44,105 --> 01:20:45,937
That nonsense turns out to me.
1616
01:20:46,107 --> 01:20:47,473
It's not just one status,
1617
01:20:47,843 --> 01:20:50,472
that they don't have a vision,
and they just love.
1618
01:20:50,846 --> 01:20:51,846
It's all about love.
1619
01:20:52,013 --> 01:20:53,276
That's what it is
Children today. P>
1620
01:20:53,448 --> 01:20:56,543
Our children have more
free than we have. P>
1621
01:20:56,918 --> 01:20:59,012
So they will pass all < from that knowledge
1622
01:20:59,187 --> 01:21:00,815
that we give them
1623
01:21:00,989 --> 01:21:02,548
for all their friends
1624
01:21:02,924 --> 01:21:05,951
I really want
to do an album with you
1625
01:21:06,127 --> 01:21:07,459
I want you on my album.
1626
01:21:07,629 --> 01:21:09,063
I need to get your information.
1627
01:21:09,231 --> 01:21:10,324
Anytime.
1628
01:21:10,498 --> 01:21:11,932
And I'll give you mine
1629
01:21:12,100 --> 01:21:13,100
I have a lot of
recording in my home
1630
01:21:13,168 --> 01:21:14,168
Huh?
1631
01:21:14,169 --> 01:21:15,228
I have a lot of
recording in my house
1632
01:21:15,403 --> 01:21:16,928
I have prepared all Pro tools.
1633
01:21:17,105 --> 01:21:18,903
You have Pro Tools, huh?
1634
01:21:19,074 --> 01:21:21,236
The young people will go
go far with it
1635
01:21:21,409 --> 01:21:23,275
Because when they finally
find out who those people are
1636
01:21:23,445 --> 01:21:24,936
who taught them that?
1637
01:21:25,113 --> 01:21:26,206
When they actually sit
down and do history,
1638
01:21:26,381 --> 01:21:28,316
Because they aren't even old enough
even to know the history.
1639
01:21:28,483 --> 01:21:29,507
When they can look back
1640
01:21:29,885 --> 01:21:31,148
all of these records
that they are part of,
1641
01:21:31,319 --> 01:21:33,311
and they play on,
and they do this,
1642
01:21:33,488 --> 01:21:34,488
and to say that he
spent time with me
1643
01:21:34,656 --> 01:21:36,887
and showed me how to do it
get my notes correctly
1644
01:21:37,058 --> 01:21:38,058
and put me in the right key,
1645
01:21:38,126 --> 01:21:39,492
that crap goes far away.
1646
01:21:39,661 --> 01:21:41,425
It's like that athlete
is able to work with a
1647
01:21:41,596 --> 01:21:42,928
Michael Jordan or Magic Johnson,
1648
01:21:43,098 --> 01:21:45,431
and to be able to have a
one on one with him,
1649
01:21:45,600 --> 01:21:47,432
and he gets your shot correctly.
1650
01:21:47,602 --> 01:21:49,298
You are
the toughest guitar player p >
1651
01:21:49,471 --> 01:21:50,996
in all groups I hear.
1652
01:21:51,172 --> 01:21:52,470
I hear three guitars,
1653
01:21:52,641 --> 01:21:54,371
and you are playing
most of the nonsense.
1654
01:21:54,542 --> 01:21:56,977
Items good.
1655
01:21:57,145 --> 01:21:59,307
Lester!
1656
01:21:59,481 --> 01:22:02,474
Lester!
1657
01:22:02,651 --> 01:22:04,085
Where are we in, man
1658
01:22:04,252 --> 01:22:06,881
Students have
to leave at 7 : 00. P>
1659
01:22:07,055 --> 01:22:09,422
What is happening,
man, it's after six o'clock. P>
1660
01:22:11,993 --> 01:22:13,655
What happened now? P>
1661
01:22:15,130 --> 01:22:16,325
What is happening?
1662
01:22:16,498 --> 01:22:17,498
Yes, it's like 30 minutes,
1663
01:22:17,532 --> 01:22:18,556
we have been like 30 minutes
1664
01:22:18,633 --> 01:22:19,633
We can tap it
outside.
"Dock of the Bay "?
1665
01:22:19,634 --> 01:22:21,603
" Dock of the Bay "?
1666
01:22:21,970 --> 01:22:23,404
" Dock of the Bay ",
he can do that
1667
01:22:23,571 --> 01:22:25,199
He always does it.
1668
01:22:25,373 --> 01:22:26,636
Perfect, let's do it.
1669
01:22:27,008 --> 01:22:29,944
Do you think it's better?
to do one of the songs yourself?
1670
01:22:30,545 --> 01:22:31,569
Uh huh. P>
1671
01:22:31,680 --> 01:22:32,680
Do you prefer
to do the "Dock of the Bay",
1672
01:22:32,681 --> 01:22:34,013
or one of your songs? P>
1673
01:22:34,182 --> 01:22:35,514
You want to do it, You want the tempo
1674
01:22:35,684 --> 01:22:37,118
or ballad, or what? P>
1675
01:22:38,019 --> 01:22:39,282
He will kill "Dock
from the bay" man. P>
1676
01:22:39,454 --> 01:22:40,649
Oh, I'm sure he will do it.
1677
01:22:41,022 --> 01:22:43,548
I'm just, I like
the idea of originality too.
1678
01:22:43,725 --> 01:22:46,194
Songs that have icons like that
1679
01:22:46,361 --> 01:22:49,126
things as "Dock of the Bay" ,
1680
01:22:49,297 --> 01:22:51,027
and you want to make
sure it's like,
1681
01:22:51,199 --> 01:22:52,199
it feels pretty special.
1682
01:22:52,300 --> 01:22:53,666
I mean we have all
these people here,
1683
01:22:54,035 --> 01:22:55,333
all of these talents here,
1684
01:22:55,503 --> 01:22:57,028
but I want you guys
to have the right song
1685
01:22:57,205 --> 01:22:58,298
Do you want tempo or ballad?
1686
01:22:58,473 --> 01:23:00,135
First of all, where do you
feel most comfortable ?
1687
01:23:00,308 --> 01:23:01,571
He has 30 minutes.
1688
01:23:01,743 --> 01:23:04,269
Alright I can do the tempo,
But I'm a ballad singer.
1689
01:23:04,446 --> 01:23:05,446
So let's do it like that.
1690
01:23:05,613 --> 01:23:06,613
Yeah, ballads.
1691
01:23:06,982 --> 01:23:09,315
"I Forgot To Be Your Beloved"?
1692
01:23:09,484 --> 01:23:11,009
"I Forgot To Be Your Beloved"?
1693
01:23:11,119 --> 01:23:12,119
Yeah, OK now.
1694
01:23:12,120 --> 01:23:13,952
But you say we have 30 minutes.
1695
01:23:14,122 --> 01:23:16,523
Yes, we can knock it
out once they know, yes
1696
01:23:16,691 --> 01:23:20,958
Skip will play it and
I'll pass it with it.
1697
01:23:21,062 --> 01:23:22,062
Hey, this is G, guys.
1698
01:23:22,063 --> 01:23:23,156
It's in g
1699
01:23:23,331 --> 01:23:25,027
And the good news is,
they have big ears.
1700
01:23:25,200 --> 01:23:26,200
Yes.
1701
01:23:26,201 --> 01:23:27,201
You know, they can...
1702
01:23:27,235 --> 01:23:30,205
I remember the song, of course.
1703
01:23:30,372 --> 01:23:35,072
See if we can do the intro.
1704
01:23:36,277 --> 01:23:38,508
One two three.
1705
01:23:46,354 --> 01:23:47,515
All you have to do...
1706
01:23:55,130 --> 01:23:58,999
I'll do all the extras
Damn, don't worry.
1707
01:23:59,167 --> 01:24:00,191
I'm sorry, you
1708
01:24:00,368 --> 01:24:02,303
>
1709
01:24:02,470 --> 01:24:04,336
I'm sorry
cussing around you two.
1710
01:24:04,506 --> 01:24:06,668
I curse
these children.
1711
01:24:07,042 --> 01:24:10,638
I just tried
for he did that
1712
01:24:10,812 --> 01:24:11,812
Teach all Stax.
1713
01:24:11,813 --> 01:24:12,679
Peak.
1714
01:24:12,680 --> 01:24:13,547
Calculate it.
1715
01:24:13,548 --> 01:24:17,610
Drummer.
1716
01:24:21,356 --> 01:24:24,758
One two three four.
1717
01:24:25,126 --> 01:24:29,359
That is G.
1718
01:24:31,232 --> 01:24:33,030
E, G, stay there.
1719
01:24:54,289 --> 01:24:56,781
C.
1720
01:24:57,158 --> 01:24:58,285
We have to thank on this
people for what they have done
1721
01:24:58,460 --> 01:25:00,088
They cut trees
down to show the way
1722
01:25:00,261 --> 01:25:02,423
So the strength we have is
the power they give us.
1723
01:25:02,597 --> 01:25:05,066
That's why it's a blessing
for us to return,
1724
01:25:05,233 --> 01:25:06,701
and for interrelated and
to make music together.
1725
01:25:06,868 --> 01:25:11,772
And show, "Hey man, your music
what makes us who we are."
1726
01:25:14,676 --> 01:25:15,837
They learn it
there quickly
1729
01:25:19,547 --> 01:25:21,072
I saw them
babies and me like,
1730
01:25:21,249 --> 01:25:22,547
"Look at these babies
here play this."
1731
01:25:22,717 --> 01:25:26,813
You have a baby playing
baby making music, man
1732
01:25:40,869 --> 01:25:42,861
I need paper and
pen so I can go.
1733
01:25:43,238 --> 01:25:46,675
Let me make things this happens.
1734
01:25:51,546 --> 01:25:54,778
this complete rest now, intro.
1735
01:25:56,317 --> 01:25:58,786
There is a complete break there.
1736
01:25:59,154 --> 01:26:01,623
Now.
1737
01:26:01,789 --> 01:26:03,155
Yeah, run to them, Skip. P>
1738
01:26:03,324 --> 01:26:04,792
Ajarkan itu kepada mereka.
1739
01:26:05,160 --> 01:26:07,220
Teach them how to learn.
1740
01:26:07,395 --> 01:26:12,265
♪ I've said
lately I love you
1741
01:26:15,803 --> 01:26:18,796
♪ If not,
Dear, forgive me
1742
01:26:22,177 --> 01:26:27,878
♪ Am I reaching out and
holding yourself in my loving arms
1743
01:26:29,417 --> 01:26:32,683
♪ Oh, when you need me
1744
01:26:35,557 --> 01:26:39,221
♪ Now I'm aware
you need love too
1745
01:26:39,394 --> 01:26:42,887
♪ I'll spend my life
more & apos; it's up to you
1746
01:26:45,366 --> 01:26:49,201
♪ Oh, I forgot to be your lover
1747
01:26:49,971 --> 01:26:53,840
♪ already working for
you, do everything I can
1748
01:26:54,209 --> 01:26:58,169
♪ And work every time
doesn't make me your man
1749
01:27:00,381 --> 01:27:01,872
I think I have a mean of 16 .
1750
01:27:02,984 --> 01:27:04,714
It doesn't take long, do that?
1751
01:27:06,588 --> 01:27:07,715
See how easy it is to do this.
1752
01:27:07,889 --> 01:27:09,881
I mean, he went straight in,
1753
01:27:10,258 --> 01:27:12,227
Hey, because he felt it.
1754
01:27:12,393 --> 01:27:13,691
♪ Planting
seeds, look above
1755
01:27:13,861 --> 01:27:15,489
♪ We get the best,
just looking for love
1756
01:27:15,663 --> 01:27:17,222
♪ Plan, run towards me
1757
01:27:17,398 --> 01:27:18,832
♪ I don't mean,
I'll interfere too
1758
01:27:19,000 --> 01:27:20,764
♪ So I can take you,
then I'll sing you
1759
01:27:20,935 --> 01:27:22,563
♪ Stax, tracks,
relax in the place
1760
01:27:22,737 --> 01:27:25,229
♪ Then you, in you, spin
you, then you blow your wind
1761
01:27:25,373 --> 01:27:26,373
p>
1762
01:27:26,374 --> 01:27:27,865
♪ Girl, see the menu
1763
01:27:28,243 --> 01:27:29,677
♪ Brown heart, soft moon
1764
01:27:29,844 --> 01:27:31,369
♪ Livin & apos; live, silver spoon
1765
01:27:31,546 --> 01:27:33,344
♪ Havin & apos; that's all, havin & apos; a ball
1766
01:27:33,381 --> 01:27:34,381
♪ love with
Big Snoop Dog
1767
01:27:34,382 --> 01:27:35,382
♪ The time will be told
1768
01:27:35,550 --> 01:27:36,779
♪ Lift the cell,
call William Bell
1769
01:27:36,951 --> 01:27:38,442
♪ Because he's one
from my brothers
1770
01:27:38,620 --> 01:27:40,486
♪ Tell him I forgot
to become your lover
1771
01:27:48,363 --> 01:27:52,357
♪ Have I taken the time
to share with you
1772
01:27:56,804 --> 01:27:58,466
My grandparents and
my mother and them,
1773
01:27:58,640 --> 01:27:59,733
they inspired me by playing this
1774
01:27:59,907 --> 01:28:00,907
good music when I was young
1775
01:28:01,009 --> 01:28:02,568
You know, they
handed me to it,
1776
01:28:02,744 --> 01:28:04,372
for my hips for that and
makes me like it
1777
01:28:04,545 --> 01:28:07,014
My mother always
has eight big tracks
1778
01:28:07,382 --> 01:28:08,907
playing cassettes
in the living room,
1779
01:28:09,284 --> 01:28:11,344
and invite friends,
and they will party.
1780
01:28:11,519 --> 01:28:12,885
The child will be back in
, and they will be like,
1781
01:28:13,054 --> 01:28:14,647
"Snoopy, come out
in the living room. "
1782
01:28:14,822 --> 01:28:17,758
And I'm out
there, do a lump
1783
01:28:17,925 --> 01:28:19,484
you see my laptop,
it's nothing but
1784
01:28:19,661 --> 01:28:22,358
R & B, soul music
1785
01:28:22,530 --> 01:28:23,530
That's it.
1786
01:28:23,665 --> 01:28:24,665
This is a respectable thing.
1787
01:28:24,799 --> 01:28:26,631
Dominant hip hop
music now
1788
01:28:26,801 --> 01:28:27,825
So I say that to say this.
1789
01:28:28,002 --> 01:28:30,301
When they are brothers
take the time to
1790
01:28:30,471 --> 01:28:32,838
their career to say, "We
want to dedicate this song,
1791
01:28:33,007 --> 01:28:34,999
this title for someone
who inspired us
1792
01:28:35,376 --> 01:28:36,935
who is not a hip hop artist, "
1793
01:28:37,312 --> 01:28:38,575
respect that
1794
01:28:38,576 --> 01:28:39,546
♪ Get me right
1795
01:28:39,547 --> 01:28:40,380
>
1796
01:28:40,381 --> 01:28:41,576
♪ Set me tight
1797
01:28:41,749 --> 01:28:43,377
♪ MIC, peek at the rhythm of
1798
01:28:43,551 --> 01:28:44,917
♪ Late at night, what he did
1799
01:28:45,086 --> 01:28:46,850
♪ I tried to do it
what should I do
1800
01:28:47,021 --> 01:28:48,614
♪ But I need you close to me
1801
01:28:48,790 --> 01:28:49,985
♪ Toastin & apos; me, floating with me
1802
01:28:50,358 --> 01:28:51,758
♪ Baby girl, you
get most of me
1803
01:28:51,926 --> 01:28:53,519
Now Teenie, you have to go back
1804
01:28:53,695 --> 01:28:54,958
"I forgot to be
your lover". P >
1805
01:28:55,330 --> 01:28:56,525
You have to go back to that
1806
01:28:56,698 --> 01:28:58,826
Because it's the most
important part of the song
1807
01:28:59,000 --> 01:29:00,298
If you go back to that,
1808
01:29:00,468 --> 01:29:01,468
and then we can do that
together at the end.
1809
01:29:02,437 --> 01:29:06,602
♪ I'm sorry, because
I forgot to be your lover
1810
01:29:06,774 --> 01:29:11,678
♪ Oh, I'm sorry, honey
1811
01:29:12,480 --> 01:29:13,914
♪ Let me finish it with you
1812
01:29:14,082 --> 01:29:17,382
♪ I forgot to be your lover
1813
01:29:17,552 --> 01:29:19,919
♪ But I will redeem it for you
1814
01:29:20,088 --> 01:29:23,752
♪ Saying sorry, honey
1815
01:29:23,925 --> 01:29:26,895
♪ I forgot to be your lover
1816
01:29:27,061 --> 01:29:31,692
♪ I forgot to be your lover
1817
01:29:31,866 --> 01:29:34,859
♪ Will make it up to you
1818
01:29:35,036 --> 01:29:38,996
♪ Wait a minute
a little tighter, honey
1819
01:29:39,374 --> 01:29:41,570
♪ I will redeem it for you
1820
01:29:41,743 --> 01:29:45,771
♪ Oh, I forgot to be your lover
1821
01:29:45,947 --> 01:29:48,746
♪ I'll redeem it for you
1822
01:29:48,916 --> 01:29:53,081
♪ I forgot to be your lover
1823
01:29:53,554 --> 01:29:55,716
Okay, Snoop!
Yeah dear!
1824
01:30:06,934 --> 01:30:10,029
"I forgot to be yours..." < br /> It's stuck there.
1825
01:30:10,405 --> 01:30:13,034
Jaheim's son remade it.
1826
01:30:13,408 --> 01:30:16,742
Yes, he did a
different spin on it,
1827
01:30:16,911 --> 01:30:18,937
but this is original.
1828
01:30:19,113 --> 01:30:20,672
Original, yes, this is
where it came from
1829
01:30:20,848 --> 01:30:23,113
This is where
the seed is planted
1830
01:30:23,484 --> 01:30:26,386
Now he branched
from the seed that grew,
1831
01:30:26,554 --> 01:30:30,150
but this is the origin of
where it all started.
1832
01:30:30,525 --> 01:30:32,118
Mmm!
What year did you write this?
1833
01:30:32,493 --> 01:30:33,859
Sixty seven.
1834
01:30:34,028 --> 01:30:35,826
>
1835
01:30:35,830 --> 01:30:36,830
Sixty seven?
1836
01:30:36,831 --> 01:30:38,094
You are still young
1837
01:30:38,466 --> 01:30:39,866
No, I was born on & apos; 71.
1838
01:30:40,034 --> 01:30:44,938
That was even before me.
1839
01:30:45,139 --> 01:30:47,608
My mother and they might
start making me, rizzle.
1840
01:30:56,017 --> 01:30:57,076
It's cold.
1841
01:30:57,452 --> 01:30:58,452
Awesome, man
1842
01:30:58,486 --> 01:30:59,579
It's really amazing .
1843
01:30:59,754 --> 01:31:00,813
When you kick the face,
1844
01:31:00,988 --> 01:31:01,988
I fell
from my seat human
1845
01:31:02,089 --> 01:31:06,618
I just put it in.
1846
01:31:08,930 --> 01:31:10,558
Ah, this is very sweet, man!
1847
01:31:10,731 --> 01:31:11,731
Damn, how old are you?
1848
01:31:12,800 --> 01:31:14,962
Sixteen.
1849
01:31:15,670 --> 01:31:18,139
Sixteen and continue
tempo like that ?
1850
01:31:18,606 --> 01:31:19,606
You guys, take him, because
he will be someone
1851
01:31:19,607 --> 01:31:20,540
What is your name?
1852
01:31:20,541 --> 01:31:21,541
Say it there.
1853
01:31:21,676 --> 01:31:23,577
My name is Brandon.
Brandon Chornes.
1854
01:31:23,744 --> 01:31:25,440
Brandon Corns from
Memphis, Tennessee.
1855
01:31:25,613 --> 01:31:26,740
Watch this person. P>
1856
01:31:26,914 --> 01:31:28,940
He's already installed. P>
1857
01:31:29,116 --> 01:31:32,143
No one knows
he doesn't do anything
1858
01:31:32,220 --> 01:31:33,220
Love you, man
1859
01:31:33,221 --> 01:31:34,689
>
1860
01:31:34,856 --> 01:31:36,586
Hope you like what I do.
1861
01:31:36,724 --> 01:31:37,724
I tried to put a little
something on it,
1862
01:31:37,725 --> 01:31:38,725
a little smelly on it.
1863
01:31:38,726 --> 01:31:39,726
Yes sir. P>
1864
01:31:39,827 --> 01:31:41,227
I also heard it.
Sounds good. P>
1865
01:31:43,498 --> 01:31:44,796
Yes, you sound
good, brother
1866
01:31:51,038 --> 01:31:53,837
Man, he sounds good, isn't it?
1867
01:31:54,008 --> 01:31:58,742
Tragically,
the world of music is gone
1868
01:31:58,913 --> 01:32:00,074
one of the big ones
innovators, Skip Pitts.
1869
01:32:00,248 --> 01:32:05,084
Time move so fast,
1870
01:32:32,880 --> 01:32:34,872
You know, when I
finally met my day,
1871
01:32:35,049 --> 01:32:36,278
and where I like,
"I'm done with that."
1872
01:32:36,651 --> 01:32:38,813
We can look back at this,
and I can show my grandchildren.
1873
01:32:38,986 --> 01:32:40,147
This is history there.
1874
01:32:40,321 --> 01:32:41,687
This is an honor
and pleasure, man .
1875
01:32:41,856 --> 01:32:43,119
Hey man, mine
1876
01:32:43,291 --> 01:32:44,520
Something like this, man.
1877
01:32:44,692 --> 01:32:45,692
I never thought
my wildest dream
1879
01:32:47,194 --> 01:32:49,959
Yes sir, so anytime
you want to work,
1880
01:32:50,131 --> 01:32:51,565
Mister Bell, you
know you have me
1881
01:32:51,933 --> 01:32:53,595
Don't let this be the last time. P>
1882
01:33:00,074 --> 01:33:02,100
Don't let this be the last time. P>
1883 01:33:02,276 --> 01:33:04,768 Oh yeah, still appearing living in music. 1884 01:33:13,621 --> 01:33:16,147 Right. 1885 01:33:16,324 --> 01:33:19,055 ♪ "Come and follow me" 1886 01:33:19,226 --> 01:33:22,025 ♪ You know the word master 1887 01:33:22,196 --> 01:33:25,963 One takes on the floor, with vocals. 1888 01:33:26,133 --> 01:33:28,125 Which one takes, this song, here. 1889 01:33:28,302 --> 01:33:30,931 ♪ Oh, before it's too late 1890 01:33:31,105 --> 01:33:36,009 ♪ Saying I will wait for just one more day 1891 01:33:36,877 --> 01:33:38,903 ♪ Don't you know I hope? P> 1892 01:33:39,080 --> 01:33:40,241 ♪ I want to answer 1893 01:33:40,381 --> 01:33:41,381 ♪ Say I wish 1894 01:33:41,382 --> 01:33:42,975 ♪ I want to answer 1895 01:33:43,084 --> 01:33:44,084 ♪ Oh, I hope 1896 01:33:44,085 --> 01:33:45,883 ♪ I want to answer 1897 01:33:46,053 --> 01:33:47,053 ♪ When he calls 1898 01:33:47,121 --> 01:33:48,121 ♪ When he calls 1899 01:33:48,122 --> 01:33:49,590 ♪ Hey, God, I hope 1900 01:33:49,757 --> 01:33:51,123 ♪ I want to answer 1901 01:33:51,292 --> 01:33:52,817 ♪ Oh, God, I hope 1902 01:33:52,994 --> 01:33:53,994 ♪ I want to answer 1903 01:33:54,028 --> 01:33:55,223 ♪ Oh, I hope 1904 01:33:55,396 --> 01:33:56,955 ♪ I want to answer 1905 01:33:57,131 --> 01:34:00,067 ♪ When he calls 1906 01:34:00,068 --> 01:34:01,001 God from glory ! 1907 01:34:01,002 --> 01:34:02,002 God of glory! 1908 01:34:02,136 --> 01:34:03,136 Feeling, you know what I mean? 1909 01:34:03,204 --> 01:34:05,969 Putting love back into music 1910 01:34:06,140 --> 01:34:07,301 That's Memphis, Tennessee. P> 1911 01:34:07,675 --> 01:34:08,768 That sounds really cool, man. P> 1912 01:34:08,943 --> 01:34:10,002 It comes from the intestine. P> 1913 01:34:10,177 --> 01:34:13,306 We do it together. P> 1914 01:34:13,681 --> 01:34:15,673 Boogie swimming pool will come 1915 01:34:15,850 --> 01:34:17,876 I started feeling it's nonsense, man! 1916 01:34:19,820 --> 01:34:21,846 Shoot your best shot 1917 01:34:22,023 --> 01:34:24,857 Don't you ever feel sad, lean on me when bad times. 1918 01:34:25,026 --> 01:34:26,187 When the day arrives and you are down 1919 01:34:26,360 --> 01:34:28,659 on the river trouble and will sink, 1920 01:34:28,829 --> 01:34:30,889 wait , I come 1921 01:34:31,065 --> 01:34:33,159 This is real and original, and right from the heart. 1922 01:34:37,405 --> 01:34:38,737 We love you! 1923 01:34:38,906 --> 01:34:39,999 I love you more. 1924 01:34:40,374 --> 01:34:42,809 ♪ Yes, I hope 1925 01:34:42,977 --> 01:34:44,707 ♪ I want to answer 1926 01:34:44,879 --> 01:34:49,783 ♪ I want to answer 1927 01:34:50,418 --> 01:34:51,852 ♪ I said I want to 1928 01:34:52,019 --> 01:34:54,648 ♪ Yes, I hope 1929 01:34:54,822 --> 01:34:59,726 ♪ I want to answer 1930 01:35:01,829 --> 01:35:06,790 ♪ When he called 1931 01:35:09,036 --> 01:35:10,902 - Woo! That's the package. - Amin 1932 01:35:11,072 --> 01:35:12,903 Submitted by: www.subtitlecinema.com