1 00:00:23,656 --> 00:00:26,251 Visit www.Hokibet99.cc Trusted Secure Online Gambling Agent 2 00:00:28,762 --> 00:00:30,321 Place of origin. 3 00:00:32,665 --> 00:00:34,600 Mississippi Delta 4 00:00:35,635 --> 00:00:38,036 is one of those places. 5 00:00:41,207 --> 00:00:44,302 It saw birth more music genres 6 00:00:44,477 --> 00:00:47,003 than anywhere else on the planet this. 7 00:00:47,647 --> 00:00:50,412 Extraordinary numbers music artists 8 00:00:50,583 --> 00:00:52,108 come from this region. 9 00:00:54,320 --> 00:00:56,448 Countless award winners 10 00:00:57,290 --> 00:00:59,054 who will influence 11 00:00:59,459 --> 00:01:02,793 and inspire music all over the world. 12 00:01:07,267 --> 00:01:09,395 And in the middle of it all 13 00:01:10,837 --> 00:01:13,739 cities on the river. 14 00:01:25,718 --> 00:01:28,449 You know there is something special brewing in Memphis. 15 00:01:30,523 --> 00:01:33,789 Wherever you click start spring from this 16 00:01:34,160 --> 00:01:36,288 integrated music utopia 17 00:01:37,797 --> 00:01:40,062 And that voice brought out 18 00:01:40,567 --> 00:01:43,435 was heard all over all over the world. 19 00:01:45,438 --> 00:01:47,236 Martin Shore music producer 20 00:01:47,407 --> 00:01:48,773 and the director of this film 21 00:01:49,709 --> 00:01:52,076 have collected one the legendary 22 00:01:52,245 --> 00:01:54,237 Persian people 23 00:01:54,414 --> 00:01:56,747 to create a historic new album. 24 00:01:59,152 --> 00:02:01,451 Sitting on studio building my mentor, 25 00:02:01,621 --> 00:02:03,715 legendary manufacturer Jim Dickinson, 26 00:02:03,890 --> 00:02:06,223 I got inspiration for this project. 27 00:02:06,626 --> 00:02:09,095 Together with me friend Cody Dickinson, 28 00:02:09,562 --> 00:02:12,589 we will reintroduce influential music from Memphis 29 00:02:12,765 --> 00:02:14,791 by pairing legendary musicans 30 00:02:15,168 --> 00:02:17,467 All of us < br /> Touch turns to gold, 31 00:02:17,637 --> 00:02:19,538 and they can't find out how 32 00:02:19,706 --> 00:02:21,436 With stars today. 33 00:02:21,608 --> 00:02:23,099 No matter what what style or genre, 34 00:02:23,276 --> 00:02:25,142 It feels good to you, This touches the spirit. 35 00:02:25,311 --> 00:02:26,677 < i> Everything rooted from Memphis 36 00:02:26,846 --> 00:02:28,474 to the Mississippi Delta. 37 00:02:28,648 --> 00:02:30,207 To record new music 38 00:02:30,383 --> 00:02:32,716 This session was witnessed by the legendary master 39 00:02:32,886 --> 00:02:35,651 mentoring and passing on their musical magic 40 00:02:35,822 --> 00:02:37,518 to the new generation 41 00:02:47,433 --> 00:02:49,299 Booker T. and M. G. it's really 42 00:02:49,469 --> 00:02:52,496 new phenomena for the world, okay 43 00:02:53,273 --> 00:02:55,333 The music is different than anything it has 44 00:02:55,508 --> 00:02:56,532 ever played before 45 00:02:56,709 --> 00:02:57,768 We are a band integrated. 46 00:02:57,944 --> 00:03:00,812 We can't just do it wherever we want. 47 00:03:01,181 --> 00:03:02,274 We don't play black clubs, 48 00:03:02,448 --> 00:03:04,474 we don't play white club together. 49 00:03:05,318 --> 00:03:06,445 Not at first. 50 00:03:06,853 --> 00:03:08,515 Many people think that 51 00:03:08,521 --> 00:03:09,521 a black band 52 00:03:09,522 --> 00:03:10,522 Many people think it's a white band. 53 00:03:10,723 --> 00:03:11,816 They don't know what it is, 54 00:03:12,192 --> 00:03:13,192 Because we don't have photos out 55 00:03:25,838 --> 00:03:26,862 You want to /> go see the studio 56 00:03:27,240 --> 00:03:28,240 Yes, let's do it. 57 00:03:31,444 --> 00:03:33,208 Zebra Ranch, man. 58 00:03:33,379 --> 00:03:35,371 You listen to the voices 59 00:03:35,548 --> 00:03:37,813 from North Mississippi Allstars 60 00:03:37,984 --> 00:03:40,886 and Booker T. 61 00:03:41,788 --> 00:03:42,847 I'm just your host 62 00:03:43,223 --> 00:03:44,521 They call me Al Kapone, Al Kapeezy. 63 00:03:44,691 --> 00:03:45,691 Look, Dude. Hey! 64 00:03:45,692 --> 00:03:46,558 Luther! 65 00:03:46,559 --> 00:03:48,323 Happy meet you. WELCOME. 66 00:03:48,428 --> 00:03:49,428 How are you? 67 00:03:49,429 --> 00:03:49,928 Thank you for coming here 68 00:03:49,929 --> 00:03:51,192 Oh, thank you again. 69 00:04:01,274 --> 00:04:02,970 ♪ Let's ride me 70 00:04:03,343 --> 00:04:04,936 ♪ South Memphis, North Memphis, Tenneesee 71 00:04:05,311 --> 00:04:07,246 ♪ I am my environmental product 72 00:04:07,413 --> 00:04:09,382 ♪ the same environment like Mister Booker T. 73 00:04:09,549 --> 00:04:11,313 ♪ Climb in the van where he gives the game 74 00:04:11,484 --> 00:04:13,510 ♪ Some things change, some remain the same 75 00:04:13,686 --> 00:04:15,450 ♪ That doesn't matter Because we do our things 76 00:04:15,622 --> 00:04:17,648 ♪ Different periods of time but we stay the same 77 00:04:17,824 --> 00:04:19,452 ♪ We will get it back where it should be 78 00:04:19,626 --> 00:04:21,424 ♪ Black, white, not very important to me 79 00:04:21,594 --> 00:04:23,722 ♪ Past and present bring the whole new team 80 00:04:23,896 --> 00:04:25,865 ♪ We are gon & get it back where should 81 00:04:26,032 --> 00:04:27,523 ♪ We gon & apos; get it back where should 82 00:04:27,700 --> 00:04:29,566 ♪ Get money flowing so we can all eat 83 00:04:29,736 --> 00:04:31,534 ♪ We are gon & apos; get it back where should 84 00:04:31,704 --> 00:04:33,263 ♪ Memphis, Tenneesee make history 85 00:04:33,439 --> 00:04:35,567 ♪ We will get it Memphis returns 86 00:04:35,742 --> 00:04:38,576 ♪ Where it should be 87 00:04:38,745 --> 00:04:40,805 I am Luther Dickinson, and my sister and I 88 00:04:40,980 --> 00:04:43,313 play in a band called
North Mississippi Allstars. 89 00:04:43,483 --> 00:04:45,748 Products from Memphis music scene, you know 90 00:04:45,918 --> 00:04:48,319 Our father is very large guiding our strengths 91 00:04:48,488 --> 00:04:49,820 throughout our lives 92 00:04:51,791 --> 00:04:53,419 He is a piano player, and a guitar player 93 00:04:53,593 --> 00:04:54,856 and a record producer. 94 00:04:55,828 --> 00:04:57,763 He is very happy playing with Bob Dylan 95 00:04:57,930 --> 00:04:59,728 on "Time runs out from the mind" notes 96 00:04:59,899 --> 00:05:00,899 He has an extraordinary career. 97 00:05:02,368 --> 00:05:06,738 He is the true champion of and the music hero of Memphis. 98 00:05:06,906 --> 00:05:08,898 > 99 00:05:09,075 --> 00:05:10,771 And that's how is all about, man. 100 00:05:10,943 --> 00:05:13,970 Passing the tradition. 101 00:05:14,347 --> 00:05:18,443 Getting Memphis is great music legend together 102 00:05:18,618 --> 00:05:20,052 with the younger generation artists and bands, you know? 103 00:05:20,420 --> 00:05:21,649 We've talked about this project for several years 104 00:05:21,821 --> 00:05:22,948 and I hope so do it then, man, 105 00:05:23,323 --> 00:05:25,519 because we lost so much many great people 106 00:05:25,692 --> 00:05:27,718 even since we started talking about it 107 00:05:27,894 --> 00:05:29,658 ♪ Return to where you should be 108 00:05:29,829 --> 00:05:33,561 ♪ We will put that music where it should be 109 00:05:33,733 --> 00:05:36,464 ♪ Memphis, Tennessee is back where should it be 110 00:05:36,636 --> 00:05:37,636 He works though. 111 00:05:38,604 --> 00:05:39,833 ♪ My city gets talent, man 112 00:05:40,006 --> 00:05:41,006 ♪ We get our own voice 113 00:05:41,074 --> 00:05:42,372 ♪ This is Memphis 114 00:05:42,542 --> 00:05:44,067 ♪ Around the world is known and respected too 115 00:05:44,444 --> 00:05:46,538 ♪ But it's a bit difficult finish everything 116 00:05:46,713 --> 00:05:48,909 I want my inheritance < br /> in music becomes 117 00:05:49,082 --> 00:05:52,610 I am a person of who helps create 118 00:05:52,785 --> 00:05:54,777 sounds underground /> which has never been 119 00:05:54,954 --> 00:05:56,855 developed before, made from 120 00:05:57,023 --> 00:05:59,515 danced like Gangsta Walk 121 00:05:59,692 --> 00:06:02,059 which evolved later to buckin & apos; and jookin & apos; 122 00:06:02,428 --> 00:06:04,021 who is not trapped in a box, 123 00:06:04,764 --> 00:06:06,528 that goes beyond race. 124 00:06:07,900 --> 00:06:11,598 ♪ We will put the music where should 125 00:06:11,771 --> 00:06:15,970 ♪ the Memphis music scene return where it should be 126 00:06:58,418 --> 00:07:01,616 Memphis music often happens revealed in the family. 127 00:07:02,422 --> 00:07:04,948 Willie Mitchell founded Royal Studios, 128 00:07:05,124 --> 00:07:08,788 the home of Hi Records, and Hi Part Rhythm. 129 00:07:08,961 --> 00:07:10,862 Papa Willie is considered the architect of 130 00:07:11,030 --> 00:07:13,864 Memphis's voice, and produces a hit record < / i> 131 00:07:14,033 --> 00:07:16,628 for some of the biggest stars in Memphis 132 00:07:16,803 --> 00:07:19,773 including all Al Classic Green. 133 00:07:28,748 --> 00:07:31,411 One, two, three! 134 00:07:31,584 --> 00:07:34,748 Willie Mitchell's Royal Studios. 135 00:07:35,488 --> 00:07:38,822 So like a young teenager, we were brought here 136 00:07:38,991 --> 00:07:41,961 sang the background of something It was a state session. 137 00:07:42,562 --> 00:07:44,497 And I remember Willie always saying, you know, 138 00:07:44,664 --> 00:07:47,099 Country and R & B music, He said, they were cousins. 139 00:07:47,800 --> 00:07:51,100 If something was good < br /> and musical and catch it, 140 00:07:51,471 --> 00:07:54,805 You know, it doesn't matter if is rap, country, gospel, 141 00:07:54,974 --> 00:07:55,974 jazz, it's up to 142 00:07:55,975 --> 00:07:56,808 He will like it. 143 00:07:56,809 --> 00:07:59,836 The next thing you know we are singing "tired of being alone". 144 00:08:00,012 --> 00:08:01,105 Fourteen number one. 145 00:08:01,481 --> 00:08:02,915 Fourteen number one gold records in a row, 146 00:08:03,082 --> 00:08:04,710 and it's like, okay 147 00:08:04,884 --> 00:08:06,011 He will see something he wants, 148 00:08:06,185 --> 00:08:07,185 he will say, "Lord of Glory!" 149 00:08:07,553 --> 00:08:08,577 "Lord of Glory!" That's him. 150 00:08:08,754 --> 00:08:11,622 He will come along like that , "Lord of Glory!" 151 00:08:11,791 --> 00:08:13,851 He will pop that & apos; knee, You will only send shivering 152 00:08:14,026 --> 00:08:15,722 out there like, okay, guess him like it 153 00:08:15,895 --> 00:08:17,193 Now let's take care. 154 00:08:17,563 --> 00:08:18,826 Willie is mine man, and he is like 155 00:08:18,998 --> 00:08:20,466 Father to me too, man. 156 00:08:20,633 --> 00:08:24,832 > 157 00:08:25,004 --> 00:08:27,564 And his son, Boo likes what Willie is the same 158 00:08:27,740 --> 00:08:28,901 I'm sure if I need something I can go to Boo and get it. 159 00:08:29,075 --> 00:08:30,236 I sure you can. 160 00:08:30,610 --> 00:08:32,135 We love Papa Willie. 161 00:08:32,512 --> 00:08:35,778 He also shows us up, 162 00:08:35,948 --> 00:08:37,814 and we want to say it he and Memphis music 163 00:08:39,018 --> 00:08:44,787 and everyone here 164 00:08:45,124 --> 00:08:48,060 ♪ Love you whether 165 00:08:48,594 --> 00:08:51,894 ♪ Is the time good or bad 166 00:08:52,064 --> 00:08:54,090 ♪ Congratulations or sad 167 00:08:54,267 --> 00:09:01,868 ♪ Come on, let's live together 168 00:09:07,313 --> 00:09:08,313 Hey bro. 169 00:09:08,314 --> 00:09:09,976 Hey Mr. Otis Clay. 170 00:09:10,149 --> 00:09:11,777 You look like someone I need to know 171 00:09:11,951 --> 00:09:13,817 You look like someone I know. 172 00:09:13,986 --> 00:09:15,511 Ah, how are you? 173 00:09:15,688 --> 00:09:16,688 What is your name? 174 00:09:16,756 --> 00:09:17,756 Lil & apos; P-Nut. 175 00:09:17,757 --> 00:09:18,757 What! 176 00:09:18,758 --> 00:09:19,624 Are you a nut? Yes sir. 177 00:09:19,625 --> 00:09:20,225 How do you do it with beans? 178 00:09:20,226 --> 00:09:21,059 Good. 179 00:09:21,060 --> 00:09:22,060 Yeah, nice, man. 180 00:09:22,094 --> 00:09:23,094 Have checked you out. 181 00:09:26,132 --> 00:09:27,132 I don't know what we will do, 182 00:09:27,133 --> 00:09:28,157 but we will do it well p> 183 00:09:28,935 --> 00:09:30,927 I don't know who I am will work with, 184 00:09:31,103 --> 00:09:33,265 But then I see P-Nut, you know, I say, okay. 185 00:09:33,639 --> 00:09:35,835 This will be fun. 186 00:09:36,008 --> 00:09:37,008 You know? 187 00:09:37,143 --> 00:09:38,143 There is no generation gap. 188 00:09:38,277 --> 00:09:39,905 This is the communication gap. 189 00:09:40,079 --> 00:09:43,607 And when you take time to communicate 190 00:09:43,783 --> 00:09:45,581 then you find it there
actually it makes no difference 191 00:09:49,922 --> 00:09:50,922 Alright, let's do this 192 00:09:50,923 --> 00:09:51,947 From above? 193 00:09:52,124 --> 00:09:53,854 Yes, from you above, from above you 194 00:09:57,863 --> 00:10:00,025 I'm talking to one of the biggest dummers in what? 195 00:10:00,199 --> 00:10:01,861 Can you give me a bop bop? 196 00:10:02,034 --> 00:10:03,034 Good. 197 00:10:04,370 --> 00:10:05,599 Count that, Steve. 198 00:10:06,138 --> 00:10:07,629 One two three. 199 00:10:15,114 --> 00:10:20,246 ♪ I used to smoke five packs of cigarettes a day 200 00:10:20,620 --> 00:10:24,853 ♪ That's the hardest thing to get rid of them 201 00:10:25,024 --> 00:10:29,155 ♪ I drink four, five bottles of wine 202 00:10:29,328 --> 00:10:33,823 ♪ I keep a glass of glass my hand all the time 203 00:10:34,000 --> 00:10:36,196 ♪ Oh breaking old habits 204 00:10:36,369 --> 00:10:38,634 ♪ It's hard to do 205 00:10:38,804 --> 00:10:40,830 ♪ There's nothing compared < br /> for change 206 00:10:41,007 --> 00:10:42,942 ♪ That you made it past me 207 00:10:43,109 --> 00:10:46,739 ♪ Trying for my life live without you, dear 208 00:10:46,912 --> 00:10:51,782 ♪ This is the hardest things I've done 209 00:10:51,951 --> 00:10:55,388 ♪ Trying to forget loving us together, now 210 00:10:55,755 --> 00:11:00,386 ♪ This is the hardest my burden will burn 211 00:11:00,760 --> 00:11:04,094 ♪ Oh dear, baby 212 00:11:05,665 --> 00:11:08,635 ♪ Baby, now, now 213 00:11:11,170 --> 00:11:12,170 What's going on, Charles? 214 00:11:12,171 --> 00:11:13,935 Hey, what's going on? 215 00:11:14,106 --> 00:11:16,041 Hey, man, it's good. 216 00:11:16,208 --> 00:11:18,404 This is home sweet home. 217 00:11:21,147 --> 00:11:23,309 Take nothing for granted. 218 00:11:23,683 --> 00:11:25,049 Just try keep going 219 00:11:28,387 --> 00:11:30,879 I can relate to it, but not as a girl. 220 00:11:31,057 --> 00:11:33,959 I can relate to it without have something like 221 00:11:34,126 --> 00:11:35,992 I can't live without toys, or not like that 222 00:11:36,162 --> 00:11:37,162 Right! 223 00:11:37,229 --> 00:11:38,959 ♪ Oh, baby, baby 224 00:11:39,432 --> 00:11:42,925 > 225 00:11:43,202 --> 00:11:44,202 ♪ Oh dear, now, now 226 00:11:44,270 --> 00:11:45,270 ♪ P-Nut 227 00:11:45,271 --> 00:11:46,237 ♪ What's short? 228 00:11:46,238 --> 00:11:47,138 ♪ You don't act the same 229 00:11:47,139 --> 00:11:48,334 > 230 00:11:48,441 --> 00:11:49,441 ♪ I thought you and you were cool 231 00:11:49,442 --> 00:11:50,740 ♪ Why are you acting embarrassed? 232 00:11:50,910 --> 00:11:51,910 ♪ Maybe it's me 233 00:11:51,944 --> 00:11:52,944 ♪ Or maybe it's karma 234 00:11:52,978 --> 00:11:53,978 ♪ Whatever it's 235 00:11:53,979 --> 00:11:54,979 ♪ That girl isn't normal 236 00:11:54,980 --> 00:11:55,980 ♪ You get your son's trippin & apos; 237 00:11:56,115 --> 00:11:57,115 ♪ You make your child stress 238 00:11:57,116 --> 00:11:58,116 ♪ I don't try to strangle you 239 00:11:58,150 --> 00:11:59,277 ♪ I not trying to bother you 240 00:11:59,452 --> 00:12:01,318 ♪ but me without you it's a little difficult 241 00:12:01,487 --> 00:12:02,487 ♪ One of the many things 242 00:12:02,788 --> 00:12:03,788 ♪ Got the girls out 243 00:12:03,789 --> 00:12:04,789 ♪ Got the girls out 244 00:12:04,790 --> 00:12:05,951 p> 245 00:12:06,058 --> 00:12:07,058 ♪ But think about you 246 00:12:07,059 --> 00:12:08,059 ♪ Having a curl I fell 247 00:12:08,160 --> 00:12:09,160 ♪ Think about you 248 00:12:09,295 --> 00:12:10,820 ♪ Girl, the world is all about that 249 00:12:10,996 --> 00:12:11,996 ♪ Thinking about you hurts 250 00:12:12,131 --> 00:12:13,131 ♪ Pain me from my mouth, uh 251 00:12:13,132 --> 00:12:14,293 ♪ Girl, you finish my life 252 00:12:14,467 --> 00:12:15,833 ♪ There are no other competitors 253 00:12:16,001 --> 00:12:17,128 ♪ Sho & apos; is entertainment 254 00:12:17,303 --> 00:12:18,965 ♪ Lil P-Nut and Mister Otis Clay, eh 255 00:12:19,138 --> 00:12:21,972 ♪ Trying for my life live without you, dear 256 00:12:22,141 --> 00:12:23,141 ♪ I can't do it 257 00:12:23,309 --> 00:12:25,778 ♪ This is the hardest thing I've ever done 258 00:12:25,945 --> 00:12:28,176 ♪ No, we can't, we can't do it 259 00:12:28,347 --> 00:12:31,374 ♪ We have to walk to share now 260 00:12:38,124 --> 00:12:39,217 ♪ I can't do it 261 00:12:39,391 --> 00:12:44,227 ♪ Baby, baby, ooh, dear now, now 262 00:12:45,097 --> 00:12:48,329 ♪ Trying to live my life live without you, honey 263 00:12:48,501 --> 00:12:49,764 ♪ without you 264 00:12:49,935 --> 00:12:51,164 ♪ This is the hardest thing I've ever done 265 00:12:51,337 --> 00:12:53,863 ♪ The hardest thing I've ever experienced 266 00:12:54,039 --> 00:12:56,838 ♪ Trying to forget loving us sharing now 267 00:12:57,009 --> 00:13:01,913 ♪ That's the hardest burden I will ever 268 00:13:02,414 --> 00:13:05,873 ♪ I keep running 269 00:13:06,051 --> 00:13:07,075 ♪ Keep running, baby 270 00:13:07,253 --> 00:13:08,448 ♪ I can't do it 271 00:13:08,821 --> 00:13:13,191 ♪ Can't do it again 272 00:13:13,192 --> 00:13:14,159 ♪ no no 273 00:13:14,160 --> 00:13:15,160 ♪ Yes, I tried 274 00:13:15,194 --> 00:13:16,822 ♪ Oh, I keep on 275 00:13:21,567 --> 00:13:22,567 ♪ All right 276 00:13:26,272 --> 00:13:27,272 ♪ Yes 277 00:13:30,109 --> 00:13:31,873 Real fun 278 00:13:32,044 --> 00:13:34,479 Woo, P-Nut! 279 00:13:47,026 --> 00:13:49,825 P-Nut killed him! 280 00:14:00,606 --> 00:14:02,541 P-Nut killed him! 281 00:14:02,542 --> 00:14:03,508 Hey, you are some of us background singer 282 00:14:03,509 --> 00:14:04,509 Yes, I think, yes. 283 00:14:04,543 --> 00:14:05,543 Skip Pitts, baby 284 00:14:05,544 --> 00:14:06,311 Sharisse. 285 00:14:06,312 --> 00:14:07,145 Hey, Sharisse. 286 00:14:07,146 --> 00:14:08,079 Skip Pitts, baby 287 00:14:08,080 --> 00:14:09,139 Shontelle. 288 00:14:09,315 --> 00:14:10,315 Shontelle and Sharisse, all that ? 289 00:14:10,482 --> 00:14:12,110 I like their names. 290 00:14:12,284 --> 00:14:13,912 He said, "Yes sir." 291 00:14:16,622 --> 00:14:20,024 Well, when it comes to you he will say, "Yes, grandfather," 292 00:14:20,192 --> 00:14:21,285 with your old ass 293 00:14:21,286 --> 00:14:22,193 - Guess what? - What? 294 00:14:22,194 --> 00:14:23,594 I'm still here. 295 00:14:23,963 --> 00:14:24,963 Guess what? 296 00:14:25,097 --> 00:14:26,861 Me too. 297 00:14:27,032 --> 00:14:28,898 If you continue to with me, soon. 298 00:14:30,502 --> 00:14:31,595 Hey Ben! 299 00:14:31,971 --> 00:14:33,098 We have Ben Cauley, yes! 300 00:14:33,272 --> 00:14:36,299 Hey, my brother! I love you, man 301 00:14:36,475 --> 00:14:37,568 How are you & apos ?; 302 00:14:37,943 --> 00:14:39,912 You know Ben Cauley? 303 00:14:40,079 --> 00:14:42,014 He's the only one who live congratulations from 304 00:14:42,181 --> 00:14:44,275 plane crash Otis Redding. 305 00:14:44,450 --> 00:14:47,443 And he's the only man who can't swim 306 00:14:47,620 --> 00:14:49,919 And he survived from Otis Redding plane crash 307 00:14:50,089 --> 00:14:51,387 Everyone on board. 308 00:14:51,557 --> 00:14:54,527 The band, and Otis Redding, and the pilot all went down. 309 00:14:54,894 --> 00:14:55,894 Everyone except him. 310 00:15:04,103 --> 00:15:05,103 How are you? 311 00:15:05,104 --> 00:15:06,037 What's wrong? 312 00:15:06,038 --> 00:15:07,038 Thank you very much for coming. 314 00:15:08,173 --> 00:15:09,007 It's nice to be here. 316 00:15:09,575 --> 00:15:11,942 Really like it. 317 00:15:27,359 --> 00:15:29,555 Okay, so I want to take one of the eight chorus bars 318 00:15:29,929 --> 00:15:31,454 come out and push the horn thing that. 319 00:15:31,630 --> 00:15:33,064 And then that verse. 324 00:15:45,511 --> 00:15:47,912 We will remake the song Rufus Thomas called 326 00:15:49,148 --> 00:15:51,583 Real, very respectable part of this situation 327 00:15:51,951 --> 00:15:52,951 and can work with someone 328 00:15:53,085 --> 00:15:54,314 You grow up listening. 332 00:16:02,628 --> 00:16:03,628 What is "Push and Pull?" 333 00:16:03,963 --> 00:16:05,226 Yes, come on, we have to... 334 00:16:05,397 --> 00:16:07,059 You don't need to give it for me, Push and Pull? 335 00:16:07,232 --> 00:16:08,700 Yes, but it's a different structures 336 00:16:09,068 --> 00:16:10,400 I changed the structure. 337 00:16:12,338 --> 00:16:13,338 Very? 338 00:16:13,372 --> 00:16:15,034 Yes, because we have rappers. 339 00:16:15,207 --> 00:16:16,266 We have rappers. 340 00:16:16,442 --> 00:16:18,035 So some verses of gon & apos; become 16. 341 00:16:18,210 --> 00:16:19,210 You like, take 342 00:16:19,311 --> 00:16:21,371 choir and several verses. 343 00:16:21,547 --> 00:16:22,547 That's the same song. 344 00:16:22,614 --> 00:16:23,614 The same song, yes. 345 00:16:23,615 --> 00:16:24,615 Good- okay then. 346 00:16:27,086 --> 00:16:28,086 That's Frayser Boy. 347 00:16:28,087 --> 00:16:29,087 How are you, sir? 348 00:16:30,689 --> 00:16:31,689 It's an honor, man. 349 00:16:31,690 --> 00:16:32,557 How are you? 350 00:16:32,558 --> 00:16:33,458 I can't complain. 351 00:16:33,459 --> 00:16:35,519 What is your hometown 352 00:16:35,694 --> 00:16:36,957 Here, this house is for you? 353 00:16:37,129 --> 00:16:38,129 Yes, this is home. 354 00:16:38,130 --> 00:16:39,130 This is where I came from. 355 00:16:39,298 --> 00:16:40,425 I might know your great grandfather 356 00:16:40,566 --> 00:16:41,566 Maybe, man. 357 00:16:41,567 --> 00:16:42,660 Wake up listening to you, man 358 00:16:43,002 --> 00:16:44,664 Honor, man. 359 00:16:45,037 --> 00:16:46,037 You will be fine 360 00:16:46,105 --> 00:16:47,105 Let's do it, man. 361 00:16:47,106 --> 00:16:49,132 Ayo lakukan. 362 00:16:51,110 --> 00:16:53,636 Do we repeat and da da da da? 363 00:16:54,013 --> 00:16:55,013 No. 364 00:16:55,147 --> 00:16:57,412 Only one above. 365 00:17:06,759 --> 00:17:07,759 Alright, yes it's ready ? 366 00:17:08,127 --> 00:17:09,127 Yes. 367 00:17:09,261 --> 00:17:10,261 Okay, Hunt will count it. 368 00:17:10,429 --> 00:17:11,658 Count hard, Hunt. 369 00:17:12,031 --> 00:17:15,126 One, two, one, two, three. 370 00:17:34,086 --> 00:17:37,579 ♪ Hey everyone, Bobby Rush is in town 371 00:17:38,557 --> 00:17:40,287 ♪ Come here business care 372 00:17:40,492 --> 00:17:42,051 ♪ Don't play play 373 00:17:42,494 --> 00:17:44,520 I have been recording since 1951. 374 00:17:44,763 --> 00:17:46,527 I have 249 records. 375 00:17:46,698 --> 00:17:47,698 Wow. 376 00:17:47,699 --> 00:17:49,691 And I don't think I'm working < br /> under 200 shows a year 377 00:17:50,069 --> 00:17:51,196 for 50 years 378 00:17:51,270 --> 00:17:52,270 Wow. 379 00:17:52,271 --> 00:17:54,297 1957 I drank three glasses of beer. 380 00:17:54,606 --> 00:17:56,507 I haven't have it before or after it. 381 00:17:56,675 --> 00:17:57,675 Wow. 382 00:17:57,676 --> 00:17:58,700 November 10. 383 00:17:59,578 --> 00:18:01,308 I am 79 years old 384 00:18:01,613 --> 00:18:03,605 Man, you don't look 79. 385 00:18:03,782 --> 00:18:04,782 You look 40 387 00:18:05,784 --> 00:18:07,343 I will not be 79 to November. 388 00:18:07,519 --> 00:18:09,044 I am 78 389 00:18:10,122 --> 00:18:12,284 ♪ Gosh; push, push and pull 390 00:18:12,424 --> 00:18:13,424 ♪ Just ask 391 00:18:13,425 --> 00:18:14,552 ♪ He must like bullets, like bullets 392 00:18:14,726 --> 00:18:16,718 ♪ And he push it like him Show us where to put it 393 00:18:17,096 --> 00:18:18,096 ♪ Child in the candy shop 394 00:18:18,230 --> 00:18:19,230 ♪ I think he got the item 395 00:18:19,264 --> 00:18:21,324 ♪ Twenty-two and he gon & apos; take the candy 396 00:18:21,500 --> 00:18:23,594 ♪ Energizer Bunny, he doesn't even need a battery 397 00:18:23,769 --> 00:18:25,761 ♪ He does it there, then he do it right 398 00:18:26,138 --> 00:18:27,138 ♪ The way he moves in that thang 399 00:18:27,172 --> 00:18:28,504 ♪ For me to want to come and get it 400 00:18:28,674 --> 00:18:30,666 ♪ Frameser Boy, don't say what I might do 401 00:18:30,843 --> 00:18:32,744 ♪ How he needs someone like you 402 00:18:33,112 --> 00:18:35,172 ♪ Let me see it, give it < br /> what I ask 403 00:18:35,347 --> 00:18:36,508 ♪ He is very good, he is swimming & apos; 404 00:18:36,682 --> 00:18:38,378 ♪ Backstroke, do bad things 405 00:18:38,550 --> 00:18:39,711 ♪ Pop is like champagne 406 00:18:39,885 --> 00:18:40,885 ♪ What they do in & apos; 407 00:18:41,220 --> 00:18:42,620 ♪ LMG, it's so embarrassing 408 00:18:42,788 --> 00:18:44,086 ♪ Queen, see she lowers it 409 00:18:44,123 --> 00:18:45,123 ♪ Then he paused 410 00:18:45,124 --> 00:18:46,148 ♪ So I called him stomp and roll 411 00:18:46,325 --> 00:18:51,195 ♪ Now push, and drag 412 00:18:51,530 --> 00:18:55,797 ♪ Push and drag 413 00:18:56,168 --> 00:18:57,329 > 414 00:18:57,503 --> 00:18:59,836 ♪ Go up 415 00:19:00,205 --> 00:19:01,730 ♪ Now lower 416 00:19:01,907 --> 00:19:03,136 I'm not a freestyler. 417 00:19:03,308 --> 00:19:04,742 I'm better at writing. 418 00:19:04,910 --> 00:19:06,776 Because I have time to really think about what I... 419 00:19:07,146 --> 00:19:08,671 What are you doing and what are you going to do. 420 00:19:08,672 --> 00:19:09,580 Yes. 421 00:19:09,581 --> 00:19:11,812 I wrote the lyrics "It" s Hard Out Here For Pimp " 422 00:19:12,184 --> 00:19:13,311 I got an Oscar for that. 423 00:19:13,752 --> 00:19:15,277 Close the song, but apparently knew you had written it 424 00:19:15,354 --> 00:19:16,354 Yes, yes. 425 00:19:16,355 --> 00:19:17,355 I'm happy for that, man. 426 00:19:17,489 --> 00:19:18,548 I appreciate that man. 427 00:19:18,724 --> 00:19:20,852 I do freestyle in what I do, 428 00:19:21,226 --> 00:19:22,785 but most of the time, the script already exists 429 00:19:23,162 --> 00:19:24,162 and I can vary from that. 430 00:19:24,329 --> 00:19:25,329 Do you know what I'm talking about? 431 00:19:25,531 --> 00:19:26,624 Ad lib, or whatever you want to call it. 432 00:19:26,798 --> 00:19:27,798 Yes, yes. 433 00:19:27,900 --> 00:19:29,698 This will beat me all days, freestyle 434 00:19:30,469 --> 00:19:31,869 But you let me write something, 435 00:19:32,437 --> 00:19:35,532 Give me a minute, I will get cha 436 00:19:35,908 --> 00:19:37,240 ♪ Humans, look at that thing 437 00:19:37,409 --> 00:19:38,468 ♪ Please dance 438 00:19:38,644 --> 00:19:40,613 ♪ Look at the spoils stop & apos; their pants 439 00:19:40,779 --> 00:19:42,714 ♪ He makes me look hard, just like the fan 440 00:19:42,881 --> 00:19:45,248 ♪ The opposition is interesting, you are a woman, I'm a boy 441 00:19:45,417 --> 00:19:46,417 You know, this is my first time 442 00:19:46,585 --> 00:19:48,486 really works with live bands. 443 00:19:48,654 --> 00:19:49,781 Like, rap sessions... 444 00:19:49,888 --> 00:19:50,888 I know. 445 00:19:50,889 --> 00:19:52,187 This is far different. 446 00:19:52,357 --> 00:19:53,825 > 447 00:19:54,193 --> 00:19:55,193 Because the computer is stuff, and you sample it. 448 00:19:55,227 --> 00:19:58,857 Yes, yes. 449 00:19:58,897 --> 00:19:59,897 Do you know what I'm talking about? 450 00:19:59,898 --> 00:20:01,457 There is no one creating new things 451 00:20:01,633 --> 00:20:03,261 so you have something to sample from. 452 00:20:12,377 --> 00:20:13,845 Lotta people say me when they come here 453 00:20:14,213 --> 00:20:16,842 and they are not from here, they feel the soul in the way 454 00:20:17,216 --> 00:20:18,946 They only feel < br /> soul in the atmosphere, 455 00:20:19,318 --> 00:20:21,344 so you know, it's fair a city that is truly feeling. 456 00:20:21,520 --> 00:20:23,853 Only a good city, you know what am I saying? 457 00:20:24,223 --> 00:20:27,216 I think it's up to us to let they know where Memphis is, 458 00:20:27,392 --> 00:20:28,485 You know what I'm saying? 459 00:20:28,660 --> 00:20:30,788 It's up to the voice today, or whatever 460 00:20:30,963 --> 00:20:32,898 It's so much talent in Memphis. 461 00:20:33,265 --> 00:20:37,965 ♪ Push, pull, push, pull, push, pull 462 00:20:44,876 --> 00:20:46,572 p> 463 00:20:47,312 --> 00:20:48,610 When they tell I am an incoming rapper, 464 00:20:48,780 --> 00:20:49,873 is a young man. 465 00:20:50,249 --> 00:20:51,478 And I say, I am happy to do it, 466 00:20:51,650 --> 00:20:52,674 because this is what all about. 467 00:20:59,391 --> 00:21:00,391 Yes! 468 00:21:00,993 --> 00:21:02,359 Some guitarists influence 469 00:21:02,527 --> 00:21:04,655 funk evolution and R & B < / i> 470 00:21:04,830 --> 00:21:06,594 more than Charles "Skip" Pitts. 471 00:21:07,432 --> 00:21:09,731 His signature wa-wa pedal 472 00:21:09,901 --> 00:21:12,268 changed the candle record to gold. 473 00:21:12,671 --> 00:21:14,867 I started recording with Gene Chandler, 474 00:21:15,040 --> 00:21:16,040 believe it or not. 475 00:21:16,041 --> 00:21:18,909 Du-du-du-Duke of Earl. 476 00:21:19,278 --> 00:21:21,406 I can be with him when I am 17 years old, 477 00:21:21,580 --> 00:21:24,709 and he said, "Man, do do you know my songs?" 478 00:21:24,883 --> 00:21:26,351 I said, "I know everything Curtis's song 479 00:21:26,518 --> 00:21:27,518 "I know your songs." 480 00:21:27,686 --> 00:21:28,915 I know it's in my ears, I have good ears. 481 00:21:29,288 --> 00:21:31,780 I barely even read,
But I have good ears. 482 00:21:31,957 --> 00:21:33,255 He started taking my to the studio 483 00:21:33,425 --> 00:21:35,451 I'll leave when he records and watches him, 484 00:21:35,627 --> 00:21:37,960 and watch what is happening, and then finally he says, 485 00:21:38,330 --> 00:21:39,330 "Do you want to record with me?" 486 00:21:39,398 --> 00:21:40,764 I said yes, and rightly so. 487 00:21:40,932 --> 00:21:43,561 We play with Gene Chandler to the beginning & apos; 68. 488 00:21:43,735 --> 00:21:46,466 We leave it, like I say, on Friday, 489 00:21:46,638 --> 00:21:48,300 and Saturday, we're in New York 490 00:21:48,473 --> 00:21:49,736 practicing with Wilson Pickett. 491 00:21:49,908 --> 00:21:51,740 ♪ Good time walkin & apos; on Broadway 492 00:21:51,910 --> 00:21:55,574 ♪ Nothing nothing but good times every day 493 00:21:59,685 --> 00:22:01,381 And I'm the band leader. 494 00:22:34,853 --> 00:22:36,788 This is my friend, man. 496 00:22:38,123 --> 00:22:39,523 It's nice to meet you 497 00:22:39,691 --> 00:22:40,691 you too. 498 00:22:40,859 --> 00:22:42,828 This is blessings, This is a blessing, man. 499 00:22:42,994 --> 00:22:45,054 You know I don't almost here one time 500 00:22:45,055 --> 00:22:46,030 I know. 501 00:22:46,031 --> 00:22:47,031 You know 502 00:22:47,032 --> 00:22:47,832 I know. 503 00:22:47,833 --> 00:22:48,833 He saved me too. 504 00:22:49,000 --> 00:22:50,525 I almost died, huh. 505 00:22:50,702 --> 00:22:52,568 I lost my kidney, > I'm not ashamed. 506 00:22:52,738 --> 00:22:54,331 I took out my kidney , and I'm not 507 00:22:54,506 --> 00:22:55,769 as strong as before. 508 00:22:55,941 --> 00:22:58,410 This man came to help me, he did it 509 00:22:58,577 --> 00:23:01,809 He came, he helped me, he did it. 510 00:23:01,980 --> 00:23:03,778 You're a family, it's what family is for 511 00:23:03,949 --> 00:23:05,508 Yes, but people the good don't feel like that 512 00:23:05,517 --> 00:23:06,517 I know. 513 00:23:06,518 --> 00:23:07,485 You know that. 514 00:23:07,486 --> 00:23:09,011 I'm here today, thank you, Lord. 515 00:23:09,388 --> 00:23:11,584 By the way these people are here and through God. 516 00:23:11,757 --> 00:23:13,658 He gave it back, do you know? Still 517 00:23:13,825 --> 00:23:16,124 Can't save it until you give it. 518 00:23:18,397 --> 00:23:20,559 Singer, songwriter William Bell 519 00:23:20,732 --> 00:23:24,499 was instrumental in the formation of the voice of Stax Records. 520 00:23:25,036 --> 00:23:27,904 legendary artists like Jimi Hendrix, 521 00:23:28,073 --> 00:23:30,838 Albert King, and Cream covered the song. 522 00:23:31,176 --> 00:23:32,906 Today's hottest musician 523 00:23:33,078 --> 00:23:35,877 continue to sample his signature. 524 00:23:38,083 --> 00:23:40,518 All of us ghettos children might would 525 00:23:40,685 --> 00:23:42,483 die or be imprisoned. 526 00:23:43,422 --> 00:23:44,583 We have to give back. 527 00:23:44,756 --> 00:23:47,055 We have to perpetuate music 528 00:23:47,426 --> 00:23:49,657 and help children together, 529 00:23:49,828 --> 00:23:51,956 because the older ones people help us 530 00:23:52,130 --> 00:23:54,793 I work with Old Man Phineas band for four years 531 00:23:54,966 --> 00:23:58,562 in middle school and high school school on weekends 532 00:23:58,737 --> 00:24:00,865 B. B is like a substitute father. 533 00:24:01,039 --> 00:24:03,873 These people, they are close enough to us 534 00:24:04,042 --> 00:24:05,772 but where do they mentor, 535 00:24:05,944 --> 00:24:08,106 and tell us that there are more lives 536 00:24:08,480 --> 00:24:12,850 than bangin & apos; and robbin & apos; and stealing & apos; and all that, 537 00:24:13,018 --> 00:24:14,987 and that gives us a purpose. 538 00:24:15,654 --> 00:24:20,752 We don't care, or know it will have a long life. 539 00:24:21,092 --> 00:24:23,857 We don't care whether it will make a hit or not. 540 00:24:24,029 --> 00:24:26,794 We just want to hear our own voices sounds on the radio 541 00:24:26,965 --> 00:24:29,093 The music they make in their time 542 00:24:29,468 --> 00:24:30,766 what we make 543 00:24:30,936 --> 00:24:32,131 We only express what we experience 544 00:24:32,504 --> 00:24:33,631 as young people from the ghetto. 545 00:24:33,805 --> 00:24:36,741 If we don't knock and singing, we will do it dead or jailed 546 00:24:36,908 --> 00:24:38,467 This is the same story, it's the same connection 547 00:24:39,978 --> 00:24:41,469 Old record company, 548 00:24:41,646 --> 00:24:46,550 Sun, Stax, America, Hi, every studio in Memphis 549 00:24:46,885 --> 00:24:48,581 has its own stuff 550 00:24:48,753 --> 00:24:51,848 Stax doesn't say, "We want sound. 551 00:24:52,023 --> 00:24:54,925 "We want you to sound like This or sounds like that. " 552 00:24:55,093 --> 00:24:57,858 Stax said," Come on inside and be yourself. " 553 00:24:58,029 --> 00:24:59,964 And then the authors will do it write the appropriate song 554 00:25:00,131 --> 00:25:02,532 and be suitable for this artist. 555 00:25:02,701 --> 00:25:05,034 It's made specifically, that what makes it so authentic 556 00:25:06,771 --> 00:25:08,797 They're not about seeing how 557 00:25:08,974 --> 00:25:11,739 can sound like this person, sounds like that person 558 00:25:11,910 --> 00:25:15,711 It's about trying to create one unique and original 559 00:25:15,881 --> 00:25:18,976 passion about what you do. 560 00:25:19,150 --> 00:25:21,051 As the main writing team of Stax, 562 00:25:24,956 --> 00:25:26,822 today's biggest song 563 00:25:26,992 --> 00:25:30,952 for Otis Redding, Carla Thomas, and Sam & Dave. 564 00:25:43,275 --> 00:25:45,176 Man, what do you know? 565 00:25:45,544 --> 00:25:46,739 Stax Records is an institution 566 00:25:46,912 --> 00:25:48,881 and foundation for all American music 567 00:25:49,047 --> 00:25:50,174 And you see two people 568 00:25:50,549 --> 00:25:53,018 That is an important part of the foundation here. 569 00:25:54,119 --> 00:25:55,747 On real deal. 570 00:25:55,921 --> 00:26:00,791 This is the person in trouble full of lyircs. Overcrowded 571 00:26:00,959 --> 00:26:03,121 "Wait for me Comin" " and all that. 572 00:26:03,295 --> 00:26:06,993 I'm talking about full of lyrics. 573 00:26:07,165 --> 00:26:12,035 "Wait a minute, I'm Comin & apos;", David Must go to the men's room. 574 00:26:12,203 --> 00:26:13,967 David Porter must do it go to the men's room, 575 00:26:14,139 --> 00:26:17,940 and he and Isaac worked with Sam & Dave on the song. 576 00:26:18,109 --> 00:26:20,772 Isaac had little riffs away, and so 577 00:26:20,946 --> 00:26:21,970 When he was playing riffs, 578 00:26:22,147 --> 00:26:24,844 David said, "I'll go here to the bathroom," 579 00:26:25,016 --> 00:26:28,214 and he stays so long, so Isaac says, 580 00:26:28,720 --> 00:26:29,720 "Hey, Dave!" 581 00:26:29,888 --> 00:26:31,948 "Yes, wait, I comment." 582 00:26:32,123 --> 00:26:35,116 That's the song. 583 00:26:36,194 --> 00:26:38,095 We sit, at 20 A few minutes, we have written 584 00:26:38,296 --> 00:26:39,559 "Wait a minute, I'm Comin & apos;". 585 00:26:39,831 --> 00:26:40,958 This is a true story. 586 00:26:41,132 --> 00:26:42,930 But that is what is produced a monster song 587 00:27:09,260 --> 00:27:12,822 Don't you ever feel sad? Rely on me during bad times. 588 00:27:12,998 --> 00:27:14,125 When the day arrives and you're down 589 00:27:14,299 --> 00:27:16,598 on the river of trouble and it will sink, 590 00:27:16,768 --> 00:27:18,930 wait a minute, I comment. 591 00:27:19,104 --> 00:27:21,300 Hold it. 592 00:27:21,673 --> 00:27:24,768 We arrived at one time in the sixties and seventies 593 00:27:24,943 --> 00:27:26,809 where we want to have some substance 594 00:27:26,978 --> 00:27:28,708 for what we say in music, 595 00:27:28,880 --> 00:27:29,939 and we want it to taste good . 596 00:27:30,115 --> 00:27:32,914 A hook that will draw you to the message 597 00:27:33,084 --> 00:27:34,084 You know, we don't have access to 598 00:27:34,219 --> 00:27:36,381 to Pro Tools and so on other technologies 599 00:27:36,755 --> 00:27:38,883 are designed to make you sound 600 00:27:39,057 --> 00:27:41,083 as if you could sing when you can't 601 00:27:41,259 --> 00:27:45,856 Or to fix your time When your rhythm is bad. 602 00:27:46,031 --> 00:27:48,023 So they have to be right. 603 00:27:48,199 --> 00:27:51,931 And that's true art. It's true art. 604 00:27:52,103 --> 00:27:54,902 It's not artwork that is marketed 605 00:27:55,073 --> 00:27:56,632 for people, but true art. 606 00:27:56,808 --> 00:28:02,213 Ability and talent and consistency are requirements, 607 00:28:02,814 --> 00:28:04,749 and if not do your actions together 608 00:28:04,916 --> 00:28:06,817 as far as singing or playing or something, 609 00:28:06,985 --> 00:28:09,352 they will send you back home and tell you to go practice. 610 00:28:09,888 --> 00:28:12,824 Nothing can play anything get out of the synthesizer 611 00:28:12,991 --> 00:28:15,358 or punch button on the drum machine, 612 00:28:15,727 --> 00:28:17,958 but ask them to really play? 613 00:28:18,129 --> 00:28:19,324 They don't know how. 614 00:28:22,000 --> 00:28:23,059 And that's right. 615 00:28:23,234 --> 00:28:24,258 Autotune. 616 00:28:24,436 --> 00:28:25,768 Autotune, yes, yes 617 00:28:25,937 --> 00:28:27,166 Change your voice 618 00:28:27,338 --> 00:28:30,399 619 00:28:30,775 --> 00:28:33,973 they take autotune and put it in the rig. 620 00:28:34,145 --> 00:28:35,875 Yes, actually today, you really don't have to be able to sing. 621 00:28:36,047 --> 00:28:37,106 The audience listen to you 622 00:28:37,282 --> 00:28:38,807 don't know what they heard really you 623 00:28:38,983 --> 00:28:43,887 I think if you
make notes, man 624 00:28:44,355 --> 00:28:46,256 You enter the room, you can be ready, and you play it, man. 625 00:28:46,424 --> 00:28:50,191 This isn't much overproduced, overdubbing, 626 00:28:50,361 --> 00:28:54,298 or cut and paste. 627 00:28:54,466 --> 00:28:55,832 I think the real record is proof of people playing 628 00:28:56,000 --> 00:28:57,969 in a room and recorded directly. 629 00:28:58,136 --> 00:28:59,866 Hey Joe, I will need your guitar for just one second. 630 00:29:21,059 --> 00:29:24,359 Charlie, how about me? come your scoop, man 631 00:29:29,267 --> 00:29:30,860 We start working. 632 00:29:31,035 --> 00:29:32,094 Kita mulai bekerja. 633 00:29:32,270 --> 00:29:34,830 Part of me just wants to do up-tempo songs, 634 00:29:35,006 --> 00:29:36,440 but that's only because my mood is currently, 635 00:29:36,808 --> 00:29:38,140 it becomes clear can't influence it 636 00:29:38,309 --> 00:29:39,971 Hey, Charlie! 637 00:29:40,145 --> 00:29:41,272 How are you doing? 638 00:29:43,114 --> 00:29:45,447 How does it feel Back to Memphis right now? 639 00:29:45,817 --> 00:29:47,945 I always like back in Memphis 640 00:29:48,119 --> 00:29:51,851 Like I remember we caught the train here 641 00:29:54,526 --> 00:29:56,085 Hey, I know you 642 00:29:56,261 --> 00:29:58,526 I made you Dr. Pepper today. 643 00:29:58,897 --> 00:30:00,229 Are you Good. 644 00:30:00,398 --> 00:30:02,060 Feel like being home. 645 00:30:02,233 --> 00:30:03,233 You are. 646 00:30:06,938 --> 00:30:07,938 How Do you do it? 647 00:30:08,106 --> 00:30:10,234 Hey, Charlie, I'm David Hood. 648 00:30:10,408 --> 00:30:11,967 Charlie is the name, harmonica is the game. 649 00:30:12,143 --> 00:30:13,167 Good. 650 00:30:13,344 --> 00:30:14,437 Hey, I'm George. 651 00:30:14,813 --> 00:30:15,837 I'm Charlie Musselwhite. 652 00:30:15,838 --> 00:30:16,580 It's nice to meet you. 653 00:30:16,581 --> 00:30:17,347 It's nice to meet you. 654 00:30:17,348 --> 00:30:18,407 Joe Restivo, man. 655 00:30:18,583 --> 00:30:20,074 Make some noise and have fun doing it 656 00:31:06,598 --> 00:31:08,032 What do you think about that? 657 00:31:08,199 --> 00:31:12,534 I like that. I don't know what I do, I'm just noodling. 658 00:31:12,904 --> 00:31:13,904 Awesome 659 00:31:13,972 --> 00:31:14,972 Now it's an instrumental , 660 00:31:15,106 --> 00:31:16,870 or we will write vocals for it 661 00:31:17,041 --> 00:31:18,236 This is only instrumental. 662 00:31:18,409 --> 00:31:20,002 This is an instrumental? 663 00:31:20,144 --> 00:31:21,144 Really? 664 00:31:21,212 --> 00:31:22,976 I don't even think about lyrics, I'm just... 665 00:31:23,147 --> 00:31:24,308 You don't even think about the lyrics? 666 00:31:24,482 --> 00:31:25,575 No. 667 00:31:25,917 --> 00:31:26,917 Oh, I love you so many voices, man 668 00:31:26,918 --> 00:31:27,651 I really hope you will sing. 669 00:31:27,652 --> 00:31:29,211 I mean I know a lot songs, 670 00:31:29,387 --> 00:31:31,947 But they're all just straight ahead of the blues 671 00:31:32,123 --> 00:31:34,524 Sing blues, humans, what are you doing 672 00:31:34,893 --> 00:31:39,126 Well I don't know That's what they want to do. 673 00:31:39,297 --> 00:31:40,856 Yes, bro. Name 674 00:31:41,032 --> 00:31:42,261 A shuffle? 675 00:31:42,433 --> 00:31:44,959 Eddie Taylor Shuffle. 676 00:31:45,136 --> 00:31:47,571 I'll do my best for Eddie Taylor. 677 00:31:47,939 --> 00:31:52,639 And you can start the guitar like. 678 00:32:01,586 --> 00:32:02,586 Can I show you how to do it? 679 00:32:02,954 --> 00:32:04,582 Yes yes. 680 00:32:04,956 --> 00:32:06,891 Something in the order... 681 00:32:07,058 --> 00:32:09,220 I have to put my foot here about something 682 00:32:26,311 --> 00:32:27,311 You'd better play the guitar. 683 00:32:27,345 --> 00:32:29,041 Sounds good. 684 00:32:29,113 --> 00:32:30,113 Wow. 685 00:32:30,114 --> 00:32:31,114 Just something like that. 686 00:32:31,182 --> 00:32:32,309 He's a boogie deer marsh. 687 00:32:32,483 --> 00:32:35,647 He's a boogie deer swamp. 688 00:32:43,361 --> 00:32:46,695 As I grow up here
in the forties and fifties, 689 00:32:47,065 --> 00:32:50,524 Looks like Memphis is so just loaded with music 690 00:32:50,702 --> 00:32:52,534 I don't know if it's that way everywhere, 691 00:32:52,704 --> 00:32:55,970 but I found out later it's quite special 692 00:32:56,140 --> 00:32:58,166 There are street singers in the city 693 00:32:58,343 --> 00:33:00,312 that I was very fascinated with, blues singer. 694 00:33:00,979 --> 00:33:03,107 But always there this jam session, 695 00:33:03,281 --> 00:33:04,613 a spontaneous jam session 696 00:33:04,983 --> 00:33:08,010 Someone just stopped by with a bottle and guitar, 697 00:33:08,186 --> 00:33:11,418 and then you know, we play just for fun. 698 00:33:11,589 --> 00:33:15,287 ♪ If I have to have bad luck 699 00:33:15,460 --> 00:33:18,259 ♪ Honey, long, away from home 700 00:33:21,065 --> 00:33:23,398 ♪ If I have to have bad luck 701 00:33:24,502 --> 00:33:27,438 ♪ Honey, long, away from home 702 00:33:30,074 --> 00:33:32,669 ♪ Well now since I know you love me 703 00:33:33,544 --> 00:33:35,638 ♪ Dear, your love will make me go away 704 00:33:36,214 --> 00:33:38,012 ♪ Comin & apos; home for your baby 705 00:33:39,117 --> 00:33:41,382 I have done a little moonshine running 706 00:33:41,552 --> 00:33:45,546 and put the cement floor > That doesn't interest me, so go to Chicago 707 00:33:45,723 --> 00:33:46,747 and get one that big factory job 708 00:33:47,125 --> 00:33:50,755 with all the benefits. 709 00:33:51,129 --> 00:33:52,620 I don't know Chicago 710 00:33:52,797 --> 00:33:54,390 all the big blues sang there. 711 00:33:54,565 --> 00:33:55,658 And when I got there, boy, it felt like 712 00:33:56,034 --> 00:33:58,060 a child in a candy shop 713 00:33:58,236 --> 00:34:00,728 I hang out at Pepper's Lounge 714 00:34:01,105 --> 00:34:02,505 with Muddy Waters, or Silvio with Wolf Howlin, 715 00:34:04,675 --> 00:34:06,701 or run to Will Walter and Sonny Boy, 716 00:34:07,078 --> 00:34:09,445 and they are all there. 717 00:34:09,614 --> 00:34:12,277 Everyone up there from below, 718 00:34:12,450 --> 00:34:13,748 and I've met Jimmy Reed here in Memphis, 719 00:34:14,118 --> 00:34:15,643 Semua orang di atas sana dari bawah sini, 720 00:34:16,554 --> 00:34:19,683 dan aku sudah bertemu dengan Jimmy Reed disini di Memphis, 721 00:34:20,058 --> 00:34:23,085 and I met Muddy and James Cotton here 722 00:34:24,328 --> 00:34:26,024 You know, south the Chicago side is 723 00:34:26,197 --> 00:34:27,563 like North Memphis or the like 724 00:34:47,485 --> 00:34:49,420 This is more than just music. 725 00:34:49,587 --> 00:34:52,216 There is that substance, that feeling for it 726 00:34:52,390 --> 00:34:53,483 It only reaches people. 727 00:34:53,658 --> 00:34:56,787 As soon as they hear it, they need to have more 728 00:34:57,161 --> 00:34:59,096 Because they know it's a deep thing, 729 00:34:59,263 --> 00:35:01,630 and it's real and original,
and directly from the heart. 730 00:35:01,799 --> 00:35:05,702 If you don't get the secret the material of South Memphis, 731 00:35:05,870 --> 00:35:09,466 that you can't put into a book or write, 732 00:35:09,640 --> 00:35:13,077 it won't be the same. 733 00:35:26,524 --> 00:35:29,358 We only crash. 734 00:35:40,605 --> 00:35:43,871 Bas. This is the bass section. 735 00:35:44,542 --> 00:35:46,841 In true passion collaboration, 736 00:35:47,211 --> 00:35:50,511 we match blues English extrordinaire, Ian Siegal 737 00:35:50,681 --> 00:35:53,173 with Memphis guitar slinger, Eric Gales. 738 00:35:53,351 --> 00:35:56,116 Mentoring is the legendary Hubert Sumlin. 739 00:35:56,287 --> 00:35:58,483 That's it, that's the bass part. 740 00:36:04,495 --> 00:36:07,158 Hubert Sumlin plays with the blues icon 741 00:36:07,331 --> 00:36:08,765 < i> Howlin & apos; Wolf and Muddy Waters, 742 00:36:08,933 --> 00:36:11,528 and they influence the new musician generation 743 00:36:11,702 --> 00:36:13,762 created British invasion. 744 00:36:13,938 --> 00:36:16,271 the magic was inspired musicians to travel 745 00:36:16,440 --> 00:36:19,740 from all over the world to record in Memphis. 746 00:36:19,911 --> 00:36:22,403 Robert Plant said, "Once I hear music 747 00:36:22,580 --> 00:36:25,516 "from the Mississippi Delta, I'm no longer an Englishman. 748 00:36:25,683 --> 00:36:28,152 " I am a world person. " 749 00:36:29,387 --> 00:36:30,878 I'm thinking of that debt 750 00:36:31,255 --> 00:36:34,589 that the British musician owes this city, this area. 751 00:36:34,759 --> 00:36:37,228 And as a child, you find your escape 752 00:36:37,395 --> 00:36:39,557 With the overall idea bringing Lead Belly, 753 00:36:39,730 --> 00:36:42,529 brings Delta music to the mainstream of the United Kingdom 754 00:36:42,700 --> 00:36:43,793 besides traditional jazz. 755 00:36:43,968 --> 00:36:47,200 > 756 00:36:47,371 --> 00:36:50,307 We always see, we can't do anything else but look, 757 00:36:50,474 --> 00:36:51,635 and try and imitate this music. 758 00:36:51,809 --> 00:36:52,809 That's phenomenal. 759 00:36:52,944 --> 00:36:54,606 It's amazing. 760 00:36:54,779 --> 00:36:57,749 When I drove the last car night in the rain, 761 00:37:07,458 --> 00:37:08,892 I said to Nick, I said, "We are back." 762 00:37:09,260 --> 00:37:10,260 ♪ Yes. 763 00:37:11,963 --> 00:37:13,829 ♪ I know you're glad I went 764 00:37:15,466 --> 00:37:18,231 ♪ Oh, I've lived, boy 765 00:37:18,402 --> 00:37:19,461 ♪ Yes, sir 766 00:37:19,804 --> 00:37:21,898 ♪ In this phase too long 767 00:37:25,009 --> 00:37:26,910 ♪ I'm not worried 768 00:37:29,647 --> 00:37:31,707 ♪ I'm not worried 769 00:37:33,551 --> 00:37:40,355 ♪ Because I'm sitting Above the world 770 00:37:50,801 --> 00:37:51,928 Yes! 771 00:37:52,303 --> 00:37:54,431 BB King, Buddy Guy, and Hubert Sumlin, you know, 773 00:37:58,976 --> 00:38:01,445 the blues people around first generation, humans 774 00:38:01,612 --> 00:38:05,481 It is a miracle that it 775 00:38:05,650 --> 00:38:08,347 > cat even with us, man. 776 00:38:08,519 --> 00:38:09,519 I mean, we love you, BB, and we love you, Hubert. 777 00:38:09,687 --> 00:38:10,882 Allah! 778 00:38:11,055 --> 00:38:14,719 You are a major legend for me, man 779 00:38:14,892 --> 00:38:16,258 And you really a great inspiration 780 00:38:16,427 --> 00:38:18,589 and have spoken to you that we have had before. 781 00:38:18,763 --> 00:38:21,494 And you mean a whole lot for me, man, 782 00:38:21,666 --> 00:38:24,431 and at any time < br /> we can be together 783 00:38:24,602 --> 00:38:27,367 to do something together, man, I am always there for you, man. 784 00:38:27,538 --> 00:38:31,498 And as I said, no a help you can't ask me 785 00:38:31,676 --> 00:38:32,803 that I won't be there 786 00:38:32,977 --> 00:38:33,977 I'll be there, man, 787 00:38:34,078 --> 00:38:36,513 because you are a true legend 788 00:38:36,681 --> 00:38:38,547 You are a pioneer, you are the person. 789 00:39:07,578 --> 00:39:10,070 It's nothing but a party here. 790 00:39:10,448 --> 00:39:12,747 Hey, Luther! 791 00:39:12,917 --> 00:39:14,783 How do you do it, Luther? 792 00:39:14,952 --> 00:39:15,952 I miss you so much 793 00:39:15,953 --> 00:39:17,717 Oh, I miss you guys, man. 794 00:39:17,888 --> 00:39:19,789 I miss you so much. 795 00:39:19,957 --> 00:39:21,482 Kami merindukan kalian semua. 796 00:39:21,659 --> 00:39:22,888 Miss Yvonne, hey. 797 00:39:23,060 --> 00:39:25,586 You acted like you didn't in a family no more. 798 00:39:25,763 --> 00:39:27,322 Luther, we heard you had a little girl 799 00:39:27,498 --> 00:39:28,498 Seducing! 800 00:39:28,599 --> 00:39:29,599 He is my heart. 801 00:39:29,800 --> 00:39:31,701 Hey, so we are grandmother now. 802 00:39:31,869 --> 00:39:35,806 I will show you your picture later. 803 00:39:35,973 --> 00:39:37,703 > I know he's cute. 804 00:39:37,875 --> 00:39:39,366 I know him, Luther. 805 00:39:39,543 --> 00:39:40,543 He looks like my father. 806 00:39:40,644 --> 00:39:43,773 I'm very proud of you 807 00:39:43,948 --> 00:39:45,883 I miss you so much! 808 00:39:45,884 --> 00:39:46,883 My children. 809 00:39:46,884 --> 00:39:47,817 We love you so much. 810 00:39:47,818 --> 00:39:48,818 I love you too. 811 00:39:48,886 --> 00:39:50,081 We miss you.
/> We love you, Miss Yvonne. 812 00:39:50,454 --> 00:39:51,454 Oh, God, it's not easy. 813 00:39:54,892 --> 00:39:56,622 I grew up in this matter record here, 814 00:39:56,794 --> 00:39:58,820 "Staple singer makes you happy". 815 00:39:58,996 --> 00:40:00,828 Our way is actually, our family must know 816 00:40:00,998 --> 00:40:02,899 The Staples Family because of the song, 817 00:40:03,067 --> 00:40:04,535 "Freedom of Highway". 818 00:40:04,702 --> 00:40:06,364 We are playing the song, we will record it, 819 00:40:06,537 --> 00:40:08,938 But there is one line we don't know. 820 00:40:09,106 --> 00:40:11,132 And my mother called Yvonne and Mavis 821 00:40:11,509 --> 00:40:12,772 and asked her what that was. 822 00:40:12,943 --> 00:40:14,878 > 823 00:40:15,045 --> 00:40:16,138 I was very impressed that I found it, you know? 824 00:40:16,514 --> 00:40:19,814 And they are so cool. 825 00:40:19,984 --> 00:40:21,612 "My children want to sing & apos; March Freedom Highway. 826 00:40:21,786 --> 00:40:23,049 "Can we have the lyrics?" 827 00:40:23,421 --> 00:40:28,121 And they are like, "Do are these young white boys on 828 00:40:28,526 --> 00:40:30,927 "Mississippi sings us civil rights protest songs?" 829 00:40:42,807 --> 00:40:44,742 I'm like, "Hey Man, I feel it." 830 00:40:44,909 --> 00:40:48,607 Mavis Staples is a queen , man. 831 00:40:52,983 --> 00:40:55,578 Pops, you know, Pops Staples, he knows Charlie Patton, 832 00:40:55,753 --> 00:40:57,517 and Mavis talks about Howlin & apos; Wolf 833 00:40:57,688 --> 00:40:59,452 comes to the house and Hang out, you know? 834 00:40:59,623 --> 00:41:02,650 And Pops Staples takes blues country 835 00:41:02,827 --> 00:41:05,956 straight into the future 836 00:41:06,130 --> 00:41:07,928 through Civil Rights Movement 837 00:41:16,474 --> 00:41:20,206 When we are brought here as slaves 838 00:41:20,578 --> 00:41:22,604 and not allowed gathered or talked, 839 00:41:22,780 --> 00:41:26,080 slaves are organized how to communicate, 840 00:41:26,250 --> 00:41:27,946 and that through singing. 841 00:41:28,118 --> 00:41:32,055 From the song field and so on the way through the gospel 842 00:41:32,223 --> 00:41:34,590 and Civil Rights Movement, where the church is 843 00:41:34,758 --> 00:41:36,488 in the middle of the movement, 844 00:41:36,660 --> 00:41:38,993 and black preachers motivate people 845 00:41:39,163 --> 00:41:43,863 to defend what they are trust, and their rights. 846 00:41:47,705 --> 00:41:49,503 Mavis Staples moves and sings 847 00:41:49,673 --> 00:41:52,609 side by side with Martin Luther King, Jr. 848 00:41:52,776 --> 00:41:54,972 in the struggle for racial equality. 849 00:41:55,145 --> 00:41:58,513 After decades of breaking records with The Staple Singers 850 00:41:58,682 --> 00:42:01,743 and solo career, Mavis is appointed 851 00:42:01,919 --> 00:42:03,888 into Rock & Roll Hall of Fame 852 00:42:04,054 --> 00:42:07,786 and get a Grammy Lifetime Achievement Award. 853 00:42:14,999 --> 00:42:16,865 God knows, humans need change 854 00:42:17,034 --> 00:42:19,196 They are ready for a Change, changes must come. 855 00:42:19,570 --> 00:42:21,562 And the music reflects that, you know 856 00:42:21,739 --> 00:42:26,609 And Memphis music develops through battles, 857 00:42:26,977 --> 00:42:28,172 and humans, I don't know 858 00:42:28,546 --> 00:42:30,777 "Keep Marching", I will not turn around, man 859 00:42:30,948 --> 00:42:32,109 We will continue on marching, Mavis. 860 00:42:32,283 --> 00:42:33,283 We love you, dear 861 00:42:33,617 --> 00:42:34,880 God, they are so cool. 862 00:42:35,052 --> 00:42:36,611 Look here, what's wrong with this song 863 00:42:36,787 --> 00:42:37,914 we keep changing? 864 00:42:38,088 --> 00:42:39,886 What have we decided? 865 00:42:40,057 --> 00:42:41,057 "I already Buked ". 866 00:42:41,125 --> 00:42:42,125 ♪ I've been repaid 867 00:42:42,126 --> 00:42:43,126 It will be beautiful 868 00:42:43,294 --> 00:42:44,694 I'll just say, that's good. 869 00:42:44,862 --> 00:42:46,763 I said," I have been ridiculed " good, but tell them 870 00:42:46,931 --> 00:42:49,958 to listen to" my dear has answered "too. 871 00:42:50,134 --> 00:42:51,693 He did not tell us that. > 872 00:42:51,869 --> 00:42:56,773 Papa is playing to get it 873 00:42:58,075 --> 00:42:59,236 Sounds good. 874 00:42:59,610 --> 00:43:01,203 You may not have "Wish I have answered" to you. 875 00:43:01,278 --> 00:43:02,278 I never heard of it. 876 00:43:02,279 --> 00:43:03,838 Oh man! 877 00:43:06,584 --> 00:43:07,950 Maybe you can find it on the computer 878 00:43:08,118 --> 00:43:09,118 Yeah, I'll see. > 879 00:43:09,153 --> 00:43:10,153 That's what we will do. 880 00:43:10,321 --> 00:43:11,321 Oh well. 881 00:43:11,355 --> 00:43:13,915 "Wish I & ve; ve Answered", Cody. 882 00:43:14,091 --> 00:43:15,115 We go, drop it. 883 00:43:15,292 --> 00:43:16,292 I know it doesn't take long. 884 00:43:16,327 --> 00:43:18,319 There are some Montana bad. 885 00:43:18,696 --> 00:43:19,789 ♪ Don't you know that I want it? 886 00:43:19,964 --> 00:43:21,796 ♪ I want an answer 887 00:43:21,966 --> 00:43:23,594 Oh yeah! Seduce! 888 00:43:25,069 --> 00:43:26,594 That's it. 889 00:43:26,770 --> 00:43:30,798 Go, Cody Go, Cody, You scutter a little! 890 00:43:30,975 --> 00:43:32,238 I like this song, It sounds amazing . 891 00:43:32,610 --> 00:43:35,239 This is a great song, Cody. 892 00:43:35,613 --> 00:43:36,979 Write the Pops. 893 00:43:36,980 --> 00:43:37,947 Beautiful. 894 00:43:37,948 --> 00:43:38,948 Isn't that bad? 895 00:43:38,983 --> 00:43:39,983 The guitar part is very funky. 896 00:43:40,150 --> 00:43:41,174 Yes, yes, that's what I like. 897 00:43:42,353 --> 00:43:43,878 I know you will like it. 898 00:43:44,054 --> 00:43:46,990 Listen to the spirit. 899 00:43:58,736 --> 00:43:59,760 Now, Pops is bad. 900 00:43:59,937 --> 00:44:00,996 That's the bomb! 901 00:44:01,171 --> 00:44:03,163 Isn't that hip? 902 00:44:03,340 --> 00:44:04,899 You mean, you wrote it? 903 00:44:11,115 --> 00:44:14,847 ♪ He saw me 904 00:44:15,019 --> 00:44:16,019 That's too high. 905 00:44:16,153 --> 00:44:17,815 ♪ For 104 906 00:44:17,988 --> 00:44:20,389 ♪ He say oh 907 00:44:20,758 --> 00:44:23,853 I'm 22 years old. 908 00:44:24,028 --> 00:44:26,327 ♪ Deep down 909 00:44:26,697 --> 00:44:28,996 ♪ And I feel her fear 910 00:44:29,166 --> 00:44:32,000 ♪ From the swell of the waves 911 00:44:32,169 --> 00:44:34,638 ♪ You know I hope 912 00:44:38,208 --> 00:44:41,303 Who will sing the Pops section? 913 00:44:41,679 --> 00:44:42,977 Do you want me to sing in the Pop section too? 914 00:44:42,980 --> 00:44:43,980 Yes. 915 00:44:43,981 --> 00:44:44,781 Good. 916 00:44:44,782 --> 00:44:45,248 We will all do the background. 917 00:44:45,249 --> 00:44:46,249 Background, okay 918 00:44:49,319 --> 00:44:50,412 Five, yes. 919 00:44:50,788 --> 00:44:53,053 One, six, six, five. 920 00:44:53,223 --> 00:44:56,955 Woo Pops, you're slippery 921 00:44:57,127 --> 00:44:59,096 That's what Pops & apos do now. 922 00:44:59,263 --> 00:45:00,263 I hear it, it's complicated. 923 00:45:04,201 --> 00:45:07,330 Aww, alright, I'm leaving now. 924 00:45:09,006 --> 00:45:11,407 Go Pops. Go Pops. 925 00:45:11,875 --> 00:45:13,036 But Luther, you can get it. 926 00:45:13,777 --> 00:45:14,777 Luther can get it. 927 00:45:14,778 --> 00:45:15,837 Thank you
will keep faith 928 00:45:15,913 --> 00:45:16,913 If anyone can get it. 929 00:45:16,914 --> 00:45:18,075 I will keep faith. 930 00:45:21,218 --> 00:45:22,218 No. 931 00:45:36,734 --> 00:45:37,963 That is there. 932 00:45:38,135 --> 00:45:43,039

933 00:45:43,841 --> 00:45:48,779 ♪ Woo, to 103 934 00:45:48,946 --> 00:45:53,850 ♪ The Old Death looks at me 935 00:45:54,184 --> 00:45:59,122 ♪ Then rises to 104 936 00:45:59,923 --> 00:46:04,884 ♪ Says "Old Death, that's > knockin at your door " 937 00:46:05,062 --> 00:46:10,023 ♪ Up to 105 938 00:46:10,501 --> 00:46:13,801 ♪ Say" I don't believe, God, you will survive " 939 00:46:13,971 --> 00:46:16,031 ♪ Don't you know I hope? 940 00:46:16,206 --> 00:46:18,505 ♪ Say I wish 941 00:46:18,876 --> 00:46:20,742 ♪ Say me... Nevermind. 942 00:46:20,911 --> 00:46:23,005 Now, continue now. 943 00:46:23,180 --> 00:46:26,947 I can't breathe. It hurts. 944 00:46:27,117 --> 00:46:28,117 Wow, it made me cold. 945 00:46:28,285 --> 00:46:31,016 Alright, we have one, yes. 946 00:46:31,188 --> 00:46:33,089 It also makes me cold. 947 00:46:33,257 --> 00:46:34,452 This is bad Montana. 948 00:46:34,825 --> 00:46:35,825 Still get it. 949 00:46:36,527 --> 00:46:40,055 Inside the house. Inside the house! 950 00:46:40,397 --> 00:46:44,858 ♪ He said "Oh that Death knockin & apos; at your door" 951 00:46:45,102 --> 00:46:47,367 But look, I can't make my obstacle. 952 00:47:24,274 --> 00:47:26,937 We do everything session, though, human. 953 00:47:27,110 --> 00:47:28,134 We put so many items on the can. 954 00:47:28,312 --> 00:47:30,872 We create music, see? 955 00:47:31,048 --> 00:47:33,916 And bass has. 956 00:47:34,084 --> 00:47:38,988 No, bass has. 957 00:47:40,524 --> 00:47:41,524 Now puttin & apos ; this. 958 00:47:45,996 --> 00:47:47,259 It's yours. 959 00:47:47,431 --> 00:47:50,060 "It & apos; s Your Thing" came out and It immediately became a hit. 960 00:47:50,934 --> 00:47:52,926 So after "It & apos; s Your Thing" We have carte blanche 961 00:47:53,103 --> 00:47:54,503 with The I sley Brothers. 962 00:47:54,872 --> 00:47:58,104 I left The Isley Brothers and came here in 1970, 963 00:47:58,375 --> 00:48:00,276 because Isaac called for me from doing < / i> 964 00:48:00,344 --> 00:48:01,344 "This Is Your Thing". 965 00:48:01,345 --> 00:48:02,345 He got his own band. 966 00:48:02,479 --> 00:48:05,142 And Isaac gave us a lot of work. 967 00:48:05,315 --> 00:48:07,045 If I'm not in studio, I'm on the road. 968 00:48:07,217 --> 00:48:08,378 Isaac was hot. 969 00:48:08,552 --> 00:48:10,418 Isaac Hayes! 970 00:48:20,464 --> 00:48:25,164 Yes yes! 971 00:49:20,991 --> 00:49:24,223 We have Isaac Hayes's Academy Award here 972 00:49:24,394 --> 00:49:27,421 1972, for "Shaft". 973 00:49:27,597 --> 00:49:29,657 p> 974 00:49:30,033 --> 00:49:32,559 was the first African American musician 975 00:49:32,736 --> 00:49:35,968 in Academy history. 976 00:49:36,139 --> 00:49:37,607 That was also very special, because 977 00:49:37,975 --> 00:49:39,500 He brought it go home to Memphis. 978 00:49:40,410 --> 00:49:41,969 Then Isaac Hayes & apos' s Cadillac. 979 00:49:42,179 --> 00:49:46,173 This doggone car causes more road accidents 980 00:49:46,350 --> 00:49:48,945 Memphis than you
You can imagine, 981 00:49:49,119 --> 00:49:52,248 because people never saw anything like that before. 982 00:49:52,422 --> 00:49:55,415 This is just a car, isn't it? 983 00:49:57,594 --> 00:49:59,995 And I played with it from then on 984 00:50:00,163 --> 00:50:01,597 until around & apos; 81, when he went bankrupt 985 00:50:01,765 --> 00:50:02,994 and stopped playing for a while. 986 00:50:03,166 --> 00:50:04,429 He went abroad somewhere. 987 00:50:04,601 --> 00:50:08,265 Then, Isaac go back and start working on & 94; 988 00:50:08,438 --> 00:50:10,100 And call me. 989 00:50:10,273 --> 00:50:11,536 I finally became the leader of the band 990 00:50:11,708 --> 00:50:13,267 and I was with him until the day he died 991 00:50:13,443 --> 00:50:15,036 That day, had to go have lunch with him, 992 00:50:15,212 --> 00:50:16,578 and I can't get there on time 993 00:50:16,747 --> 00:50:18,010 He died before I got to him. 994 00:50:18,181 --> 00:50:22,619 He has left. 995 00:50:28,125 --> 00:50:29,457 Now Jesse Jackson says that "Stax 996 00:50:29,626 --> 00:50:31,754 " Not just a record company. 997 00:50:32,129 --> 00:50:33,256 "That is a sound. 998 00:50:33,630 --> 00:50:35,189 "I am a culture. 999 00:50:36,233 --> 00:50:37,997 "I am a human conscience movement 1000 00:50:38,168 --> 00:50:41,661 " and experience at the right time. " 1001 00:50:42,439 --> 00:50:44,135 This is here the music environment, 1002 00:50:44,307 --> 00:50:47,038 on Stax Records and Hi Records 1003 00:50:47,210 --> 00:50:51,545 we respect each other culturally. 1004 00:50:51,715 --> 00:50:53,547 We respect each other as men and women 1005 00:50:53,717 --> 00:50:56,050 and as professionals. 1006 00:50:56,219 --> 00:50:58,415 And we really don't care what is your gender, 1007 00:50:58,588 --> 00:51:00,784 and we don't care what color you are 1008 00:51:01,158 --> 00:51:02,786 It's all about the music. 1009 00:51:03,160 --> 00:51:04,651 p> 1010 00:51:04,828 --> 00:51:09,732 There are some strange times, 1011 00:51:10,100 --> 00:51:12,569 because racism still permeates our society 1012 00:51:12,736 --> 00:51:15,171 at that time, but we have two people 1013 00:51:15,338 --> 00:51:18,331 who is bigger love for music 1014 00:51:18,508 --> 00:51:22,741 So they allow people, black and white, 1015 00:51:23,113 --> 00:51:25,344 to enter and they work together. " 1016 00:51:25,515 --> 00:51:29,043 We just can't & see colors. 1017 00:51:30,220 --> 00:51:34,715 I think you can say Stax is rather like an oasis, 1018 00:51:35,092 --> 00:51:37,584 As soon as we walk out of the door, 1019 00:51:37,761 --> 00:51:38,761 it hits us on the face 1020 00:51:38,829 --> 00:51:41,162 Sometimes it's open, because of the police 1021 00:51:41,331 --> 00:51:44,062 will sit across the way on the Big D's, 1022 00:51:44,234 --> 00:51:45,702 and they will come squeaky, 1023 00:51:45,869 --> 00:51:48,065 and sometimes with the rifle pulled, 1024 00:51:48,238 --> 00:51:50,571 because we will turn and lock the door. 1025 00:51:50,740 --> 00:51:53,232 At 3:00 a.m., we exit the studio 1026 00:51:53,410 --> 00:51:55,436 to lock the door, "What < Are you here? " 1027 00:51:55,612 --> 00:51:57,080 " Did you rob the place? " 1028 00:51:57,247 --> 00:51:58,840 We just locked the door. 1029 00:51:59,216 --> 00:52:00,309 Will we rob it? < br /> and lock the door? 1030 00:52:04,321 --> 00:52:05,619 Hey, kid! 1031 00:52:06,289 --> 00:52:07,587 Happy New Year! 1032 00:52:07,757 --> 00:52:09,248 What happened, honey? 1033 00:52:09,426 --> 00:52:10,587 This is is my partner here, man. 1034 00:52:10,760 --> 00:52:12,626 This is Leroy Hodges, bass player, 1035 00:52:12,796 --> 00:52:14,321 Teenie Hodges brothers. 1036 00:52:15,165 --> 00:52:17,566 Minister! Other Hodges, you. 1037 00:52:17,734 --> 00:52:19,862 We cut so many items with these people 1038 00:52:20,237 --> 00:52:21,671 As he cut "LOVE, Love" and he said 1039 00:52:21,838 --> 00:52:23,397 he didn't even remember what key was 1040 00:52:23,573 --> 00:52:26,338 You cut so much, You can't think about what you are doing 1041 00:52:26,710 --> 00:52:29,236 I have a lot of blankets, I don't even know. 1042 00:52:30,514 --> 00:52:33,279 I mean, I have more than 26 < br /> gold and platinum. 1043 00:52:36,386 --> 00:52:40,255 D-flat, big seventh, 1044 00:52:40,423 --> 00:52:45,327 A-flat, seventh B-flat. 1045 00:52:47,464 --> 00:52:48,464 We do it together. 1046 00:52:48,565 --> 00:52:49,897 We do it together. 1047 00:52:50,267 --> 00:52:54,864 That's what made it so beautiful 1048 00:52:55,505 --> 00:52:59,272 Hi Rhythm, Leroy, Howard, Hubby, Teenie and myself. 1049 00:52:59,442 --> 00:53:04,312 one behind the other, 27 in a row. 1050 00:53:04,614 --> 00:53:06,879 Leroy, Teenie and myself, Charles, 1051 00:53:07,250 --> 00:53:10,743 we are the first brothers, you know, the three of us. 1052 00:53:10,921 --> 00:53:12,856 My father, Leroy Hodges, Senior. 1053 00:53:13,223 --> 00:53:15,317 He is, without a shadow of doubt, 1054 00:53:15,492 --> 00:53:19,862 is one of the greatest blues pianists in the world 1055 00:53:20,230 --> 00:53:21,357 He plays with some /> the best that ever existed, 1056 00:53:21,531 --> 00:53:23,830 Memphis Slim, some of all those people 1057 00:53:24,201 --> 00:53:26,227 But he started to have it all these children 1058 00:53:26,403 --> 00:53:29,840 My mother and father have seven people children in four years. 1059 00:53:30,207 --> 00:53:33,769 Nine children in six years, but that didn't stop playing. 1060 00:53:33,944 --> 00:53:35,708 And so we all started. 1061 00:53:35,879 --> 00:53:37,677 We work in the band. 1062 00:53:37,847 --> 00:53:41,215 I'm sitting here, Teenies are always here. 1063 00:53:41,384 --> 00:53:44,548 Charles, that organ and the piano is in the same place 1064 00:53:44,721 --> 00:53:49,625 for, the same since Bill Black appears. 1065 00:53:50,227 --> 00:53:51,855 D-flat. 1066 00:53:52,229 --> 00:53:53,229 About what? 1067 00:53:53,263 --> 00:53:54,754 D-flat, big seventh. 1068 00:53:54,931 --> 00:53:56,763 Wait, slow down, slow. 1069 00:53:56,933 --> 00:53:57,933 Do it slower. 1070 00:53:58,001 --> 00:54:00,334 Hold it there, D-minor? 1071 00:54:00,503 --> 00:54:01,503 Yes, D-minor. 1072 00:54:01,671 --> 00:54:05,608 No, you call it come out the first time 1073 00:54:05,775 --> 00:54:07,209 Are we in the same place? 1074 00:54:07,377 --> 00:54:08,470 Do it again. 1075 00:54:08,645 --> 00:54:11,911 Hold F 1076 00:54:12,282 --> 00:54:16,378 to the seventh F to B-flat. 1077 00:54:16,553 --> 00:54:18,647 We love, we care for each other, 1079 00:54:20,423 --> 00:54:23,222 We also never busy or too big 1080 00:54:23,393 --> 00:54:26,761 to just sit down and talk about your problem, 1081 00:54:26,930 --> 00:54:27,930 what you experience 1082 00:54:27,931 --> 00:54:29,331 If you need some help something, 1083 00:54:29,499 --> 00:54:30,797 I'm here for you 1084 00:54:30,967 --> 00:54:32,230 Oh, I also have something else , 1085 00:54:32,402 --> 00:54:33,426 you will really like 1086 00:54:33,603 --> 00:54:34,901 So, let's start something like... 1087 00:54:43,947 --> 00:54:44,947 ♪ Drama, drama 1088 00:54:45,015 --> 00:54:46,483 ♪ Babies, mamas they like 1089 00:54:46,650 --> 00:54:48,551 ♪ "You promise, but you are dishonest" 1090 00:54:48,718 --> 00:54:50,983 ♪ Now you have some trips with calm down 1091 00:54:51,354 --> 00:54:53,516 ♪ There is only one pimp on this trip 1092 00:54:53,690 --> 00:54:57,684 ♪ So you walk 1093 00:54:59,396 --> 00:55:01,922 That's cool 1094 00:55:18,948 --> 00:55:20,814 Learn that. 1095 00:55:20,984 --> 00:55:23,749 Give us around 15, 20, 30 minutes. 1096 00:55:23,920 --> 00:55:26,515 Willie says, "Ready?" 1097 00:55:26,690 --> 00:55:27,919 Let's roll it. 1098 00:55:47,844 --> 00:55:49,312 > 1099 00:55:49,479 --> 00:55:50,879 ♪ Try to get it all the cheese 1100 00:55:51,047 --> 00:55:52,743 ♪ Like people, like Russell 1101 00:55:52,916 --> 00:55:53,916 ♪ Pray to God 1102 00:55:53,950 --> 00:55:55,885 ♪ With everyone < br /> please tell 1103 00:55:56,052 --> 00:55:57,486 ♪ Enter the back door 1104 00:55:57,654 --> 00:55:58,781 ♪ What is the front? 1105 00:55:58,955 --> 00:56:00,821 ♪ Mister, I think you have to go 1106 00:56:00,990 --> 00:56:01,990 p> 1107 00:56:02,058 --> 00:56:03,492 ♪ What if I don't go? 1108 00:56:03,660 --> 00:56:05,390 ♪ Then the police shows 1109 00:56:05,562 --> 00:56:06,860 ♪ Raise your hands, kneel down 1110 00:56:07,030 --> 00:56:08,030 ♪ Turn around, face the floor 1111 00:56:08,365 --> 00:56:09,856 > 1112 00:56:10,033 --> 00:56:11,729 ♪ But I'm all "No 1113 00:56:11,901 --> 00:56:14,928 ♪" I'm not gon & apos; kneeling " 1114 00:56:15,105 --> 00:56:16,573 ♪ It's not my place, bro 1115 00:56:16,740 --> 00:56:17,740 ♪ I'm not have no warrants or felonies 1116 00:56:17,907 --> 00:56:19,671 ♪ You have a problem, I understand 1117 00:56:19,843 --> 00:56:20,902 ♪ Because of my afro 1118 00:56:21,077 --> 00:56:22,443 ♪ Let them take a nap 1119 00:56:22,612 --> 00:56:24,478 ♪ Sir, you better freeze 1120 00:56:24,647 --> 00:56:25,808 > 1121 00:56:25,982 --> 00:56:27,917 ♪ I no longer don't tell you 1122 00:56:28,084 --> 00:56:30,747 ♪ I'm lining up, I'm finished telling you someday 1123 00:56:30,920 --> 00:56:32,889 ♪ Don't forget that you talk to me 1124 00:56:33,056 --> 00:56:35,582 ♪ You are walkin & apos; excellent and respect what belongs to me 1125 00:56:35,759 --> 00:56:36,818 ♪ why don't you take your partner and run away 1126 00:56:36,993 --> 00:56:38,052 ♪ This is score, 1127 00:56:38,428 --> 00:56:40,363 ♪ They have three weapons, no four of them 1128 00:56:40,530 --> 00:56:42,692 ♪ I'm thinking of war, but there Maybe a few more of them 1129 00:56:42,866 --> 00:56:44,562 ♪ Maybe there are some hands and I'm free 1130 00:56:44,734 --> 00:56:47,397 ♪ So we walk 1131 00:56:47,570 --> 00:56:49,835 ♪ Walk 1132 00:56:50,006 --> 00:56:54,535 ♪ Walk 1133 00:56:54,711 --> 00:56:57,704 Willie Mitchell has one of the few clubs 1134 00:56:57,881 --> 00:56:59,611 black people can play in. 1135 00:56:59,783 --> 00:57:01,809 I have a club at the end of the road. 1136 00:57:01,985 --> 00:57:03,146 The first is all integrated, 1137 00:57:03,520 --> 00:57:04,749 and I catch all types of flack. 1138 00:57:04,921 --> 00:57:08,483 They try to put medicine in the bathroom 1139 00:57:08,658 --> 00:57:11,457 But thank goodness I have people in the city center 1140 00:57:11,628 --> 00:57:12,994 said we would be raided 1141 00:57:13,163 --> 00:57:15,723 So we passed it all that, man 1142 00:57:15,899 --> 00:57:18,528 And then on the tour,
it's just as bad as 1143 00:57:18,701 --> 00:57:19,930 in all countries. 1144 00:57:20,103 --> 00:57:21,799 I mean, we have to go up all night sometimes 1145 00:57:21,971 --> 00:57:24,873 because you can't live everywhere 1146 00:57:25,041 --> 00:57:26,942 Highway Patrol will pull you, 1147 00:57:27,110 --> 00:57:29,807 drag all your instruments out of the trailer, 1148 00:57:29,979 --> 00:57:31,140 and then, "Oh, you are a musician? 1149 00:57:31,514 --> 00:57:32,777 "Play something." 1150 00:57:32,949 --> 00:57:33,949 Real? 1151 00:57:34,017 --> 00:57:36,179 Mmmhmm. 1152 00:57:36,553 --> 00:57:37,851 It's like... 1153 00:57:38,021 --> 00:57:39,114 Man, you must humiliated 1154 00:57:39,489 --> 00:57:40,752 to play music side of the road. 1155 00:57:40,924 --> 00:57:41,983 Yes, by the side of the road. 1156 00:57:42,158 --> 00:57:45,526 There is something rampant segregation here at that time . 1157 00:57:45,662 --> 00:57:47,756 And seeing a lot of black people 1158 00:57:47,931 --> 00:57:52,198 drive around the city in new Jaguar and Cadillac 1159 00:57:52,569 --> 00:57:54,162 and make big the amount of money 1160 00:57:54,537 --> 00:57:56,028 p> 1161 00:57:56,206 --> 00:58:00,541 and become internationally famous 1162 00:58:00,710 --> 00:58:02,906 Luxury open rubbing lots of people in the wrong way 1163 00:58:03,079 --> 00:58:06,015 And they show their displeasure 1164 00:58:06,182 --> 00:58:08,014 If we go to a restaurant, and they say, 1165 00:58:08,184 --> 00:58:09,584 "Okay, no, no, no. You can't. 1166 00:58:09,752 --> 00:58:11,220 " You have to go around corner. 1167 00:58:11,588 --> 00:58:12,886 "We don't serve you." 1168 00:58:13,056 --> 00:58:14,056 No. 1169 00:58:14,123 --> 00:58:15,921 Everyone comes out. 1170 00:58:16,092 --> 00:58:17,092 I remember that they don't want to 1171 00:58:17,193 --> 00:58:19,162 let's eat at this restaurant. 1172 00:58:19,529 --> 00:58:22,761 So he said, "All right we get something to go?" 1173 00:58:22,932 --> 00:58:24,161 And everyone said, "Oh no, no. 1174 00:58:24,534 --> 00:58:25,832 " We won't spend money here 1175 00:58:26,002 --> 00:58:27,129 "If they don't let us eat." 1176 00:58:27,504 --> 00:58:28,836 So he said, "No, no, no. 1177 00:58:29,005 --> 00:58:31,975 " Give us 40 hamburgers. 1178 00:58:32,141 --> 00:58:34,076 "Everything is in 40 hamburgers." 1179 00:58:34,244 --> 00:58:36,941 I see the man started repairing the item 1180 00:58:37,113 --> 00:58:40,049 and throw the meat the grill and everything, 1181 00:58:40,216 --> 00:58:44,847 we all walk out and take the bus and go 1182 00:58:48,758 --> 00:58:50,727 ♪ Hey baby now 1183 00:58:50,894 --> 00:58:52,886 ♪ You have a dangerous city 1184 00:58:53,062 --> 00:58:55,054 ♪ Al things you do 1185 00:58:55,231 --> 00:58:57,564 ♪ Babies, you change the rules 1186 00:58:57,734 --> 00:59:00,033 ♪ Ooh, you tell me how 1187 00:59:00,203 --> 00:59:02,195 ♪ The more you scream and shout 1188 00:59:02,572 --> 00:59:04,768 ♪ This is just a game with you 1189 00:59:04,941 --> 00:59:07,172 ♪ Do what you have to do 1190 00:59:14,117 --> 00:59:19,021 Yes yes! Wow! Yes! 1191 00:59:19,722 --> 00:59:20,951 That can be in front. 1192 00:59:21,124 --> 00:59:22,251 Wow! 1193 00:59:22,625 --> 00:59:24,594 It's like stopping you from problems.

1194 00:59:24,761 --> 00:59:27,856 It's like, "Walk. Walk. 1195 00:59:28,031 --> 00:59:31,126 " Just walk. " 1196 00:59:41,878 --> 00:59:43,244 Trash workers in Memphis 1197 00:59:43,613 --> 00:59:44,911 start the whole movement 1198 00:59:45,081 --> 00:59:47,243 Trash workers stop, everything will fall apart 1199 00:59:47,617 --> 00:59:50,678 But they can't feed them family, so they stand up, 1200 00:59:50,853 --> 00:59:52,321 and once they do that , everything starts to change. 1201 01:00:03,266 --> 01:00:05,997 Somewhere I read 1202 01:00:06,169 --> 01:00:08,104 freedom of association. 1203 01:00:08,271 --> 01:00:09,864 Somewhere I read 1204 01:00:10,039 --> 01:00:11,974 freedom of speech. 1205 01:00:12,141 --> 01:00:13,803 Somewhere I read 1206 01:00:13,977 --> 01:00:16,105 freedom of the press. 1207 01:00:16,279 --> 01:00:18,248 Somewhere I read 1208 01:00:18,615 --> 01:00:22,143 that American greatness was the right to protest 1209 01:00:22,318 --> 01:00:23,843 for right 1210 01:00:30,059 --> 01:00:34,929 I've seen the promised land. 1211 01:00:35,098 --> 01:00:37,329 I might not get there with you. 1212 01:00:37,700 --> 01:00:40,169 But I want you to know tonight, 1213 01:00:40,336 --> 01:00:44,637 that we as people will get to the promised land 1214 01:00:50,713 --> 01:00:51,737 So I'm happy tonight. 1215 01:00:51,914 --> 01:00:53,940 I'm not worried about anything. 1216 01:00:54,117 --> 01:00:56,780 I not afraid of anyone. 1217 01:00:56,953 --> 01:01:01,857 My left eye has seen its glory the coming of God 1218 01:01:13,002 --> 01:01:16,131 At that time Dr. Martin Luther King was shot 1219 01:01:17,073 --> 01:01:19,042 utopia begins to collapse. 1220 01:01:20,276 --> 01:01:22,268 Our environment is burning. 1221 01:01:22,445 --> 01:01:24,414 It seems as if the spirit of Memphis 1222 01:01:24,781 --> 01:01:27,080 is fighting with time, 1223 01:01:27,250 --> 01:01:32,154 just as scared as the unknown covering the whole city. 1224 01:01:32,722 --> 01:01:35,351 It's like, destroying. 1225 01:01:35,725 --> 01:01:38,058 I mean, the whole environment 1226 01:01:38,227 --> 01:01:39,889 just came out on the way to scream, 1227 01:01:40,063 --> 01:01:41,122 and shout and cry. 1228 01:01:44,233 --> 01:01:46,225 They don't know which way to change, 1229 01:01:46,402 --> 01:01:49,998 because Dr. King, to the black community, 1230 01:01:50,173 --> 01:01:52,699 is everything 1231 01:01:52,875 --> 01:01:54,935 When Martin Luther the King was killed, 1232 01:01:55,111 --> 01:01:58,912 Don't forget, the Stax < br /> like black and white 1233 01:01:59,082 --> 01:02:00,710 and at the time of the riot, 1234 01:02:00,883 --> 01:02:02,408 black people, like Isaac and everyone 1235 01:02:02,785 --> 01:02:05,983 must be someone's companion < like Steve Cropper 1236 01:02:06,155 --> 01:02:07,817 and they all enter and get out of Stax, 1237 01:02:07,990 --> 01:02:12,291 Because that white person will only be destroyed 1238 01:02:12,462 --> 01:02:13,760 So we just said, "Hey man, 1239 01:02:13,930 --> 01:02:15,228 " only, please man, they work with us 1240 01:02:15,398 --> 01:02:17,060 "Leave them alone, brother. Let them go. " 1241 01:02:17,233 --> 01:02:19,964 And then called me, Isaac, and David, 1242 01:02:20,136 --> 01:02:22,765 and some other people to enter the radio 1243 01:02:22,939 --> 01:02:27,843 and try to calm down people down, 1244 01:02:28,044 --> 01:02:29,876 but there's a lot of frustration 1245 01:02:30,213 --> 01:02:34,048 Burning and looting, and even in talking 1246 01:02:34,217 --> 01:02:35,947 with some environmental people, 1247 01:02:36,119 --> 01:02:37,712 you have to tell them, 1248 01:02:37,887 --> 01:02:41,449 "But you're burning down your own house. 1249 01:02:41,824 --> 01:02:45,124 " You're burning riding your own car. " 1250 01:02:45,294 --> 01:02:46,887 It hurts the city. 1251 01:02:47,063 --> 01:02:49,362 At that time, the music industry 1252 01:02:49,532 --> 01:02:53,060 was the third largest employer in the city, 1253 01:02:53,236 --> 01:02:56,434 p> 1254 01:02:56,806 --> 01:02:58,798 led by Stax Records. 1255 01:02:58,975 --> 01:03:00,068 That is the second largest black-owned business 1256 01:03:00,243 --> 01:03:02,337 in the United States, 1257 01:03:02,512 --> 01:03:04,743 and in this region, is the biggest. 1258 01:03:04,914 --> 01:03:07,383 marketing tools owned by Memphis. 1259 01:03:07,550 --> 01:03:10,952 Because of the Stax sound go all over the world 1260 01:03:11,120 --> 01:03:13,453 If you have something like the one who was born, 1261 01:03:13,823 --> 01:03:16,054 You can copy it, as a large company, 1262 01:03:16,225 --> 01:03:19,389 You copy it, or you get it, 1263 01:03:19,562 --> 01:03:21,463 and if you can't do that two , you destroyed it 1264 01:03:27,069 --> 01:03:29,470 So I was offered money, they want to buy Stax, 1265 01:03:29,839 --> 01:03:31,831 and I don't want to sell it. 1266 01:03:32,008 --> 01:03:33,499 I want to build
something to go 1267 01:03:33,876 --> 01:03:36,209 for my family and future generations. 1268 01:03:36,379 --> 01:03:38,780 So I stand on my ground. 1269 01:03:38,948 --> 01:03:42,817 There is that element
don't want Stax to survive, 1270 01:03:42,985 --> 01:03:47,889 and that systematically quit the business 1271 01:03:48,524 --> 01:03:51,961 Once they are aware they can 1272 01:03:52,128 --> 01:03:55,963 stop the creative community from ever developing 1273 01:03:56,132 --> 01:03:58,226 and introduce other Isaac Hayes, 1274 01:03:59,168 --> 01:04:01,034 or other Booker Q. & MG & apos; s, 1275 01:04:01,938 --> 01:04:03,406 or Rufus Thomas, 1276 01:04:04,540 --> 01:04:07,009 I think they have silent commitments 1277 01:04:07,176 --> 01:04:09,304 never let that happen again 1278 01:04:10,146 --> 01:04:12,547 The Union Plan, at that time time, was one of the biggest 1279 01:04:12,915 --> 01:04:13,939 or the second largest bank. 1280 01:04:14,116 --> 01:04:15,243 That was in trouble. 1281 01:04:15,418 --> 01:04:17,182 That was in trouble. 1282 01:04:17,353 --> 01:04:18,981 I have a meeting with Bill Matthews, 1283 01:04:19,155 --> 01:04:21,590 who is the president 1284 01:04:22,325 --> 01:04:25,386 I said to him, "You asked me 1285 01:04:25,561 --> 01:04:27,086 " to participate an economic death penalty 1286 01:04:27,597 --> 01:04:32,058 "from Stax Records." 1287 01:04:32,235 --> 01:04:36,536 And he tried several things to save the bank, 1288 01:04:36,906 --> 01:04:38,875 to save the bank, that in my judgment, 1289 01:04:39,041 --> 01:04:41,943 will be illegal, and I disclose 1290 01:04:42,111 --> 01:04:43,909 to it on one opportunity , and he said, 1291 01:04:44,080 --> 01:04:46,572 "Nigger, I didn't ask you to do it 1292 01:04:46,949 --> 01:04:49,009 " I told you to do it. " 1293 01:04:49,185 --> 01:04:53,486 You have finance < br /> to make a system 1294 01:04:53,656 --> 01:04:57,286 that ensures that you can realize 1295 01:04:57,460 --> 01:04:59,952 the results of your prejudices. 1296 01:05:00,129 --> 01:05:01,129 That's racism. 1297 01:05:01,130 --> 01:05:02,996 That is systemic. 1298 01:05:03,165 --> 01:05:05,464 They have attacked my indictment 16 times 1299 01:05:05,635 --> 01:05:08,264 accusing me of conspiring to deceive the bank 1300 01:05:08,437 --> 01:05:11,407 of 18 , 9 million dollars 1301 01:05:11,574 --> 01:05:13,566 There's nothing crooked bone here, get here 1302 01:05:13,943 --> 01:05:18,643 I believe that Al Bell was charged 1303 01:05:19,348 --> 01:05:23,115 as sacrificial sheep in sequence 1304 01:05:23,286 --> 01:05:27,621 for them to collect on insurance. 1305 01:05:27,990 --> 01:05:30,323 And that allows them to support the bank 1306 01:05:30,493 --> 01:05:33,361 keep the Comptroller from the currency from their closing 1307 01:05:33,529 --> 01:05:35,361 until they know Another way to save it. 1308 01:05:35,531 --> 01:05:37,659 Meanwhile, they try to put me in jail 1309 01:05:38,034 --> 01:05:40,196 for two or three for life and all that. 1310 01:05:40,369 --> 01:05:41,928 " But we have to get it get rid of this Negro. " 1311 01:05:43,139 --> 01:05:45,131 I will never forget it 1312 01:05:45,308 --> 01:05:47,004 that there are people in this community 1313 01:05:47,176 --> 01:05:51,272 who can rally the Stax Records side 1314 01:05:51,447 --> 01:05:54,975 and realize that with a little help, 1315 01:05:55,151 --> 01:05:57,313 we can be overcome our difficulties, 1316 01:05:57,486 --> 01:06:00,684 and we can, maybe, be in business today 1317 01:06:01,057 --> 01:06:03,117 We have found a note on the charts 1318 01:06:03,292 --> 01:06:06,990 when Stax filed for bankruptcy, who is crazy 1319 01:06:09,031 --> 01:06:13,025 When Stax Records closed the door in 1975, 1320 01:06:13,202 --> 01:06:15,501 the environment was destroyed. 1321 01:06:15,671 --> 01:06:17,435 Allowed to fall into despair, 1322 01:06:17,606 --> 01:06:20,303 the building eventually sold for a dollar, 1323 01:06:20,476 --> 01:06:22,445 before being ripped off. 1324 01:06:24,113 --> 01:06:26,981 Booker T. Jones said, and I quote, 1325 01:06:27,149 --> 01:06:29,983 "If Martin Luther King hasn't been killed 1326 01:06:30,152 --> 01:06:32,018 in Memphis, Tennessee, Stax Records 1327 01:06:32,188 --> 01:06:33,520 will still enter business today. " 1328 01:06:35,324 --> 01:06:37,953 It just killed Memphis music scene 1329 01:06:38,127 --> 01:06:43,031 p> 1330 01:06:58,347 --> 01:07:03,308 I think it's fair very horrible thing 1331 01:07:04,220 --> 01:07:08,021 ♪ There is no sunlight when he goes 1332 01:07:29,378 --> 01:07:30,778 ♪ Just darkness when 1333 01:07:31,147 --> 01:07:33,048 Lifetime Grammy Achievement Award Winner 1334 01:07:33,215 --> 01:07:36,413 Bobby Blue Bland starts Beale Streeter 1335 01:07:36,585 --> 01:07:41,046 returned in 1949 with unknown guitar player named BB King. 1336 01:07:41,223 --> 01:07:44,193 He started a sizzling solo career, 1337 01:07:44,360 --> 01:07:46,761 that had been sampled by mega- star 1338 01:07:47,129 --> 01:07:50,622 like Jay-Z on his hit, "City Heart". 1339 01:08:05,781 --> 01:08:07,716 Good. 1340 01:08:08,084 --> 01:08:11,782 We base the structure around, like, that damage, 1341 01:08:12,154 --> 01:08:13,554 the call and the response you do 1342 01:08:13,722 --> 01:08:16,282 with the audience and everything. 1343 01:08:16,459 --> 01:08:20,760 But basically, like, the first choir at the beginning, 1344 01:08:21,130 --> 01:08:25,067 will, it's like damage, and that's you, Bobby. 1345 01:08:25,234 --> 01:08:28,727 Then enter a verse it will be a rap verse. 1346 01:08:29,105 --> 01:08:31,438 Then there is another choir. 1347 01:08:31,607 --> 01:08:32,700 Rap? 1348 01:08:32,875 --> 01:08:36,368 A rapper , yes, Yo Gotti will come and rap on it. 1349 01:08:36,545 --> 01:08:37,808 I want to hear it. 1350 01:08:38,180 --> 01:08:39,648 Yes. Oh, of course. 1351 01:08:39,815 --> 01:08:41,477 He must come soon. 1352 01:08:41,650 --> 01:08:42,743 He will come soon. 1353 01:08:43,119 --> 01:08:44,143 Good. 1354 01:08:44,320 --> 01:08:46,221 And after the rap verse, There is another choir 1355 01:08:46,388 --> 01:08:49,415 And then your verse, which leads to the details. 1356 01:08:49,592 --> 01:08:51,151 The, "I know, I know..." 1357 01:08:51,327 --> 01:08:53,592 We want you do it, we will get it together 1358 01:08:53,729 --> 01:08:54,729 Good. 1359 01:08:54,730 --> 01:08:55,663 So I can do it right. 1360 01:08:55,664 --> 01:08:57,428 There is never one way to sing it. 1361 01:08:57,533 --> 01:08:58,533 There is never one way to sing it. p> 1362 01:08:58,534 --> 01:08:59,558 Right. 1363 01:08:59,735 --> 01:09:00,862 Let me hear the song again now, please, 1364 01:09:01,237 --> 01:09:04,605 if you don't mind 1365 01:09:11,714 --> 01:09:12,714 How are you? 1366 01:09:12,715 --> 01:09:13,774 How are you, man? 1367 01:09:14,150 --> 01:09:15,311 I'm good, honored to meet you, you know 1368 01:09:15,484 --> 01:09:16,747 With pleasure. 1369 01:09:16,919 --> 01:09:18,217 All honor to enter, you know , do this situation. 1370 01:09:18,387 --> 01:09:19,650 Thank you for that. 1371 01:09:19,822 --> 01:09:23,452 We will lay it down down, it will be nonsense. 1372 01:09:33,669 --> 01:09:37,162 I just need to get it < br /> The first part of this blow 1373 01:09:37,339 --> 01:09:39,240 When I enter, you know what I mean. 1374 01:09:39,408 --> 01:09:40,842 Yes, then the guitar licks, 1375 01:09:41,210 --> 01:09:42,701 It's slide-down, that's it. 1376 01:09:42,878 --> 01:09:45,746 You will do it twice 1377 01:09:45,915 --> 01:09:49,408 and then after the second time, enter? 1378 01:09:49,585 --> 01:09:50,883 Yes. 1379 01:09:51,253 --> 01:09:56,157 ♪ Yes, every day, my love 1380 01:10:04,967 --> 01:10:07,835 Ah wait, I have to enter here right? 1381 01:10:07,937 --> 01:10:08,937 Yes sir. 1382 01:10:08,938 --> 01:10:10,873 This is complicated. 1383 01:10:11,240 --> 01:10:13,232 This is weird. That intro is really... 1384 01:10:13,409 --> 01:10:14,843 No, no, let me understand. 1385 01:10:18,247 --> 01:10:19,772 I just have to enter it. 1386 01:10:19,949 --> 01:10:22,783 Cool. 1387 01:10:22,952 --> 01:10:23,952 I've heard it often, 1388 01:10:24,220 --> 01:10:26,712 But it's pretty nice there. 1389 01:10:26,889 --> 01:10:30,519 You want to say it am you good? 1390 01:10:30,626 --> 01:10:31,626 No, yeah You it's good, man 1391 01:10:31,627 --> 01:10:32,594 That's why it's very easy. 1392 01:10:32,595 --> 01:10:33,790 We have to get it together. 1393 01:10:33,963 --> 01:10:35,261 I have done this before, 1394 01:10:35,431 --> 01:10:37,957 but every day it's a new time, you know 1395 01:10:38,334 --> 01:10:39,334 Right. 1396 01:10:39,501 --> 01:10:40,969 So never where you're so perfect 1397 01:10:41,337 --> 01:10:42,337 You can be right there. 1398 01:10:42,471 --> 01:10:43,871 Okay, all right... 1399 01:10:44,240 --> 01:10:45,833 Where are you anyways 1400 01:10:46,008 --> 01:10:48,341 He is in window. 1401 01:10:48,510 --> 01:10:51,776 You sound amazing 1402 01:10:51,947 --> 01:10:53,540 When I do it right 1403 01:10:53,716 --> 01:10:55,685 it might 1404 01:10:55,851 --> 01:10:57,615 This should make sense to you 1405 01:10:57,753 --> 01:11:00,450 This will, once I get it enter through this thick head. 1406 01:11:00,623 --> 01:11:03,787 I'll be fine. 1407 01:11:03,959 --> 01:11:06,360 Let me hear it again. 1408 01:11:13,869 --> 01:11:18,830 ♪ No there is sunshine as he goes 1409 01:11:19,975 --> 01:11:23,878 ♪ Only darkness when he goes, Lord 1410 01:11:24,046 --> 01:11:25,639 Yes! 1411 01:11:25,814 --> 01:11:28,750 ♪ No light sun when he goes 1412 01:11:28,917 --> 01:11:31,944 ♪ He always goes too long 1413 01:11:32,321 --> 01:11:36,816 ♪ Whenever he goes 1414 01:11:36,992 --> 01:11:39,461 you do it, Yo Gotti. 1415 01:11:39,628 --> 01:11:40,721 ♪ Chill 1416 01:11:40,896 --> 01:11:42,956 ♪ Last night I thought about it 1417 01:11:43,332 --> 01:11:46,302 ♪ Press your phone, let you know I didn't forget about you 1418 01:11:46,468 --> 01:11:48,903 ♪ I remember when I couldn't live without you 1419 01:11:49,071 --> 01:11:50,835 ♪ Now I can't live with you 1420 01:11:51,006 --> 01:11:52,804 ♪ There's nothing around here 1421 01:11:52,975 --> 01:11:54,876 ♪ Yes, you're used to being my sunshine 1422 01:11:55,044 --> 01:11:57,707 ♪ I know, I know, I know, is the same as punchline 1423 01:11:57,880 --> 01:11:58,880 ♪ One life , like history 1424 01:11:58,914 --> 01:12:00,439 ♪ My work is a mystery 1425 01:12:00,616 --> 01:12:03,415 ♪ I'm a street guy, Shorty says he likes my chemistry 1426 01:12:03,585 --> 01:12:04,848 ♪ Look at my eyes 1427 01:12:05,020 --> 01:12:06,386 ♪ Shorty really came to me 1428 01:12:06,555 --> 01:12:09,024 ♪ Samples about that, I know that will never reach me 1429 01:12:09,391 --> 01:12:11,986 ♪ You don't get focused and I'm ready for anything 1430 01:12:12,361 --> 01:12:13,454 ♪ And I'm the king type 1431 01:12:13,629 --> 01:12:18,499 ♪ There is no sunlight as he goes 1432 01:12:18,934 --> 01:12:23,872 ♪ Only darkness when he goes, Lord 1433 01:12:25,007 --> 01:12:27,909 ♪ There is no sunlight when he goes 1434 01:12:28,077 --> 01:12:31,445 ♪ And he always goes too long 1435 01:12:31,613 --> 01:12:36,517 ♪ Whenever he goes 1436 01:12:36,819 --> 01:12:41,780 ♪ I'm surprised this time where is he going 1437 01:12:42,691 --> 01:12:47,652 1438 01:12:48,597 --> 01:12:51,567 1439 01:12:51,734 --> 01:12:55,398 p> 1440 01:12:55,571 --> 01:13:00,009 ♪ I want to know if he went to stay 1441 01:13:00,376 --> 01:13:02,675 ♪ There is no sunlight when he goes 1442 01:13:02,811 --> 01:13:05,474 ♪ He always goes too long 1443 01:13:05,647 --> 01:13:08,481 ♪ Whenever he goes 1445 01:13:11,086 --> 01:13:13,021 ♪ Hey 1447 01:13:15,657 --> 01:13:20,561 ♪ I know, I know, I know 1448 01:13:22,664 --> 01:13:26,601 ♪ I know, I know, I know 1449 01:13:26,769 --> 01:13:28,761 and the method of Baptism. 1450 01:13:28,762 --> 01:13:29,637 Very? 1451 01:13:29,638 --> 01:13:30,638 Yes. 1452 01:13:30,739 --> 01:13:32,867 See also Baptists are one place 1453 01:13:33,041 --> 01:13:36,478 You get everyone to cry. 1454 01:13:36,645 --> 01:13:38,944 Methodical, you get diction. 1455 01:13:39,114 --> 01:13:41,674 You know, and how do you say your words better. 1456 01:13:41,850 --> 01:13:45,582 See me learning mine from Nat King Cole. 1457 01:13:45,754 --> 01:13:47,120 Listen, yeah 1458 01:13:47,489 --> 01:13:49,048 Don't sing like him now. 1459 01:13:49,425 --> 01:13:52,862 But I like the music, and I like the approach 1460 01:13:53,028 --> 01:13:54,087 to a lyrics. 1461 01:14:01,069 --> 01:14:02,697 So what do you think about the drum 1462 01:14:02,871 --> 01:14:03,871 I think it's very good. 1463 01:14:03,972 --> 01:14:05,565 > 1464 01:14:05,741 --> 01:14:06,741 Sounds like someone I know. 1465 01:14:06,742 --> 01:14:07,508 Someone you picked up? 1466 01:14:07,509 --> 01:14:08,209 Yes. 1467 01:14:08,210 --> 01:14:09,210 Someone you made? 1468 01:14:12,214 --> 01:14:13,648 Yes, well, that's me. 1469 01:14:18,821 --> 01:14:20,881 Pretty good, kid. 1470 01:14:23,759 --> 01:14:27,059 Thank you. I appreciate it 1472 01:14:29,565 --> 01:14:31,534 Well, we'll put something hot together 1473 01:14:31,767 --> 01:14:33,463 I appreciate you have me here , you know 1474 01:14:33,669 --> 01:14:35,501 And don't do that last, okay? 1475 01:14:35,704 --> 01:14:36,704 Believe that 1476 01:14:36,772 --> 01:14:37,772 For sho 1477 01:14:41,009 --> 01:14:42,033 Yes. 1478 01:14:50,552 --> 01:14:52,043 It's okay, buddy. 1479 01:14:54,089 --> 01:14:55,990 ♪ I have a woman 1480 01:14:56,191 --> 01:14:58,558 ♪ The way to live above the city 1483 01:15:04,199 --> 01:15:06,532 ♪ He gives me money 1485 01:15:08,070 --> 01:15:10,630 Come here, come here, come here. 1486 01:15:10,806 --> 01:15:11,967 Come here. 1487 01:15:12,140 --> 01:15:14,609 Now, I want you to say it again. 1488 01:15:14,776 --> 01:15:16,472 ♪ He gave me money 1489 01:15:16,645 --> 01:15:18,136 ♪ He gives me money 1490 01:15:18,514 --> 01:15:20,142 No, you sing from your diaphragm 1493 01:15:25,587 --> 01:15:27,852 Here makes it sweet. 1494 01:15:51,001 --> 01:15:31,084 Here to continue the note is longer 1495 01:15:31,260 --> 01:15:33,923 ♪ He gives me money 1496 01:15:33,996 --> 01:15:34,996 Sing it 1497 01:15:34,997 --> 01:15:36,829 ♪ He gives me money 1498 01:15:36,999 --> 01:15:38,831 Talk to me. 1501 01:15:43,071 --> 01:15:44,699 ♪ Walk across the city 1504 01:15:49,111 --> 01:15:50,204 Uh uh 1506 01:15:52,214 --> 01:15:53,773 ♪ When I need it 1510 01:15:59,221 --> 01:16:01,247 I don't know anything else. 1511 01:16:01,623 --> 01:16:05,754 Yeah, okay, but come here for a moment 1512 01:16:05,928 --> 01:16:07,829 ♪ I have a woman 1513 01:16:07,996 --> 01:16:10,295 ♪ Walk across the city 1514 01:16:10,666 --> 01:16:12,794 ♪ She's good to me 1515 01:16:12,968 --> 01:16:14,869 ♪ Wow, she is 1516 01:16:15,037 --> 01:16:17,768 ♪ She gave me money 1517 01:16:17,940 --> 01:16:19,909 ♪ When I need 1518 01:16:20,075 --> 01:16:22,306 ♪ Whoa, she's the type of woman 1519 01:16:22,678 --> 01:16:24,112 ♪ Everyone needs 1520 01:16:24,279 --> 01:16:25,975 ♪ I have a woman 1521 01:16:26,148 --> 01:16:27,946 ♪ Walk across the city 1522 01:16:28,116 --> 01:16:29,709 ♪ Good for me 1523 01:16:29,885 --> 01:16:31,183 Good? 1524 01:16:31,353 --> 01:16:33,754 All I care about is you. 1525 01:16:33,922 --> 01:16:35,322 Yes, you alright, Peter. 1526 01:16:35,624 --> 01:16:36,624 Thank you. 1527 01:16:36,625 --> 01:16:37,820 Don't you stop doing it, listen? 1528 01:16:37,993 --> 01:16:38,993 Yes sir. 1529 01:16:38,994 --> 01:16:39,994 Me and you. 1530 01:16:39,995 --> 01:16:43,955 I'm right in your corner. 1531 01:16:48,236 --> 01:16:51,898 You can't destroy Stax, 1532 01:16:52,074 --> 01:16:54,270 because it lives in the heart 1533 01:16:54,643 --> 01:16:57,306 and in the minds of the people. 1534 01:16:57,679 --> 01:17:00,012 And not in bricks and mortar 1535 01:17:00,182 --> 01:17:03,949 in the building, or on the master cassette. 1536 01:17:04,119 --> 01:17:05,178 Be alive and well, 1537 01:17:05,354 --> 01:17:07,687 and it is alive and healthy today. 1538 01:17:07,856 --> 01:17:09,882 original Stax the recording studio 1539 01:17:10,058 --> 01:17:12,254 was reborn as the Stax Museum. 1540 01:17:12,394 --> 01:17:14,863 Stax Music Academy and School Charter, 1541 01:17:15,030 --> 01:17:17,898 practice sites for aspiring musicians young 1542 01:17:18,066 --> 01:17:20,592 and students who see to bring inheritance 1543 01:17:20,769 --> 01:17:23,170 Memphis music to the future. 1544 01:17:23,338 --> 01:17:25,239 Many Memphis legends teach here, 1545 01:17:25,407 --> 01:17:29,208 pass the torch, so music will live forever. 1546 01:17:52,434 --> 01:17:54,096 Return to Royal Studios 1547 01:17:54,269 --> 01:17:56,329 with students from Stax Music Academy. 1548 01:17:56,938 --> 01:17:58,839 This time, we have raised ante. 1549 01:17:59,007 --> 01:18:01,670 We collected three generations of musicians. 1550 01:18:01,843 --> 01:18:04,108 And the next one is F, C, A-flat. 1551 01:18:04,279 --> 01:18:05,804 Good. 1552 01:18:05,981 --> 01:18:07,973 When I walk in, it's okay. 1553 01:18:08,150 --> 01:18:11,382 This is the same energy, the same vibration you get 1554 01:18:11,753 --> 01:18:12,982 when you come here 1555 01:18:13,155 --> 01:18:15,920 Ahhh! Guru, bagaimana kamu lakukan, master 1556 01:18:16,091 --> 01:18:17,184 Senang melihatmu! 1557 01:18:17,359 --> 01:18:18,418 Ingin menjadi seperti kamu saat aku dewasa, 1558 01:18:18,794 --> 01:18:20,353 that's all I will say. 1559 01:18:21,129 --> 01:18:22,392 I like it when a plan comes together 1560 01:18:22,764 --> 01:18:26,724 We will get this assembled objects 1561 01:18:26,902 --> 01:18:28,734 A lot of music has left here, 1562 01:18:28,904 --> 01:18:31,169 lots of great music has left here 1563 01:18:31,339 --> 01:18:33,774 I have two guitars, you give I stand up. 1564 01:18:33,942 --> 01:18:35,808 Alright, are you carrying your Strat? 1565 01:18:35,944 --> 01:18:36,944 Yes, I got my Strat. 1566 01:18:36,945 --> 01:18:37,945 All right, you know I like Strat. 1567 01:18:38,046 --> 01:18:39,046 Right, You like Strat. 1568 01:18:39,047 --> 01:18:41,278 It's amazing, It's like déjà vu. 1569 01:18:41,450 --> 01:18:43,248 When you enter here, okay. 1570 01:18:44,820 --> 01:18:47,085 And we're good to go, let's cut the session 1571 01:18:56,798 --> 01:18:58,733 ♪ I don't want to lose 1572 01:19:01,303 --> 01:19:02,362 E-flat. 1573 01:19:02,738 --> 01:19:03,738 We have you 1574 01:19:03,872 --> 01:19:05,704 Hey, my dear, where are other guitars? 1575 01:19:10,212 --> 01:19:12,306 Major, once. 1577 01:19:16,017 --> 01:19:18,714 You will be on the horn & apos; What if you don't, see? 1579 01:19:21,990 --> 01:19:24,983 from music, and not only from the sixties, 1580 01:19:25,160 --> 01:19:26,287 but all the way back, 1581 01:19:26,461 --> 01:19:28,089 so they can get it a good base. 1582 01:19:28,263 --> 01:19:30,232 Once they get a good foundation, 1583 01:19:30,398 --> 01:19:31,957 they can survive in it. 1584 01:19:32,134 --> 01:19:35,195 Two, three, four. 1585 01:19:39,007 --> 01:19:40,976 One time! 1586 01:19:41,143 --> 01:19:43,009 ♪ It's no secret 1587 01:19:43,178 --> 01:19:44,178 That's it. 1588 01:19:44,312 --> 01:19:48,841 Look, you can't step on horns, vocals. 1589 01:19:49,017 --> 01:19:51,418 You have to learn how to to play in the groove. 1590 01:19:51,486 --> 01:19:52,486 I get you. 1591 01:19:52,487 --> 01:19:53,487 And it's simple, really. 1592 01:19:53,522 --> 01:19:55,013 It's not nonsense. 1593 01:19:55,157 --> 01:19:56,157 How old are you? 1594 01:19:56,158 --> 01:19:57,182 Seventeen. 1595 01:19:57,359 --> 01:19:59,123 Good , you're a great person, for 17, isn't he a human? 1596 01:19:59,261 --> 01:20:00,261 Yes. 1597 01:20:00,362 --> 01:20:01,362 What is your first name? 1598 01:20:01,363 --> 01:20:02,456 Andrew. 1599 01:20:02,831 --> 01:20:04,766 Have you ever used this on your guitar? 1600 01:20:04,933 --> 01:20:07,425 Have you tried it? 1601 01:20:07,803 --> 01:20:10,932 Let me give you some slide capabilities. 1602 01:20:11,106 --> 01:20:12,106 Now run your hand up and down it 1603 01:20:12,274 --> 01:20:14,038 and tell me something 1604 01:20:14,209 --> 01:20:15,233 Is that sweet 1605 01:20:15,410 --> 01:20:16,878 Yes! 1606 01:20:17,045 --> 01:20:18,843 Look, I want you some things, young blood 1607 01:20:19,014 --> 01:20:20,014 Ease of Finger. 1608 01:20:20,048 --> 01:20:21,048 Some tricks from trading there, see? 1609 01:20:29,291 --> 01:20:33,285 You have to do it clean, now 1610 01:20:33,461 --> 01:20:34,929 There is no such thing as color 1611 01:20:35,096 --> 01:20:36,291 when it comes to children current child. 1612 01:20:36,464 --> 01:20:39,923 My children's friends are like multicultural, 1613 01:20:40,101 --> 01:20:41,296 it becomes like, when I go home, 1614 01:20:41,436 --> 01:20:43,928 my children get diversity friends at home 1615 01:20:44,105 --> 01:20:45,937 That nonsense turns out to me. 1616 01:20:46,107 --> 01:20:47,473 It's not just one status, 1617 01:20:47,843 --> 01:20:50,472 that they don't have a vision, and they just love. 1618 01:20:50,846 --> 01:20:51,846 It's all about love. 1619 01:20:52,013 --> 01:20:53,276 That's what it is Children today. 1620 01:20:53,448 --> 01:20:56,543 Our children have more free than we have. 1621 01:20:56,918 --> 01:20:59,012 So they will pass all < from that knowledge 1622 01:20:59,187 --> 01:21:00,815 that we give them 1623 01:21:00,989 --> 01:21:02,548 for all their friends 1624 01:21:02,924 --> 01:21:05,951 I really want to do an album with you 1625 01:21:06,127 --> 01:21:07,459 I want you on my album. 1626 01:21:07,629 --> 01:21:09,063 I need to get your information. 1627 01:21:09,231 --> 01:21:10,324 Anytime. 1628 01:21:10,498 --> 01:21:11,932 And I'll give you mine 1629 01:21:12,100 --> 01:21:13,100 I have a lot of recording in my home 1630 01:21:13,168 --> 01:21:14,168 Huh? 1631 01:21:14,169 --> 01:21:15,228 I have a lot of recording in my house 1632 01:21:15,403 --> 01:21:16,928 I have prepared all Pro tools. 1633 01:21:17,105 --> 01:21:18,903 You have Pro Tools, huh? 1634 01:21:19,074 --> 01:21:21,236 The young people will go go far with it 1635 01:21:21,409 --> 01:21:23,275 Because when they finally find out who those people are 1636 01:21:23,445 --> 01:21:24,936 who taught them that? 1637 01:21:25,113 --> 01:21:26,206 When they actually sit down and do history, 1638 01:21:26,381 --> 01:21:28,316 Because they aren't even old enough even to know the history. 1639 01:21:28,483 --> 01:21:29,507 When they can look back 1640 01:21:29,885 --> 01:21:31,148 all of these records that they are part of, 1641 01:21:31,319 --> 01:21:33,311 and they play on, and they do this, 1642 01:21:33,488 --> 01:21:34,488 and to say that he spent time with me 1643 01:21:34,656 --> 01:21:36,887 and showed me how to do it get my notes correctly 1644 01:21:37,058 --> 01:21:38,058 and put me in the right key, 1645 01:21:38,126 --> 01:21:39,492 that crap goes far away. 1646 01:21:39,661 --> 01:21:41,425 It's like that athlete is able to work with a 1647 01:21:41,596 --> 01:21:42,928 Michael Jordan or Magic Johnson, 1648 01:21:43,098 --> 01:21:45,431 and to be able to have a one on one with him, 1649 01:21:45,600 --> 01:21:47,432 and he gets your shot correctly. 1650 01:21:47,602 --> 01:21:49,298 You are the toughest guitar player 1651 01:21:49,471 --> 01:21:50,996 in all groups I hear. 1652 01:21:51,172 --> 01:21:52,470 I hear three guitars, 1653 01:21:52,641 --> 01:21:54,371 and you are playing most of the nonsense. 1654 01:21:54,542 --> 01:21:56,977 Items good. 1655 01:21:57,145 --> 01:21:59,307 Lester! 1656 01:21:59,481 --> 01:22:02,474 Lester! 1657 01:22:02,651 --> 01:22:04,085 Where are we in, man 1658 01:22:04,252 --> 01:22:06,881 Students have to leave at 7 : 00. 1659 01:22:07,055 --> 01:22:09,422 What is happening, man, it's after six o'clock. 1660 01:22:11,993 --> 01:22:13,655 What happened now? 1661 01:22:15,130 --> 01:22:16,325 What is happening? 1662 01:22:16,498 --> 01:22:17,498 Yes, it's like 30 minutes, 1663 01:22:17,532 --> 01:22:18,556 we have been like 30 minutes 1664 01:22:18,633 --> 01:22:19,633 We can tap it outside. "Dock of the Bay "? 1665 01:22:19,634 --> 01:22:21,603 " Dock of the Bay "? 1666 01:22:21,970 --> 01:22:23,404 " Dock of the Bay ", he can do that 1667 01:22:23,571 --> 01:22:25,199 He always does it. 1668 01:22:25,373 --> 01:22:26,636 Perfect, let's do it. 1669 01:22:27,008 --> 01:22:29,944 Do you think it's better? to do one of the songs yourself? 1670 01:22:30,545 --> 01:22:31,569 Uh huh. 1671 01:22:31,680 --> 01:22:32,680 Do you prefer to do the "Dock of the Bay", 1672 01:22:32,681 --> 01:22:34,013 or one of your songs? 1673 01:22:34,182 --> 01:22:35,514 You want to do it, You want the tempo 1674 01:22:35,684 --> 01:22:37,118 or ballad, or what? 1675 01:22:38,019 --> 01:22:39,282 He will kill "Dock from the bay" man. 1676 01:22:39,454 --> 01:22:40,649 Oh, I'm sure he will do it. 1677 01:22:41,022 --> 01:22:43,548 I'm just, I like the idea of originality too. 1678 01:22:43,725 --> 01:22:46,194 Songs that have icons like that 1679 01:22:46,361 --> 01:22:49,126 things as "Dock of the Bay" , 1680 01:22:49,297 --> 01:22:51,027 and you want to make sure it's like, 1681 01:22:51,199 --> 01:22:52,199 it feels pretty special. 1682 01:22:52,300 --> 01:22:53,666 I mean we have all these people here, 1683 01:22:54,035 --> 01:22:55,333 all of these talents here, 1684 01:22:55,503 --> 01:22:57,028 but I want you guys to have the right song 1685 01:22:57,205 --> 01:22:58,298 Do you want tempo or ballad? 1686 01:22:58,473 --> 01:23:00,135 First of all, where do you feel most comfortable ? 1687 01:23:00,308 --> 01:23:01,571 He has 30 minutes. 1688 01:23:01,743 --> 01:23:04,269 Alright I can do the tempo, But I'm a ballad singer. 1689 01:23:04,446 --> 01:23:05,446 So let's do it like that. 1690 01:23:05,613 --> 01:23:06,613 Yeah, ballads. 1691 01:23:06,982 --> 01:23:09,315 "I Forgot To Be Your Beloved"? 1692 01:23:09,484 --> 01:23:11,009 "I Forgot To Be Your Beloved"? 1693 01:23:11,119 --> 01:23:12,119 Yeah, OK now. 1694 01:23:12,120 --> 01:23:13,952 But you say we have 30 minutes. 1695 01:23:14,122 --> 01:23:16,523 Yes, we can knock it out once they know, yes 1696 01:23:16,691 --> 01:23:20,958 Skip will play it and I'll pass it with it. 1697 01:23:21,062 --> 01:23:22,062 Hey, this is G, guys. 1698 01:23:22,063 --> 01:23:23,156 It's in g 1699 01:23:23,331 --> 01:23:25,027 And the good news is, they have big ears. 1700 01:23:25,200 --> 01:23:26,200 Yes. 1701 01:23:26,201 --> 01:23:27,201 You know, they can... 1702 01:23:27,235 --> 01:23:30,205 I remember the song, of course. 1703 01:23:30,372 --> 01:23:35,072 See if we can do the intro. 1704 01:23:36,277 --> 01:23:38,508 One two three. 1705 01:23:46,354 --> 01:23:47,515 All you have to do... 1706 01:23:55,130 --> 01:23:58,999 I'll do all the extras Damn, don't worry. 1707 01:23:59,167 --> 01:24:00,191 I'm sorry, you 1708 01:24:00,368 --> 01:24:02,303 > 1709 01:24:02,470 --> 01:24:04,336 I'm sorry cussing around you two. 1710 01:24:04,506 --> 01:24:06,668 I curse these children. 1711 01:24:07,042 --> 01:24:10,638 I just tried for he did that 1712 01:24:10,812 --> 01:24:11,812 Teach all Stax. 1713 01:24:11,813 --> 01:24:12,679 Peak. 1714 01:24:12,680 --> 01:24:13,547 Calculate it. 1715 01:24:13,548 --> 01:24:17,610 Drummer. 1716 01:24:21,356 --> 01:24:24,758 One two three four. 1717 01:24:25,126 --> 01:24:29,359 That is G. 1718 01:24:31,232 --> 01:24:33,030 E, G, stay there. 1719 01:24:54,289 --> 01:24:56,781 C. 1720 01:24:57,158 --> 01:24:58,285 We have to thank on this people for what they have done 1721 01:24:58,460 --> 01:25:00,088 They cut trees down to show the way 1722 01:25:00,261 --> 01:25:02,423 So the strength we have is the power they give us. 1723 01:25:02,597 --> 01:25:05,066 That's why it's a blessing for us to return, 1724 01:25:05,233 --> 01:25:06,701 and for interrelated and to make music together. 1725 01:25:06,868 --> 01:25:11,772 And show, "Hey man, your music what makes us who we are." 1726 01:25:14,676 --> 01:25:15,837 They learn it there quickly 1729 01:25:19,547 --> 01:25:21,072 I saw them babies and me like, 1730 01:25:21,249 --> 01:25:22,547 "Look at these babies here play this." 1731 01:25:22,717 --> 01:25:26,813 You have a baby playing baby making music, man 1732 01:25:40,869 --> 01:25:42,861 I need paper and pen so I can go. 1733 01:25:43,238 --> 01:25:46,675 Let me make things this happens. 1734 01:25:51,546 --> 01:25:54,778 this complete rest now, intro. 1735 01:25:56,317 --> 01:25:58,786 There is a complete break there. 1736 01:25:59,154 --> 01:26:01,623 Now. 1737 01:26:01,789 --> 01:26:03,155 Yeah, run to them, Skip. 1738 01:26:03,324 --> 01:26:04,792 Ajarkan itu kepada mereka. 1739 01:26:05,160 --> 01:26:07,220 Teach them how to learn. 1740 01:26:07,395 --> 01:26:12,265 ♪ I've said lately I love you 1741 01:26:15,803 --> 01:26:18,796 ♪ If not, Dear, forgive me 1742 01:26:22,177 --> 01:26:27,878 ♪ Am I reaching out and holding yourself in my loving arms 1743 01:26:29,417 --> 01:26:32,683 ♪ Oh, when you need me 1744 01:26:35,557 --> 01:26:39,221 ♪ Now I'm aware you need love too 1745 01:26:39,394 --> 01:26:42,887 ♪ I'll spend my life more & apos; it's up to you 1746 01:26:45,366 --> 01:26:49,201 ♪ Oh, I forgot to be your lover 1747 01:26:49,971 --> 01:26:53,840 ♪ already working for you, do everything I can 1748 01:26:54,209 --> 01:26:58,169 ♪ And work every time doesn't make me your man 1749 01:27:00,381 --> 01:27:01,872 I think I have a mean of 16 . 1750 01:27:02,984 --> 01:27:04,714 It doesn't take long, do that? 1751 01:27:06,588 --> 01:27:07,715 See how easy it is to do this. 1752 01:27:07,889 --> 01:27:09,881 I mean, he went straight in, 1753 01:27:10,258 --> 01:27:12,227 Hey, because he felt it. 1754 01:27:12,393 --> 01:27:13,691 ♪ Planting seeds, look above 1755 01:27:13,861 --> 01:27:15,489 ♪ We get the best, just looking for love 1756 01:27:15,663 --> 01:27:17,222 ♪ Plan, run towards me 1757 01:27:17,398 --> 01:27:18,832 ♪ I don't mean, I'll interfere too 1758 01:27:19,000 --> 01:27:20,764 ♪ So I can take you, then I'll sing you 1759 01:27:20,935 --> 01:27:22,563 ♪ Stax, tracks, relax in the place 1760 01:27:22,737 --> 01:27:25,229 ♪ Then you, in you, spin you, then you blow your wind 1761 01:27:25,373 --> 01:27:26,373 p> 1762 01:27:26,374 --> 01:27:27,865 ♪ Girl, see the menu 1763 01:27:28,243 --> 01:27:29,677 ♪ Brown heart, soft moon 1764 01:27:29,844 --> 01:27:31,369 ♪ Livin & apos; live, silver spoon 1765 01:27:31,546 --> 01:27:33,344 ♪ Havin & apos; that's all, havin & apos; a ball 1766 01:27:33,381 --> 01:27:34,381 ♪ love with Big Snoop Dog 1767 01:27:34,382 --> 01:27:35,382 ♪ The time will be told 1768 01:27:35,550 --> 01:27:36,779 ♪ Lift the cell, call William Bell 1769 01:27:36,951 --> 01:27:38,442 ♪ Because he's one from my brothers 1770 01:27:38,620 --> 01:27:40,486 ♪ Tell him I forgot to become your lover 1771 01:27:48,363 --> 01:27:52,357 ♪ Have I taken the time to share with you 1772 01:27:56,804 --> 01:27:58,466 My grandparents and my mother and them, 1773 01:27:58,640 --> 01:27:59,733 they inspired me by playing this 1774 01:27:59,907 --> 01:28:00,907 good music when I was young 1775 01:28:01,009 --> 01:28:02,568 You know, they handed me to it, 1776 01:28:02,744 --> 01:28:04,372 for my hips for that and makes me like it 1777 01:28:04,545 --> 01:28:07,014 My mother always has eight big tracks 1778 01:28:07,382 --> 01:28:08,907 playing cassettes in the living room, 1779 01:28:09,284 --> 01:28:11,344 and invite friends, and they will party. 1780 01:28:11,519 --> 01:28:12,885 The child will be back in , and they will be like, 1781 01:28:13,054 --> 01:28:14,647 "Snoopy, come out in the living room. " 1782 01:28:14,822 --> 01:28:17,758 And I'm out there, do a lump 1783 01:28:17,925 --> 01:28:19,484 you see my laptop, it's nothing but 1784 01:28:19,661 --> 01:28:22,358 R & B, soul music 1785 01:28:22,530 --> 01:28:23,530 That's it. 1786 01:28:23,665 --> 01:28:24,665 This is a respectable thing. 1787 01:28:24,799 --> 01:28:26,631 Dominant hip hop music now 1788 01:28:26,801 --> 01:28:27,825 So I say that to say this. 1789 01:28:28,002 --> 01:28:30,301 When they are brothers take the time to 1790 01:28:30,471 --> 01:28:32,838 their career to say, "We want to dedicate this song, 1791 01:28:33,007 --> 01:28:34,999 this title for someone who inspired us 1792 01:28:35,376 --> 01:28:36,935 who is not a hip hop artist, " 1793 01:28:37,312 --> 01:28:38,575 respect that 1794 01:28:38,576 --> 01:28:39,546 ♪ Get me right 1795 01:28:39,547 --> 01:28:40,380 > 1796 01:28:40,381 --> 01:28:41,576 ♪ Set me tight 1797 01:28:41,749 --> 01:28:43,377 ♪ MIC, peek at the rhythm of 1798 01:28:43,551 --> 01:28:44,917 ♪ Late at night, what he did 1799 01:28:45,086 --> 01:28:46,850 ♪ I tried to do it what should I do 1800 01:28:47,021 --> 01:28:48,614 ♪ But I need you close to me 1801 01:28:48,790 --> 01:28:49,985 ♪ Toastin & apos; me, floating with me 1802 01:28:50,358 --> 01:28:51,758 ♪ Baby girl, you get most of me 1803 01:28:51,926 --> 01:28:53,519 Now Teenie, you have to go back 1804 01:28:53,695 --> 01:28:54,958 "I forgot to be your lover". 1805 01:28:55,330 --> 01:28:56,525 You have to go back to that 1806 01:28:56,698 --> 01:28:58,826 Because it's the most important part of the song 1807 01:28:59,000 --> 01:29:00,298 If you go back to that, 1808 01:29:00,468 --> 01:29:01,468 and then we can do that together at the end. 1809 01:29:02,437 --> 01:29:06,602 ♪ I'm sorry, because I forgot to be your lover 1810 01:29:06,774 --> 01:29:11,678 ♪ Oh, I'm sorry, honey 1811 01:29:12,480 --> 01:29:13,914 ♪ Let me finish it with you 1812 01:29:14,082 --> 01:29:17,382 ♪ I forgot to be your lover 1813 01:29:17,552 --> 01:29:19,919 ♪ But I will redeem it for you 1814 01:29:20,088 --> 01:29:23,752 ♪ Saying sorry, honey 1815 01:29:23,925 --> 01:29:26,895 ♪ I forgot to be your lover 1816 01:29:27,061 --> 01:29:31,692 ♪ I forgot to be your lover 1817 01:29:31,866 --> 01:29:34,859 ♪ Will make it up to you 1818 01:29:35,036 --> 01:29:38,996 ♪ Wait a minute a little tighter, honey 1819 01:29:39,374 --> 01:29:41,570 ♪ I will redeem it for you 1820 01:29:41,743 --> 01:29:45,771 ♪ Oh, I forgot to be your lover 1821 01:29:45,947 --> 01:29:48,746 ♪ I'll redeem it for you 1822 01:29:48,916 --> 01:29:53,081 ♪ I forgot to be your lover 1823 01:29:53,554 --> 01:29:55,716 Okay, Snoop! Yeah dear! 1824 01:30:06,934 --> 01:30:10,029 "I forgot to be yours..." < br /> It's stuck there. 1825 01:30:10,405 --> 01:30:13,034 Jaheim's son remade it. 1826 01:30:13,408 --> 01:30:16,742 Yes, he did a different spin on it, 1827 01:30:16,911 --> 01:30:18,937 but this is original. 1828 01:30:19,113 --> 01:30:20,672 Original, yes, this is where it came from 1829 01:30:20,848 --> 01:30:23,113 This is where the seed is planted 1830 01:30:23,484 --> 01:30:26,386 Now he branched from the seed that grew, 1831 01:30:26,554 --> 01:30:30,150 but this is the origin of where it all started. 1832 01:30:30,525 --> 01:30:32,118 Mmm! What year did you write this? 1833 01:30:32,493 --> 01:30:33,859 Sixty seven. 1834 01:30:34,028 --> 01:30:35,826 > 1835 01:30:35,830 --> 01:30:36,830 Sixty seven? 1836 01:30:36,831 --> 01:30:38,094 You are still young 1837 01:30:38,466 --> 01:30:39,866 No, I was born on & apos; 71. 1838 01:30:40,034 --> 01:30:44,938 That was even before me. 1839 01:30:45,139 --> 01:30:47,608 My mother and they might start making me, rizzle. 1840 01:30:56,017 --> 01:30:57,076 It's cold. 1841 01:30:57,452 --> 01:30:58,452 Awesome, man 1842 01:30:58,486 --> 01:30:59,579 It's really amazing . 1843 01:30:59,754 --> 01:31:00,813 When you kick the face, 1844 01:31:00,988 --> 01:31:01,988 I fell from my seat human 1845 01:31:02,089 --> 01:31:06,618 I just put it in. 1846 01:31:08,930 --> 01:31:10,558 Ah, this is very sweet, man! 1847 01:31:10,731 --> 01:31:11,731 Damn, how old are you? 1848 01:31:12,800 --> 01:31:14,962 Sixteen. 1849 01:31:15,670 --> 01:31:18,139 Sixteen and continue tempo like that ? 1850 01:31:18,606 --> 01:31:19,606 You guys, take him, because he will be someone 1851 01:31:19,607 --> 01:31:20,540 What is your name? 1852 01:31:20,541 --> 01:31:21,541 Say it there. 1853 01:31:21,676 --> 01:31:23,577 My name is Brandon. Brandon Chornes. 1854 01:31:23,744 --> 01:31:25,440 Brandon Corns from Memphis, Tennessee. 1855 01:31:25,613 --> 01:31:26,740 Watch this person. 1856 01:31:26,914 --> 01:31:28,940 He's already installed. 1857 01:31:29,116 --> 01:31:32,143 No one knows he doesn't do anything 1858 01:31:32,220 --> 01:31:33,220 Love you, man 1859 01:31:33,221 --> 01:31:34,689 > 1860 01:31:34,856 --> 01:31:36,586 Hope you like what I do. 1861 01:31:36,724 --> 01:31:37,724 I tried to put a little something on it, 1862 01:31:37,725 --> 01:31:38,725 a little smelly on it. 1863 01:31:38,726 --> 01:31:39,726 Yes sir. 1864 01:31:39,827 --> 01:31:41,227 I also heard it. Sounds good. 1865 01:31:43,498 --> 01:31:44,796 Yes, you sound good, brother 1866 01:31:51,038 --> 01:31:53,837 Man, he sounds good, isn't it? 1867 01:31:54,008 --> 01:31:58,742 Tragically, the world of music is gone 1868 01:31:58,913 --> 01:32:00,074 one of the big ones innovators, Skip Pitts. 1869 01:32:00,248 --> 01:32:05,084 Time move so fast, 1870 01:32:32,880 --> 01:32:34,872 You know, when I finally met my day, 1871 01:32:35,049 --> 01:32:36,278 and where I like, "I'm done with that." 1872 01:32:36,651 --> 01:32:38,813 We can look back at this, and I can show my grandchildren. 1873 01:32:38,986 --> 01:32:40,147 This is history there. 1874 01:32:40,321 --> 01:32:41,687 This is an honor and pleasure, man . 1875 01:32:41,856 --> 01:32:43,119 Hey man, mine 1876 01:32:43,291 --> 01:32:44,520 Something like this, man. 1877 01:32:44,692 --> 01:32:45,692 I never thought my wildest dream 1879 01:32:47,194 --> 01:32:49,959 Yes sir, so anytime you want to work, 1880 01:32:50,131 --> 01:32:51,565 Mister Bell, you know you have me 1881 01:32:51,933 --> 01:32:53,595 Don't let this be the last time. 1882 01:33:00,074 --> 01:33:02,100 Don't let this be the last time.

1883 01:33:02,276 --> 01:33:04,768 Oh yeah, still appearing living in music. 1884 01:33:13,621 --> 01:33:16,147 Right. 1885 01:33:16,324 --> 01:33:19,055 ♪ "Come and follow me" 1886 01:33:19,226 --> 01:33:22,025 ♪ You know the word master 1887 01:33:22,196 --> 01:33:25,963 One takes on the floor, with vocals. 1888 01:33:26,133 --> 01:33:28,125 Which one takes, this song, here. 1889 01:33:28,302 --> 01:33:30,931 ♪ Oh, before it's too late 1890 01:33:31,105 --> 01:33:36,009 ♪ Saying I will wait for just one more day 1891 01:33:36,877 --> 01:33:38,903 ♪ Don't you know I hope? 1892 01:33:39,080 --> 01:33:40,241 ♪ I want to answer 1893 01:33:40,381 --> 01:33:41,381 ♪ Say I wish 1894 01:33:41,382 --> 01:33:42,975 ♪ I want to answer 1895 01:33:43,084 --> 01:33:44,084 ♪ Oh, I hope 1896 01:33:44,085 --> 01:33:45,883 ♪ I want to answer 1897 01:33:46,053 --> 01:33:47,053 ♪ When he calls 1898 01:33:47,121 --> 01:33:48,121 ♪ When he calls 1899 01:33:48,122 --> 01:33:49,590 ♪ Hey, God, I hope 1900 01:33:49,757 --> 01:33:51,123 ♪ I want to answer 1901 01:33:51,292 --> 01:33:52,817 ♪ Oh, God, I hope 1902 01:33:52,994 --> 01:33:53,994 ♪ I want to answer 1903 01:33:54,028 --> 01:33:55,223 ♪ Oh, I hope 1904 01:33:55,396 --> 01:33:56,955 ♪ I want to answer 1905 01:33:57,131 --> 01:34:00,067 ♪ When he calls 1906 01:34:00,068 --> 01:34:01,001 God from glory ! 1907 01:34:01,002 --> 01:34:02,002 God of glory! 1908 01:34:02,136 --> 01:34:03,136 Feeling, you know what I mean? 1909 01:34:03,204 --> 01:34:05,969 Putting love back into music 1910 01:34:06,140 --> 01:34:07,301 That's Memphis, Tennessee. 1911 01:34:07,675 --> 01:34:08,768 That sounds really cool, man. 1912 01:34:08,943 --> 01:34:10,002 It comes from the intestine. 1913 01:34:10,177 --> 01:34:13,306 We do it together. 1914 01:34:13,681 --> 01:34:15,673 Boogie swimming pool will come 1915 01:34:15,850 --> 01:34:17,876 I started feeling it's nonsense, man! 1916 01:34:19,820 --> 01:34:21,846 Shoot your best shot 1917 01:34:22,023 --> 01:34:24,857 Don't you ever feel sad, lean on me when bad times. 1918 01:34:25,026 --> 01:34:26,187 When the day arrives and you are down 1919 01:34:26,360 --> 01:34:28,659 on the river trouble and will sink, 1920 01:34:28,829 --> 01:34:30,889 wait , I come 1921 01:34:31,065 --> 01:34:33,159 This is real and original, and right from the heart. 1922 01:34:37,405 --> 01:34:38,737 We love you! 1923 01:34:38,906 --> 01:34:39,999 I love you more. 1924 01:34:40,374 --> 01:34:42,809 ♪ Yes, I hope 1925 01:34:42,977 --> 01:34:44,707 ♪ I want to answer 1926 01:34:44,879 --> 01:34:49,783 ♪ I want to answer 1927 01:34:50,418 --> 01:34:51,852 ♪ I said I want to 1928 01:34:52,019 --> 01:34:54,648 ♪ Yes, I hope 1929 01:34:54,822 --> 01:34:59,726 ♪ I want to answer 1930 01:35:01,829 --> 01:35:06,790 ♪ When he called 1931 01:35:09,036 --> 01:35:10,902 - Woo! That's the package. - Amin 1932 01:35:11,072 --> 01:35:12,903 Submitted by: www.subtitlecinema.com