1 00:01:17,840 --> 00:01:18,921 Visit www.Hokibet99.cc Trusted Secure Online Gambling Agents 2 00:01:19,080 --> 00:01:20,809 Two forwards with one round. 3 00:01:20,960 --> 00:01:26,330 two, two, two, < br /> and a turn and down. 4 00:01:27,000 --> 00:01:28,001 Two... 5 00:01:31,320 --> 00:01:33,084 two... 6 00:01:33,280 --> 00:01:34,725 and... 7 00:01:58,360 --> 00:02:00,522 One two three four, 8 00:02:00,720 --> 00:02:03,121 five, six, seven, eight. 9 00:04:24,840 --> 00:04:27,366 Fifteen minutes to the third ballet of the night: 10 00:04:27,520 --> 00:04:30,410 Jerome Robbins Glass Cut. 11 00:04:30,560 --> 00:04:32,847 Dancers for the stage, please. 12 00:05:50,120 --> 00:05:52,691 Calls on stage 13 00:08:56,640 --> 00:08:57,971 - sorry - One two three. 14 00:08:58,120 --> 00:08:59,770 It was really fun. No, that's really... 15 00:08:59,920 --> 00:09:02,924 You know, you're hugging out and about. 16 00:09:03,080 --> 00:09:04,650 - sorry - But what do you know? 17 00:09:04,800 --> 00:09:06,320 You made a mistake it looks really good 18 00:09:06,360 --> 00:09:09,011 I think we will save it. I like it that. 19 00:09:09,360 --> 00:09:10,725 - Good. - Get out and around. 20 00:09:12,200 --> 00:09:13,720 I like it first, 21 00:09:13,800 --> 00:09:17,521 but now I miss it a bit... after the turn .. . 22 00:09:18,000 --> 00:09:20,241 Okay, so the first, I will do, and the second, no. 23 00:09:20,400 --> 00:09:22,767 Yes. That's good. 24 00:09:23,120 --> 00:09:25,361 Do you know what that is? That's because here... 25 00:09:27,080 --> 00:09:29,082 I'm a little in the middle of from my feet 26 00:09:29,240 --> 00:09:31,163 - Oh well. - I no... 27 00:09:31,320 --> 00:09:34,051 - do you mean this? - Yeah, that's why 28 00:09:34,120 --> 00:09:35,531 Do you want to go... We can do the old way. 29 00:09:35,720 --> 00:09:37,484 I have to only work on it so I... 30 00:09:38,000 --> 00:09:39,729 because I, like, really... 31 00:09:40,320 --> 00:09:41,321 What if... yeah. 32 00:09:41,480 --> 00:09:43,369 What if you think about it moving, like... 33 00:09:43,560 --> 00:09:45,210 Yeah, keep going? 34 00:09:45,360 --> 00:09:47,488 - Yeah. - Like here... 35 00:09:48,160 --> 00:09:51,403 Start... I don't know, yeah. That's too much. 36 00:09:51,600 --> 00:09:52,761 Yes. 37 00:09:52,920 --> 00:09:54,640 Or not even... I think you it's over... 38 00:09:54,680 --> 00:09:56,682 Maybe you're thinking of it being, like, full turn 39 00:09:56,840 --> 00:09:58,569 and that's right should be more like... 40 00:10:00,480 --> 00:10:01,641 I think I'm just trying... 41 00:10:01,800 --> 00:10:04,770 If I just keep going from there... 42 00:10:04,920 --> 00:10:06,126 - Yeah, it's okay - it's okay what 43 00:10:06,280 --> 00:10:07,611 - Yeah. - Like, step, step. 44 00:10:07,760 --> 00:10:11,048 Yes, because what I'm trying to do is here, and then I have to. .. 45 00:10:11,240 --> 00:10:13,891 I think it's cool. I don't think I've seen that, 46 00:10:14,400 --> 00:10:16,846 - which one is good. - Yeah. 47 00:10:41,000 --> 00:10:43,287 - good - I'm a bit late 48 00:10:43,600 --> 00:10:46,922 Make sure to stir it up & apos;, 49 00:10:47,400 --> 00:10:50,131 After we make this turn, the fourth... 50 00:10:50,320 --> 00:10:51,924 - Justin - Yeah. 51 00:10:52,080 --> 00:10:53,800 - Can we give him five? - Oh yeah. Sorry. 52 00:10:53,920 --> 00:10:55,046 Oh, it's okay -What. 53 00:10:55,200 --> 00:10:57,487 - Just one hour. - Yeah. 54 00:10:57,640 --> 00:10:59,881 - No problem. Thank you. - So like a boy- man, Justin. 55 00:11:00,040 --> 00:11:01,560 - If we stay like this... - Yeah, yes 56 00:11:01,600 --> 00:11:02,761 This is what you say to boys. 57 00:11:02,880 --> 00:11:04,200 It's like... This is the theme step. 58 00:11:04,280 --> 00:11:05,361 I understand, because it's broken... 59 00:11:05,560 --> 00:11:06,800 It should always be, like, sometimes Amar, 60 00:11:06,960 --> 00:11:09,360 he will be a little tired... You know, after pas de deux, 61 00:11:09,520 --> 00:11:12,967 when he finishes here... 62 00:11:13,120 --> 00:11:14,201 Oh yes. 63 00:11:14,400 --> 00:11:16,050 And he brisées there, 64 00:11:16,200 --> 00:11:17,725 Sometimes he is really, like, 65 00:11:17,880 --> 00:11:20,406 loose in his arms, so watch over him. 66 00:11:20,560 --> 00:11:23,040 Good. I'll keep watching Amar. 67 00:11:23,240 --> 00:11:25,163 I will, most definitely 68 00:11:25,320 --> 00:11:26,560 Okay, I will drink water. 69 00:11:26,600 --> 00:11:28,648 Cameron, bravo! 70 00:12:05,600 --> 00:12:08,126 I just heard it say, " One two three four five six. 71 00:12:08,280 --> 00:12:09,884 One two three four five, six, seven, eight. " 72 00:12:10,080 --> 00:12:11,366 Oh, he did it? Oh well. 73 00:12:11,520 --> 00:12:12,681 I only count slowly. 74 00:12:12,840 --> 00:12:14,330 Good. I will count slowly. 75 00:12:14,480 --> 00:12:15,606 So you just count as eight 76 00:12:15,760 --> 00:12:17,444 - Yeah. - eight slow Good. 77 00:12:20,480 --> 00:12:21,811 I want you to turn around. 78 00:12:21,960 --> 00:12:24,008 Maybe if you keep him at his feet . 79 00:12:24,160 --> 00:12:25,764 So if you come back 80 00:12:25,920 --> 00:12:27,490 and you come, 81 00:12:27,680 --> 00:12:30,331 sous-sous, and then turn around somehow. 82 00:12:30,520 --> 00:12:32,170 - Good. - I don't know 83 00:12:36,840 --> 00:12:38,080 Sorry. 84 00:12:40,680 --> 00:12:41,841 Sorry. 85 00:12:42,680 --> 00:12:44,091 He held me by his side. 86 00:12:44,280 --> 00:12:45,520 - Di samping? - Yeah. 87 00:12:45,680 --> 00:12:47,569 - From this side or that side? - that side 88 00:12:54,200 --> 00:12:56,043 Forget. Go... 89 00:12:58,240 --> 00:13:01,130 ... until... dip . 90 00:13:01,280 --> 00:13:06,286 Bring the leg through to extend it out 91 00:13:07,320 --> 00:13:10,244 For you. So you will come back. You are fifth 92 00:13:10,440 --> 00:13:13,489 Bring your right foot past & apos ;, and then step out. 93 00:13:14,120 --> 00:13:15,121 That's it. 94 00:13:15,280 --> 00:13:16,441 Good. 95 00:13:21,400 --> 00:13:22,890 One two three, < br /> four five six. 96 00:14:17,680 --> 00:14:19,330 Ah! 97 00:14:19,480 --> 00:14:20,606 Close. That's good. 98 00:14:20,720 --> 00:14:22,165 It's almost like you need one step again, huh? 99 00:14:22,320 --> 00:14:23,924 - Yeah. - You need one more step, 100 00:14:24,080 --> 00:14:25,161 do you think? 101 00:14:25,520 --> 00:14:27,840 I think that too, /> I have to have a distance. 102 00:14:27,880 --> 00:14:29,450 - Yeah. - If I'm too close to you 103 00:14:29,560 --> 00:14:32,530 When I kick my leg, I'm not... I'm not will never be flat. 104 00:14:32,680 --> 00:14:33,727 Like, I almost have to give him him... 105 00:14:33,880 --> 00:14:34,881 Yes. 106 00:14:35,000 --> 00:14:36,200 I have to go a little further. 107 00:14:36,240 --> 00:14:37,366 Or maybe I can retreat. 108 00:14:37,480 --> 00:14:38,811 Or something. Yes. 109 00:14:38,880 --> 00:14:40,484 - You can always adjust. - Yeah. I will back off. 110 00:14:40,600 --> 00:14:41,806 - It's OK. - If I'm too... 111 00:14:41,920 --> 00:14:43,160 - Yes, if I'm too close... - Let's try it 112 00:14:43,240 --> 00:14:44,480 I'd rather be a little further. 113 00:14:44,520 --> 00:14:46,240 That's good, though, until... I mean... 114 00:14:46,280 --> 00:14:48,282 The time is great. This is very musical. 115 00:14:48,440 --> 00:14:50,681 - Cool. Can we try it from... - I mean, do you want to try it? 116 00:14:50,840 --> 00:14:52,080 - Yes, from the repeater? - Yeah. 117 00:14:52,240 --> 00:14:53,480 Yes, come on... 118 00:14:53,600 --> 00:14:54,601 Cameron. 119 00:14:54,720 --> 00:14:56,840 Cam, we can do this with you, huh , I think 120 00:15:06,960 --> 00:15:08,371 Okay, Mike. That's good. 121 00:15:08,520 --> 00:15:10,329 Eric, we can do ground row. 122 00:15:13,360 --> 00:15:15,010 Do you give a place their color? 124 00:15:19,200 --> 00:15:20,690 but I don't say anything for the part ahead, but... 125 00:15:20,840 --> 00:15:22,001 Good, because Thor is here outside. 126 00:15:01,080 --> 00:15:23,440 Good. That will be good. 127 00:15:23,560 --> 00:15:25,085 Do you want something other than 51 and 55? 128 00:15:25,240 --> 00:15:26,605 Not now. 129 00:15:35,040 --> 00:15:39,045 I think both of them have to go to gently a little more. 130 00:15:42,320 --> 00:15:43,560 That's it. 133 00:15:53,440 --> 00:15:54,771 Yes. 136 00:16:02,480 --> 00:16:05,165 If you like music and not dance, 137 00:16:05,360 --> 00:16:07,567 you will have lots of light signals. 138 00:16:07,720 --> 00:16:09,006 Yes. Yes, yes. 139 00:16:09,160 --> 00:16:10,525 So... because there are so many changes 140 00:16:10,680 --> 00:16:12,250 in the dynamics and tempo of and all that, 141 00:16:12,400 --> 00:16:15,404 so we just want to make sure 142 00:16:15,560 --> 00:16:18,450 that we support what you do 143 00:16:18,600 --> 00:16:21,683 and not, sort of, that overburden 144 00:16:21,840 --> 00:16:25,367 with too many other metaphors, I think. 145 00:16:25,800 --> 00:16:28,485 Yes, and I think because there are already many 146 00:16:28,640 --> 00:16:30,324 structurally with the choreography, 147 00:16:30,480 --> 00:16:32,960 I think it's okay for that to type, like, 148 00:16:33,120 --> 00:16:35,771 stand alone < br /> in certain cases. 149 00:16:36,480 --> 00:16:38,244 It's hard for me to imagine in my head, 150 00:16:38,400 --> 00:16:40,448 because sometimes I would, like, 151 00:16:42,240 --> 00:16:44,527 talk about
00:16:48,526 and in my head, it's far more far from what I thought. 153 00:16:48,680 --> 00:16:51,490 And then we get... you know , we get there, 154 00:16:51,640 --> 00:16:55,804 and that, like, ten percent of what I think will... 155 00:16:55,960 --> 00:16:57,610 in a good way, you know what i mean? 156 00:16:57,760 --> 00:17:00,001 Like, I'm like, "Oh, it's actually very good, 157 00:17:00,200 --> 00:17:03,010 andifs, Hke, it increases everything, 158 00:17:03,160 --> 00:17:05,970 and it's not like , things are clear, "so... 159 00:17:06,520 --> 00:17:08,648 How far are we pushing those moments 160 00:17:08,840 --> 00:17:14,324 narratives into a story with light? 161 00:17:14,480 --> 00:17:16,369 - I understand what you mean. - And that's one thing... 162 00:17:16,520 --> 00:17:18,010 And we don't have to answer it right now. 163 00:17:18,160 --> 00:17:19,889 That's just the thing for us to think and talk about. 164 00:17:20,040 --> 00:17:21,371 Yes. 165 00:17:23,120 --> 00:17:25,881 Where... Actually, where are we with pas de trois? 166 00:17:26,000 --> 00:17:28,526 Good. It's OK. 167 00:17:29,560 --> 00:17:33,406 I want to put you guys, but I'm not sure where. 168 00:17:42,520 --> 00:17:43,521 Yes. 169 00:17:50,080 --> 00:17:51,081 Yes. 170 00:17:56,880 --> 00:17:59,008 - I like it lower than... - We have noticed 171 00:17:59,160 --> 00:18:01,845 Just because I feel like I don't have, like, 172 00:18:02,000 --> 00:18:04,287 Like a long neck, so the more things appear, 173 00:18:04,440 --> 00:18:05,646 I feel like that... 174 00:18:05,800 --> 00:18:07,370 - Short, like, making you... - Yeah. 175 00:18:07,560 --> 00:18:09,085 - Good. - Then how do you feel about, like, 176 00:18:09,240 --> 00:18:11,049 where is everything cut here to you? 177 00:18:11,200 --> 00:18:12,804 - no problem - Whatever. Yes. 178 00:18:12,960 --> 00:18:14,883 Like, old < br /> cut swimsuit 179 00:18:15,040 --> 00:18:16,565 is something we are talking about 180 00:18:16,720 --> 00:18:19,166 - Oh. - Romper 181 00:18:19,400 --> 00:18:22,210 I like rompers. I wear it all the time. 182 00:18:22,360 --> 00:18:23,930 Daily. 183 00:18:24,600 --> 00:18:25,601 Um... 184 00:18:25,760 --> 00:18:27,762 What other things do do we think about it for 185 00:18:27,960 --> 00:18:29,962 As long as my feet don't look short 186 00:18:30,120 --> 00:18:31,804 No no No. 187 00:18:32,000 --> 00:18:33,923 We will give you a high waist or something. 188 00:18:34,080 --> 00:18:36,811 - Yes. - We will make you look so long. 189 00:18:37,000 --> 00:18:38,001 Um... 190 00:18:38,200 --> 00:18:39,531 And then as far... 191 00:18:39,720 --> 00:18:41,324 How do you feel about... 192 00:18:41,480 --> 00:18:43,608 I don't know if this is important; I'm not a dancer, but... 193 00:18:43,760 --> 00:18:46,240 dancing with something it's rather loose ? 194 00:18:46,400 --> 00:18:47,526 - Belt. - Belt. 195 00:18:47,680 --> 00:18:49,125 So it will move. 196 00:18:49,280 --> 00:18:51,089 We can always try it, and if not... . 197 00:18:51,240 --> 00:18:52,571 I don't have anything against it 198 00:18:52,720 --> 00:18:55,246 - Good. - You know, if... Maybe a boy 199 00:18:55,440 --> 00:18:57,010 will say something by partnering 200 00:18:57,160 --> 00:18:58,491 - Right - But for me, I... 201 00:18:58,640 --> 00:18:59,971 - You're fine.
- I'm fine with that 202 00:19:00,120 --> 00:19:01,167 - Good. - Yeah. 203 00:19:01,280 --> 00:19:02,327 Good. 204 00:21:53,160 --> 00:21:54,321 Good. 205 00:21:54,480 --> 00:21:57,450 - Justin, aku hanya punya satu pertanyaan. - Yeah. 206 00:21:57,600 --> 00:21:59,125 You know, when we return bourrée for girls, 207 00:21:59,280 --> 00:22:00,327 we bourréeing come back... 208 00:22:00,480 --> 00:22:01,970 they don't know /> if they have to finish here... 209 00:22:02,120 --> 00:22:03,201 Because, you see, some finish here, 210 00:22:03,360 --> 00:22:04,566 As the first step you give, 211 00:22:04,760 --> 00:22:06,922 and some are running parallel, 212 00:22:07,080 --> 00:22:08,081 so we should just... 213 00:22:08,240 --> 00:22:09,844 Oh. No, they have to solve it. 214 00:22:10,000 --> 00:22:11,411 Daughter, isn't it? Good? 215 00:22:11,600 --> 00:22:13,602 Because some people have aligned already 216 00:22:13,760 --> 00:22:16,001 because you see boys Come go there without finishing. 217 00:22:16,160 --> 00:22:17,241 Just finish it. 218 00:22:17,440 --> 00:22:18,646 Don't let boys make you nervous 219 00:22:18,800 --> 00:22:20,450 - total - Good . 220 00:22:22,840 --> 00:22:24,604 As far as pointe shoes go, 221 00:22:24,760 --> 00:22:26,440 do you want them, like, naked pancakes, 222 00:22:26,520 --> 00:22:28,682 or you want to save, like, city ballet... 223 00:22:28,840 --> 00:22:30,410 - it's up to you - Freed pink? 224 00:22:30,520 --> 00:22:32,720 - What do you want? - We don't... 225 00:22:32,840 --> 00:22:34,960 We can talk to the girls and see what they want too. 226 00:22:35,080 --> 00:22:36,720 They can... I mean, they will do anything... 227 00:22:36,800 --> 00:22:39,451 I mean, whatever we want. I mean, there's some kind of ballet 228 00:22:39,600 --> 00:22:41,682 where they have to change the color of the shoes, 229 00:22:41,880 --> 00:22:43,882 so this isn't a problem 230 00:22:44,040 --> 00:22:45,246 Large. 231 00:22:45,520 --> 00:22:49,127 And we really, at first, wanted texture in knitting, 232 00:22:49,280 --> 00:22:51,248 but we realized that the dancers 233 00:22:51,400 --> 00:22:56,406 might not want to use it, like , hot cashmere 234 00:22:56,600 --> 00:22:58,011 Kasmir! 235 00:22:58,160 --> 00:23:00,561 I mean, we're used to to use really hot, 236 00:23:00,720 --> 00:23:02,165 costumes that are uncomfortable, 237 00:23:02,320 --> 00:23:04,402 and this is nothing compared to some... 238 00:23:04,560 --> 00:23:07,530 Like, we use Firebird monster costumes 239 00:23:07,680 --> 00:23:08,761 - I love them. - Yeah. 240 00:23:08,920 --> 00:23:10,001 Yes, and they're great, 241 00:23:10,200 --> 00:23:11,850 But they're not fun to use. 242 00:23:12,000 --> 00:23:14,970 - But we still use it, so... - Fine. 243 00:23:15,160 --> 00:23:17,766 So if You really are like that, then stick with it. 244 00:25:11,440 --> 00:25:16,401 Five six. Two, two, three, four five six. 245 00:25:16,560 --> 00:25:19,848 Three, two, three, four five six. 246 00:25:20,000 --> 00:25:24,050 Four, two, three, four five six. 247 00:25:24,200 --> 00:25:27,647 Five, two, three, < br /> four five six. 248 00:25:27,800 --> 00:25:32,488 Six, two, three, four five six. 249 00:25:32,640 --> 00:25:35,564 One, two, three, one... 250 00:25:35,760 --> 00:25:37,205 Look? There are one-two-three. 251 00:25:37,360 --> 00:25:39,010 Well, the one-two-three still, 252 00:25:39,160 --> 00:25:40,960 but if you want it, it could be that. 253 00:25:41,080 --> 00:25:42,889 I think the one... . who is silent one-two-three, 254 00:25:43,040 --> 00:25:44,530 we will do this 255 00:25:44,680 --> 00:25:46,800 The sixth of that he counts is our six six. 256 00:25:46,880 --> 00:25:48,769 - Let's do our six six. - It's four, five, six. 257 00:25:48,920 --> 00:25:50,840 - One, two, three, I think. - Two or three Yes. 258 00:25:50,920 --> 00:25:52,649 - Fine. - Good. Cool. 259 00:25:52,800 --> 00:25:54,768 So we'll count six and go at one-two-three silence and go. 260 00:25:54,920 --> 00:25:56,922 Good. The last six 261 00:26:09,480 --> 00:26:11,164 Good. Good. 262 00:26:12,120 --> 00:26:16,011 And can you each > just support his back? 263 00:26:17,160 --> 00:26:19,970 If we both do it Maybe, like, the fourth one. 264 00:26:20,120 --> 00:26:22,327 We can just try it. And go! 265 00:26:24,160 --> 00:26:26,322 - Oh my God. - I know. I'm heavy 266 00:26:26,520 --> 00:26:28,360 No, it's only because he will finally sideways 267 00:26:28,480 --> 00:26:30,642 - and we try to do it... - Oh, do you want me to go to you? 268 00:26:30,800 --> 00:26:32,086 - Yes, you need... - Go to Sterling. 269 00:26:32,280 --> 00:26:34,040 - It's OK. I don't know - Good. 270 00:26:36,240 --> 00:26:37,685 You can come a little more to me. 271 00:26:37,840 --> 00:26:39,569 - I'm afraid now - Don't be flat. 272 00:26:39,760 --> 00:26:42,286 - Can you share the difference? - Split the difference. Fine. 273 00:26:45,400 --> 00:26:46,481 - perfect - Get you. 274 00:26:46,640 --> 00:26:48,165 - That's great. - Wow, woman! 275 00:26:48,320 --> 00:26:49,924 Let's try it. 276 00:26:50,720 --> 00:26:52,165 Okay, let's do it... I think we should 277 00:26:52,320 --> 00:26:54,209 run the finale step, because it's new. 278 00:26:54,360 --> 00:26:55,725 p> 279 00:26:55,920 --> 00:26:57,360 What do we think about 280 00:26:57,520 --> 00:26:58,646 Let's finish it. Let's listen once. 281 00:26:58,840 --> 00:27:00,126 Let's listen once. 282 00:27:00,320 --> 00:27:03,688 One two three four five six. One two three four. 283 00:27:09,840 --> 00:27:13,128 One two three four, five six. One two. 284 00:27:14,880 --> 00:27:16,006 Stop. 285 00:27:16,160 --> 00:27:17,924 Yes! Yes! 286 00:27:18,080 --> 00:27:21,687 Sterling... He did it. He got it. 287 00:27:21,840 --> 00:27:23,365 Sorry. 288 00:27:23,520 --> 00:27:27,081 Need... This is not, like, quite crisp. 289 00:27:27,280 --> 00:27:30,250 - Crispier? - Crispier, okay? Things that same. 290 00:27:35,000 --> 00:27:37,651 One two three four, five, six, seven. 291 00:27:37,840 --> 00:27:40,844 One two three four, five, six, seven, eight. 292 00:27:41,000 --> 00:27:43,287 One two three four five... 293 00:28:04,080 --> 00:28:05,889 Good. Three and... 294 00:28:14,480 --> 00:28:15,891 That's it! Good. 295 00:29:01,360 --> 00:29:02,885 Good! Good! 296 00:29:56,600 --> 00:29:59,604 That's very, very, very good. That's very good. 297 00:30:00,160 --> 00:30:02,208 That's what I'm looking for. 298 00:30:03,640 --> 00:30:05,290 > 299 00:30:09,440 --> 00:30:11,283 That's what I'm looking for. 300 00:30:11,480 --> 00:30:12,527 It's like this balance is not active 301 00:30:14,360 --> 00:30:16,360 It's not only a matter of pulling the part, isn't it? 302 00:30:16,480 --> 00:30:17,606 No. 303 00:30:17,760 --> 00:30:19,120 Yes. I know what you mean. 304 00:30:19,240 --> 00:30:23,484 Because of this all just falls forward. 305 00:30:24,320 --> 00:30:27,290 And we want to sit, like... 306 00:30:27,440 --> 00:30:28,771 - Like that. - More like that 307 00:30:28,920 --> 00:30:29,967 p> 308 00:30:30,120 --> 00:30:33,124 That's better. 309 00:30:33,280 --> 00:30:35,203 So if you remove the belt and delete some length here, 310 00:30:35,360 --> 00:30:36,805 is that, like, put the curve the deeper? 311 00:30:36,960 --> 00:30:39,247 That will. Yes. 312 00:30:39,440 --> 00:30:40,521 I mean, basically we know what we need to do to make it do that. 313 00:30:40,680 --> 00:30:43,570 - Mm-hmm. - Good. 314 00:30:43,720 --> 00:30:45,529 We can't really do it now, But this is a pretty easy change. 315 00:30:45,680 --> 00:30:48,126 I believe it suits it will resolve itself. 316 00:30:50,520 --> 00:30:53,490 Are we worried about this fabric? Get super pilly? 317 00:30:54,360 --> 00:30:55,521 Good... 318 00:30:56,360 --> 00:30:59,091 I mean, I like it has texture. 319 00:30:59,240 --> 00:31:00,526 p> 320 00:31:00,800 --> 00:31:02,564 Right. 321 00:31:03,200 --> 00:31:05,248 Um... 322 00:31:06,000 --> 00:31:08,367 Maybe Yes. 323 00:31:08,520 --> 00:31:09,931 But that's what we also have clothing department for 324 00:31:20,360 --> 00:31:21,930 Wow. That's amazing. 325 00:31:22,960 --> 00:31:24,689 Stop! 326 00:31:25,840 --> 00:31:29,447 We need to do that again. 327 00:31:29,600 --> 00:31:31,284 Only only, we forget things, and I think... new Joe. 328 00:31:31,440 --> 00:31:32,930 And, Apple, you're still late. 329 00:31:33,120 --> 00:31:36,886 - Sorry, Albert. - No problem. 330 00:31:37,080 --> 00:31:41,369 Make the first elevator more efficient, okay 331 00:31:41,520 --> 00:31:43,090 The first, like, when is he fair in sixth or fifth or whatever, 332 00:31:43,720 --> 00:31:47,122 good? 333 00:31:47,280 --> 00:31:49,248 Like, really contained, okay? 334 00:31:49,400 --> 00:31:50,765 - Yeah. - It's not just lifting it. 335 00:31:50,920 --> 00:31:53,002 Yes, don't just drop it, okay? 336 00:31:53,360 --> 00:31:55,840 Lift him up, and put it in a new place. 337 00:31:58,360 --> 00:31:59,646 Good. Again. 338 00:32:27,560 --> 00:32:28,721 That's better. 339 00:32:40,160 --> 00:32:41,241 Good. 340 00:33:05,720 --> 00:33:07,529 That lump can be a little more dramatic 341 00:33:07,680 --> 00:33:10,081 It starts to lose its intensity. 342 00:33:14,520 --> 00:33:16,090 It seems they know it is coming now, you know 343 00:33:16,240 --> 00:33:17,446 Mm-hmm. Mm-hmm. 344 00:33:20,080 --> 00:33:23,607 - Joe has to do tree-frog fingers... - Fine. 345 00:33:24,040 --> 00:33:25,929 Before the boys dance begins. 346 00:33:37,560 --> 00:33:40,530 Ster, in the pirouette, This is a pancake. 347 00:33:40,680 --> 00:33:44,480 Yeah, Sterling and Amar, there's always something strange... 348 00:33:44,640 --> 00:33:46,369 - Like, when I pancake. - after you do it here 349 00:33:46,520 --> 00:33:48,090 Saya tidak tahu apa itu. 350 00:33:48,240 --> 00:33:49,651 It takes a while to get it out of it, for some reason. 351 00:33:49,840 --> 00:33:51,046 Because you on one... on both legs? 352 00:33:51,200 --> 00:33:52,840 It should not so. It's very simple. 353 00:33:53,400 --> 00:33:54,845 Well, pointe shoes are different. 354 00:33:58,000 --> 00:33:59,843 So wait, is it because I give him too much power? 355 00:34:00,000 --> 00:34:02,002 - Is that the problem? - Maybe. I think maybe a little less. 356 00:34:02,160 --> 00:34:03,685 - Because I did this - Yeah. 357 00:34:04,120 --> 00:34:05,690 Maybe so. 358 00:34:05,840 --> 00:34:08,161 Why don't you and come down after? 359 00:34:08,440 --> 00:34:10,204 Anything... Whatever you want. 360 00:34:10,400 --> 00:34:11,526 What do you mean? 361 00:34:15,280 --> 00:34:16,770 Do you want... you want to go down first? 362 00:34:16,920 --> 00:34:17,921 Is that better? 363 00:34:20,000 --> 00:34:23,083 Let's do normal. That's good. 364 00:34:23,240 --> 00:34:24,571 - Yeah. - That's good 365 00:34:24,720 --> 00:34:26,882 - Sometimes if I'm too much... - Yes, it can... 366 00:34:27,080 --> 00:34:28,680 I mean, I don't need much. 367 00:34:28,720 --> 00:34:30,210 I know, you remember , You told me to do that, but... 368 00:34:30,360 --> 00:34:31,840 I think I only need a few to go. 369 00:34:31,920 --> 00:34:33,285 - Because I can do the rest < br /> - Cool. Right. 370 00:34:33,440 --> 00:34:34,960 Just because I was in a very sad moment. 371 00:34:35,000 --> 00:34:36,843 - I will, I will... yup - Fine. 372 00:34:37,000 --> 00:34:39,685 And, Joe, when you go to the floor to... 373 00:34:39,840 --> 00:34:41,251 Can I see it? 374 00:34:41,600 --> 00:34:42,840 I do that 375 00:34:43,000 --> 00:34:44,161 More spread. 376 00:34:44,440 --> 00:34:46,249 Okay, you need to work on the flexibility of your finger. 377 00:34:46,400 --> 00:34:48,368 No, it's okay. 378 00:34:48,560 --> 00:34:49,766 > 379 00:34:49,920 --> 00:34:51,649 Wait, do you want them, like, dome? 380 00:34:51,800 --> 00:34:53,086 No, not their domes. 381 00:34:53,240 --> 00:34:54,605 It should be like... 382 00:34:55,640 --> 00:34:58,246 - Good. - Oh. I see. 383 00:34:58,400 --> 00:34:59,640 Maybe like that, yeah. 384 00:34:59,800 --> 00:35:01,086 So they stretch out a little more. 385 00:35:01,280 --> 00:35:02,680 - Good. - Yeah. That's good. 386 00:35:02,720 --> 00:35:04,927 - Good. - Sterli... Sterl. 387 00:35:05,120 --> 00:35:06,884 Oh, he needs to do more with his hind legs 388 00:35:07,080 --> 00:35:09,447 Ster, we want to have you once again on grandeze . 389 00:35:09,600 --> 00:35:10,647 Good. 390 00:35:10,800 --> 00:35:12,440 At grand jeté, things throw. 391 00:35:17,080 --> 00:35:18,920 I feel like you a little late, only, like... 392 00:35:18,960 --> 00:35:20,371 - I feel like you're behind him. - Yeah. 393 00:35:20,520 --> 00:35:21,521 - Good. - Yeah. 394 00:35:21,720 --> 00:35:24,644 I feel he has passed you, and you can't get anything... 395 00:35:24,800 --> 00:35:25,961 Good. 396 00:35:28,480 --> 00:35:29,641 - That's better. - Oh , hey 397 00:35:29,800 --> 00:35:30,926 - It's better - Yeah. 398 00:35:31,080 --> 00:35:32,809 - I only need to travel with you. - He must... 399 00:35:32,960 --> 00:35:34,769 If you think of his existence almost a little behind you 400 00:35:34,920 --> 00:35:37,280 - so you can really, like... - Can I try again? 401 00:35:41,320 --> 00:35:42,606 - yes! - That's great. 402 00:35:42,760 --> 00:35:43,886 - That's it. - Good 403 00:35:48,880 --> 00:35:51,042 Iris 619 half, please. 404 00:35:51,200 --> 00:35:52,804 670. 405 00:35:53,280 --> 00:35:56,443 no Oops 651 at the age of 50. 406 00:35:56,600 --> 00:35:59,331 Return to N1 after it's clear. 407 00:35:59,480 --> 00:36:03,405 No, you're fine. Give me 370. Right. 408 00:36:04,800 --> 00:36:08,361 And 12 cue updates. Just gesture 409 00:36:10,200 --> 00:36:11,680 And stand up, bridge, 410 00:36:11,760 --> 00:36:13,649 to take the pair to the right... 411 00:36:13,800 --> 00:36:14,847 or go down left with ten cues. 412 00:36:15,000 --> 00:36:16,764 You will be half-minus. 413 00:36:17,160 --> 00:36:21,051 And then stand up, the stage is right, to switch our dancers here... 414 00:36:21,600 --> 00:36:23,967 or to turn on our walker lights. 415 00:36:24,440 --> 00:36:27,011 If, incidentally, sorry, before you start, 416 00:36:27,200 --> 00:36:29,089 that I don't have their mark... 417 00:36:29,240 --> 00:36:30,605 - Hold on please, Katie. < br /> - Yes. 418 00:36:30,760 --> 00:36:33,604 If I don't have their mark a little Right, can it be adjusted? 419 00:36:33,760 --> 00:36:35,603 Like, I'm worried that will end a little... 420 00:36:35,760 --> 00:36:36,921 - Oh, of course - Fine. 421 00:36:37,080 --> 00:36:38,366 - Yeah. - It's not difficult to fix it. 422 00:36:38,520 --> 00:36:40,602 - Easy fix - All right. 423 00:36:40,800 --> 00:36:42,040 Cool. All right. 424 00:36:42,200 --> 00:36:43,680 Bridge, stand by to take a partner 425 00:36:43,760 --> 00:36:45,410 with ten, half minus, 426 00:36:45,560 --> 00:36:48,928 signs and stand up, Penny, to switch pedestrian lights, please 427 00:36:49,080 --> 00:36:51,811 All right, applause so, applause, applause 428 00:36:51,960 --> 00:36:54,247 Light ten gestures, go away. 429 00:36:55,040 --> 00:36:56,405 So add some early applause. 430 00:36:56,560 --> 00:36:58,210 Bridge, slowly pick up the pair. 431 00:37:15,600 --> 00:37:17,045 So 16, go away. 432 00:37:26,760 --> 00:37:28,285 And they are now moving. 433 00:37:31,800 --> 00:37:33,848 And the whole stage gets > a little brighter 434 00:37:34,000 --> 00:37:35,445 and fuller at that time. 435 00:37:39,640 --> 00:37:42,530 Light signals 14, leave. 436 00:37:44,160 --> 00:37:46,128 Another thing I was wondering... 437 00:37:46,800 --> 00:37:48,320 I don't know if this will interfere, 438 00:37:48,400 --> 00:37:50,084 but because < br /> it's very high-waisted... 439 00:37:50,840 --> 00:37:52,171 Can, in the pattern... 440 00:37:52,320 --> 00:37:54,402 Is this only half a circle? They are the side of the stitch. 441 00:37:54,560 --> 00:37:56,449 Okay, so this... These are the three parts 442 00:37:56,640 --> 00:37:57,641 That's one, two, and three? 443 00:37:57,760 --> 00:37:58,921 - Yes. - Good . 444 00:37:59,080 --> 00:38:01,321 Can the side be, like, shaped a little 445 00:38:01,480 --> 00:38:03,926 to give less fullness... 446 00:38:04,080 --> 00:38:05,411 - Above? - Above? 447 00:38:05,560 --> 00:38:07,040 And more flares? Right. Of course. 448 00:38:07,400 --> 00:38:08,840 Yes, because of that, we will lose... 449 00:38:08,960 --> 00:38:10,644 As he spins, it won't go so far 450 00:38:10,800 --> 00:38:13,121 From his body here, but will be here 451 00:38:13,280 --> 00:38:14,327 - Yeah. - Good. 452 00:38:14,560 --> 00:38:15,925 Yes, so it will only be a little 453 00:38:16,080 --> 00:38:17,650 more tilted and slightly shaped. 454 00:38:17,800 --> 00:38:19,848 Right, not only a straight line from... right 455 00:38:20,000 --> 00:38:21,161 Fine. 456 00:38:23,320 --> 00:38:25,004 - And he will... - Does it feel comfortable? 457 00:38:25,160 --> 00:38:26,161 - It feels good - good 458 00:38:26,360 --> 00:38:27,361 He will have... 459 00:38:27,520 --> 00:38:28,806 I mean, this is true feel safe 460 00:38:28,960 --> 00:38:29,961 A small suitcase that fits? 461 00:38:30,160 --> 00:38:31,366 - Baik. - Yeah. 462 00:38:35,480 --> 00:38:37,528 What happens by rolling down? 463 00:38:39,240 --> 00:38:41,402 Yes, by going straight here, ahead, roll down 464 00:38:41,560 --> 00:38:43,961 Oh. Sorry 465 00:38:44,120 --> 00:38:46,009 And can you bring it further? 466 00:38:46,320 --> 00:38:48,971 Off, backward, die. 467 00:38:49,160 --> 00:38:52,084 For this développé, go down. 468 00:38:52,200 --> 00:38:54,601 And then when you switch, for that when de chat, 469 00:38:54,760 --> 00:38:56,762 can you straighten your left leg so on 470 00:38:56,920 --> 00:38:59,082 up, switch, and then you hold pass? & apos;? 471 00:38:59,240 --> 00:39:00,241 Good. 472 00:39:00,440 --> 00:39:04,411 But bend your left leg then switch. 473 00:39:05,040 --> 00:39:07,407 Bring your arm in. and then around like that. 474 00:39:08,240 --> 00:39:09,321 Let me see. 475 00:39:11,200 --> 00:39:13,931 No. Here, take them down, 476 00:39:14,120 --> 00:39:16,043 through, and then around like that. 477 00:39:16,200 --> 00:39:18,567 No. Here, take them down... 478 00:39:18,720 --> 00:39:21,166 - Oh. - Up, melalui, dan sekitar. 479 00:39:21,520 --> 00:39:25,445 No. Here, take a gun into it. 480 00:39:25,800 --> 00:39:28,644 Now open your elbow and go up. 481 00:39:29,120 --> 00:39:30,167 Good. 482 00:39:30,320 --> 00:39:31,810 - I will get it . - Close. 483 00:39:32,520 --> 00:39:36,650 Here. Elbow is open. There. 484 00:39:38,200 --> 00:39:39,929 That's it. Try it again. 485 00:39:42,600 --> 00:39:45,410 Show... what you need to isolate your elbows 486 00:39:45,560 --> 00:39:47,210 exit and around 487 00:39:49,760 --> 00:39:50,921 No. 488 00:39:51,360 --> 00:39:52,646 From here... 489 00:39:55,680 --> 00:39:57,648 Turn your shoulders faster. 490 00:39:58,440 --> 00:39:59,771 Let's try again. 491 00:40:00,120 --> 00:40:02,521 Five, six, seven, eight. Go, one 492 00:40:33,640 --> 00:40:34,721 Mm-hmm. 493 00:40:35,440 --> 00:40:36,771 No, it's not really bad. 494 00:40:40,360 --> 00:40:41,880 They will fight this . 495 00:40:42,040 --> 00:40:43,610 I want this to come in, like, my spring wardrobe. 496 00:40:43,760 --> 00:40:44,841 Yes. 497 00:40:45,040 --> 00:40:46,371 That's so funny. I'll use that 498 00:40:46,520 --> 00:40:48,124 I feel... I do a little... 499 00:40:48,280 --> 00:40:49,406 This is expected. Yes. 500 00:40:49,560 --> 00:40:50,971 Do people still change? 501 00:40:51,120 --> 00:40:52,167 No, here it is. 502 00:40:52,320 --> 00:40:53,800 Good. Can we get out of the stage? 503 00:40:53,840 --> 00:40:55,285 Girl, you have nobody needs worrying. 504 00:40:55,440 --> 00:40:57,602 Yes, if it comes out, it's funny 505 00:40:57,760 --> 00:40:59,091 Dirt. 506 00:41:01,880 --> 00:41:02,961 I like it. 507 00:41:10,320 --> 00:41:11,640 Andy, if you can signal... 508 00:41:11,760 --> 00:41:13,444 Wait until the lights really change... 509 00:41:13,600 --> 00:41:15,284 - Andy is okay -... before you give a music signal 510 00:41:16,080 --> 00:41:18,048 Uh... Again. 511 00:41:23,760 --> 00:41:25,171 I think it's too dark. 512 00:41:25,240 --> 00:41:26,321 Mm-hmm. 513 00:41:26,880 --> 00:41:28,723 Can we make notes to give know Mark? 514 00:41:30,200 --> 00:41:31,361 I, like, can't even see Amar. 515 00:41:31,520 --> 00:41:34,330 I know. Absolutely. I just pay attention to that. 516 00:41:37,920 --> 00:41:40,207 Oh my God. I can't see anything. 517 00:42:51,440 --> 00:42:54,284 - And you still... - Type. 518 00:42:54,440 --> 00:42:55,566 - Type. < br /> - Yes. 519 00:42:55,760 --> 00:42:56,841 Good... 520 00:42:57,000 --> 00:42:58,331 - the throw is good - No problem. 521 00:42:58,480 --> 00:43:00,528 It's just... . 522 00:43:00,720 --> 00:43:02,404 We just crossed over. We need only... 523 00:43:02,480 --> 00:43:04,244 - I think what we will do... - If this is good okay with you... 524 00:43:04,400 --> 00:43:05,970 For the second, if it's okay with you, 525 00:43:06,120 --> 00:43:08,646 for HERE, I won't use this arm. 526 00:43:08,800 --> 00:43:10,131 Is that okay, that he doesn't take this arm? 527 00:43:10,280 --> 00:43:12,169 - Yeah, it's okay - Because I think what happened is 528 00:43:12,360 --> 00:43:13,725 I started really twisted. 529 00:43:13,880 --> 00:43:15,000 Oh, and that's why you fell. 530 00:43:15,120 --> 00:43:16,929 Baiklah, mari kita coba besok. Dan aku akan melihatnya. 531 00:43:17,040 --> 00:43:19,040 - see if you like it - And tell us what you think 532 00:43:19,440 --> 00:43:22,603 Harriet and Marc? 533 00:43:24,440 --> 00:43:26,124 So you want to see her body more? 534 00:43:26,280 --> 00:43:28,248 I also feel like, when I see him from afar, 535 00:43:28,400 --> 00:43:30,164 I think, also because of his body 536 00:43:30,320 --> 00:43:32,971 and how he looks, like, 537 00:43:33,120 --> 00:43:36,841 Everything feels very high, like... 538 00:43:37,000 --> 00:43:38,923 I don't know, maybe around the neck or something. 539 00:43:39,080 --> 00:43:40,206 It just feels like... 540 00:43:40,360 --> 00:43:41,725 A little too, like, until... 541 00:43:41,880 --> 00:43:43,291 - Too, like, here. - get here 542 00:43:43,440 --> 00:43:44,680 - Yeah. - Yeah. 543 00:43:44,880 --> 00:43:46,723 Because I have less here, maybe 544 00:43:46,880 --> 00:43:49,690 - Do we open the neckline? - Maybe it just opens the touch. 545 00:43:49,840 --> 00:43:51,046 according to you we can enter in... 546 00:43:51,200 --> 00:43:52,565 - We can also do that - Yeah. 547 00:43:52,720 --> 00:43:54,160 For his arm so he doesn't look that way... 548 00:43:54,240 --> 00:43:55,730 - did you fold it? - Yeah, you fold it in. 549 00:43:55,880 --> 00:43:57,962 And then we Open this up more? 550 00:43:58,800 --> 00:44:00,643 - And maybe take a little. - I think it will be fun. 551 00:44:00,800 --> 00:44:02,928 Because then you can see it neck and a little chest. 552 00:44:03,160 --> 00:44:04,286 Your neck and arms 553 00:44:04,480 --> 00:44:06,080 Yes, because we can do this too. 554 00:44:06,160 --> 00:44:08,447 We can get this a little more... 555 00:44:08,600 --> 00:44:09,726 Yes. 556 00:44:09,880 --> 00:44:11,166 Yes, it already looks better to me 557 00:44:11,320 --> 00:44:12,446 Good. 558 00:44:13,040 --> 00:44:15,646 I not as part of the world of dance like you. 559 00:44:15,840 --> 00:44:17,842 Yes. I like, "Wow, his legs." 560 00:44:18,000 --> 00:44:19,843 - Like, you know
- Too short? 561 00:44:20,000 --> 00:44:22,731 Yeah, tapi Marc juga mengatakan, seperti, "Oh, mereka sudah kurang pakai." 562 00:44:22,880 --> 00:44:24,530 No, that's... Meaning, like... 563 00:44:24,720 --> 00:44:28,122 It's better to see more feet only from a dance point of view. 564 00:44:28,280 --> 00:44:29,361 Right . 565 00:44:29,560 --> 00:44:30,686 Like, the line will be much better. 566 00:44:30,840 --> 00:44:33,241 - Good. - And plus, they all have big feet. 567 00:44:33,440 --> 00:44:35,568 - I think that... It will be fine. - Good. Okay good. 568 00:44:35,760 --> 00:44:38,366 - Yeah so... - Good. All right. 569 00:44:38,520 --> 00:44:40,807 I think... Yes, I think I am very happy with them. 570 00:46:25,600 --> 00:46:27,250 - Should I let go and see... - No no No. 571 00:46:27,400 --> 00:46:30,370 Let's finish all this first, and then we will find out the top. 572 00:46:30,520 --> 00:46:31,851 So let's make you zip. 573 00:46:32,000 --> 00:46:34,401 But I think maybe I stepped wrong. 574 00:46:34,600 --> 00:46:35,965 How is that possible? 575 00:46:36,120 --> 00:46:37,804 Karena ada banyak hal terjadi. 576 00:46:39,600 --> 00:46:41,648 Is Marc Happel here? 577 00:46:43,320 --> 00:46:46,005 Good. Why not stay? 578 00:46:46,160 --> 00:46:47,400 Oh, there's a hook. 579 00:46:47,560 --> 00:46:50,166 Okay, you're ready I'll associate you Take a deep breath. 580 00:46:50,320 --> 00:46:52,049 - Yeah. - Fine. 581 00:46:52,680 --> 00:46:56,480 Good. Then this goes down . 582 00:46:57,240 --> 00:46:59,368 This happens here. 583 00:46:59,760 --> 00:47:01,444 Let's be addicted. 584 00:47:01,600 --> 00:47:03,250 I'll hook it before I snap. 585 00:47:07,920 --> 00:47:09,763 Good. > Then... 586 00:47:10,520 --> 00:47:11,646 There is a link. 587 00:47:11,800 --> 00:47:13,404 - There is a link here. - But... 588 00:47:13,640 --> 00:47:15,130 I will link it right now. Are you ready? 589 00:47:15,280 --> 00:47:16,281 - Yeah. - You entered 590 00:47:16,440 --> 00:47:17,601 - Yeah. Me? - We nailed it 591 00:47:17,760 --> 00:47:18,886 This looks right? 592 00:48:10,080 --> 00:48:11,684 And Joe goes wrong. 593 00:48:11,840 --> 00:48:13,171 Good. 594 00:48:31,720 --> 00:48:34,724 The solo tiler at the end of the first move. 595 00:48:34,960 --> 00:48:39,443 I feel like the background and the costume is identical. 596 00:48:39,640 --> 00:48:42,166 So I want to play a little more with it 597 00:48:42,320 --> 00:48:45,164 The hard part is, if you separate them, 598 00:48:45,320 --> 00:48:47,926 It feels like the end from the descending movement, 599 00:48:48,080 --> 00:48:49,491 because it's getting darker, 600 00:48:49,640 --> 00:48:51,768 you know, by making a richer return... 601 00:48:51,920 --> 00:48:53,809 So I've been busy with it's a little , 602 00:48:53,960 --> 00:48:55,883 and we'll do some more on Tuesdays and Wednesdays. 603 00:48:56,040 --> 00:48:59,567 But the second movement, you are happier with it ? 604 00:48:59,720 --> 00:49:01,080 - I'm very happy with that - Good. 605 00:49:01,120 --> 00:49:02,121 - Yeah, yeah - good 606 00:49:11,200 --> 00:49:12,406 Here. 607 00:49:13,120 --> 00:49:15,122 Can it go down a bit tempo-wise, or not? 608 00:49:15,280 --> 00:49:17,647 I can confirm it that... that... 609 00:49:17,800 --> 00:49:20,246 remains very , very steady. 610 00:49:21,440 --> 00:49:22,680 Yes. 611 00:49:22,840 --> 00:49:24,251 Yes, that will be fine. 612 00:49:24,440 --> 00:49:25,930 Tell me what number 613 00:49:26,640 --> 00:49:27,971 I'll just say it. 614 00:49:28,120 --> 00:49:31,681 My only concern, and that will happen has nothing to do with you, 615 00:49:31,840 --> 00:49:33,842 is that it looks a lot. 616 00:49:34,000 --> 00:49:36,446 There are many, like, things happen 617 00:49:36,600 --> 00:49:38,887 So, like, even when the whole group is doing one thing, 618 00:49:39,080 --> 00:49:42,368 ... it doesn't become like, like, like that 619 00:49:42,520 --> 00:49:44,520 - if there is, like, one color. - No problem. Yes. 620 00:49:44,600 --> 00:49:46,364 - Fine. - As long as you're fine with that 621 00:49:46,520 --> 00:49:48,090 No, I think the palette works really well. 622 00:49:48,240 --> 00:49:49,241 Good. 623 00:49:49,400 --> 00:49:52,927 And that... I like many variations. 624 00:49:53,080 --> 00:49:54,844 - Good. - Especially, like... 625 00:49:55,000 --> 00:49:56,968 The last part I do So uniform. 626 00:49:57,120 --> 00:49:58,281 - very - And I don't want... 627 00:49:58,440 --> 00:50:01,205 I don't want to do the same thing repeatedly, so it's good. 628 00:50:01,360 --> 00:50:03,283 - Good. Yay! - Yeah. Thank you. 629 00:50:07,760 --> 00:50:11,128 This is really bad here, 630 00:50:11,320 --> 00:50:13,891 - and, like, sick to point. - Good. 631 00:50:14,040 --> 00:50:15,565 I don't know No, like here. 632 00:50:15,720 --> 00:50:16,960 - More inside. - Good. 633 00:50:17,120 --> 00:50:19,327 It feels like This is united with bones. 634 00:50:21,080 --> 00:50:23,048 Good. You will flex up 635 00:50:25,080 --> 00:50:27,651 Good. Hold it, and relax. 636 00:50:34,680 --> 00:50:36,967 And just starting today? 637 00:50:37,480 --> 00:50:38,561 I mean... 638 00:50:38,760 --> 00:50:40,640 I have started bothering you a little? 639 00:50:40,760 --> 00:50:42,569 I haven't... I've been a lot... I don't know 640 00:50:42,720 --> 00:50:45,849 I might already ignore it, maybe. 641 00:51:20,760 --> 00:51:23,047 I felt yesterday, maybe, maybe not so much today, 642 00:51:23,200 --> 00:51:25,328 but I feel like today there was, or yesterday, 643 00:51:25,480 --> 00:51:27,926 anyone has decided this between what happened here, 644 00:51:28,080 --> 00:51:29,570 - which is very cool - Yeah. 645 00:51:29,720 --> 00:51:32,530 You know, you did new ballet, third, right? 646 00:51:33,760 --> 00:51:36,161 You are this type of kid... You know... I mean, that's cool. 647 00:51:36,360 --> 00:51:37,361 - right - Yeah. 648 00:51:37,520 --> 00:51:39,249 But the orchestra is just... You know, 649 00:51:39,400 --> 00:51:41,368 they aren't immediately crazy about pieces, 650 00:51:41,520 --> 00:51:44,046 and, you know, this isn't... Someone decides this 651 00:51:44,240 --> 00:51:46,447 between the excitement of what actually happened... 652 00:51:46,760 --> 00:51:47,921 And what is that. .. 653 00:51:48,120 --> 00:51:50,320 The reason I ask about Rabbit is because if that... 654 00:51:50,360 --> 00:51:52,488 If you can go down and say, you know, 655 00:51:52,640 --> 00:51:54,768 "Thank you very much for Rabbit yesterday," 656 00:51:54,960 --> 00:51:56,530 and this is the third... 657 00:51:56,680 --> 00:51:58,091 - Anda tahu apa yang saya katakan? - Yeah. 658 00:51:58,240 --> 00:52:00,527 No, I almost said something yesterday to them, 659 00:52:00,720 --> 00:52:03,166 but I don't want to, like, Beyond my limits too. 660 00:52:03,320 --> 00:52:05,209 I think if You go and if you can... 661 00:52:05,360 --> 00:52:06,725 Will you... You will sit out there 662 00:52:06,880 --> 00:52:07,927 Yes. 663 00:52:08,080 --> 00:52:12,369 I think if you go in and only tell Marquerite to wait 30 seconds 664 00:52:12,560 --> 00:52:13,880 and you go to Andy and you say, 665 00:52:13,960 --> 00:52:15,371 "Is it permissible /> if I address the orchestra? " 666 00:52:15,520 --> 00:52:17,329 Yes. Good. I can do that. 667 00:52:17,480 --> 00:52:19,289 I mean, I just feel like you have to make a connection. 668 00:52:19,440 --> 00:52:21,329 - Yeah, that's very good - Then they can rally to... 669 00:52:21,480 --> 00:52:23,050 - Yeah. - They will feel like, "Yes, it's important 670 00:52:23,240 --> 00:52:25,129 bahwa kita bermain dengan baik, dan itu masalah besar. " 671 00:52:25,760 --> 00:52:27,603 - Fine. - You know? I mean... alright. 672 00:52:27,760 --> 00:52:29,880 Yes, I appreciate that. Yes. No, that good. Yes. 673 00:52:29,920 --> 00:52:31,445 I'll do that Thank you. 674 00:52:41,200 --> 00:52:42,486 May I just say 675 00:52:42,680 --> 00:52:44,921 Can I speak
to the orchestra for a while? 676 00:52:45,080 --> 00:52:46,491 Is that okay? 677 00:52:47,000 --> 00:52:48,809 - Yeah. - No? 678 00:52:49,200 --> 00:52:51,202 Yes. Good. 679 00:52:51,360 --> 00:52:52,566 Good. 680 00:52:53,640 --> 00:52:54,880 Guys, hi. 681 00:52:55,040 --> 00:52:56,724 I'm choreographed I don't know if I'm... 682 00:52:56,880 --> 00:52:58,848 If I get to know you all, but I'm Justin Peck 683 00:52:59,160 --> 00:53:01,367 I just want to say it's my whole process 684 00:53:01,520 --> 00:53:04,205 of the choreography really, really, really 685 00:53:04,360 --> 00:53:06,249 based on music, and everything I do 686 00:53:06,400 --> 00:53:08,721 is about, like, like, showing the details 687 00:53:08,880 --> 00:53:12,362 and, like, its complexity and orchestral texture. 688 00:53:12,520 --> 00:53:14,249 It's really important 689 00:53:14,400 --> 00:53:16,721 to play with, like, lots of energy and passion, 690 00:53:16,920 --> 00:53:18,524 especially in this section. 691 00:53:19,080 --> 00:53:20,889 I will be right really appreciate that, 692 00:53:21,040 --> 00:53:22,480 and I am very happy to have you 693 00:53:22,600 --> 00:53:23,886 It sounded great last night. 694 00:53:24,040 --> 00:53:26,088 The string section in the Year of the Rabbit... 695 00:53:26,240 --> 00:53:28,641 I was very happy with that. Great tempos and everything . 696 00:53:28,840 --> 00:53:31,320 So, I'm really looking forward to this premiere and everything. 697 00:53:31,520 --> 00:53:32,681 So it's merde. 698 00:56:57,040 --> 00:57:00,089 I'm just really weird When my hair is low for bread. 699 00:57:00,240 --> 00:57:02,163 I know. But it's not low, low. 700 00:57:02,320 --> 00:57:03,606 - No, you know...
- Yeah. Yes. 701 00:57:03,760 --> 00:57:09,085 Aku masih akan memberimu garis leher sebanyak yang aku bisa. 702 00:57:09,560 --> 00:57:13,406 I know. I know you know how I feel. 703 00:57:53,880 --> 00:57:55,291 And like. 704 00:58:18,080 --> 00:58:20,924 Dancers, please enter if you haven't. 705 00:58:32,240 --> 00:58:34,561 - Hey Merde. - How are you doing? Merde for you 706 00:58:53,440 --> 00:58:55,886 Thirty minutes until ballet the first night: 707 00:58:56,040 --> 00:58:58,008 Justin Peck & apos; s Paz de la Jolla. 708 00:58:58,160 --> 00:58:59,844 Thirty minutes. 709 00:59:19,600 --> 00:59:21,045 - So, yes. - It's great, Justin. 710 00:59:21,240 --> 00:59:23,811 You know, we saw your Rabbit Two days ago 711 00:59:23,960 --> 00:59:25,450 - Oh yeah? - Two nights ago, again. 712 00:59:25,600 --> 00:59:26,840 - I like it. Again. - Thank you 713 00:59:27,040 --> 00:59:28,246 I prefer that than the first time. 714 00:59:28,400 --> 00:59:29,606 No, I really like it. 715 00:59:29,760 --> 00:59:31,480 Actually, it only becomes more good and better. 716 01:00:28,080 --> 01:00:32,085 How does it feel when you walk on the stairs to the theater, 717 01:00:32,240 --> 01:00:34,447 and there... Robbins, you and Balanchine? 718 01:00:34,600 --> 01:00:37,683 Oh my God. I, like, panic about that, huh 719 01:00:37,840 --> 01:00:39,763 Olga, she's in your class American Ballet School? 720 01:00:39,920 --> 01:00:41,251 Yes. Well, I mean... yes. 721 01:00:41,400 --> 01:00:42,880 Not in class me, but I do with him... 722 01:00:43,000 --> 01:00:44,960 - But we work together... - In Scenes de Ballet. 723 01:00:45,120 --> 01:00:46,920 - About Chris's stuff Wheeldon. - Chris Wheeldon 724 01:00:47,000 --> 01:00:49,207 - Oh yeah. I saw. - Yeah. 725 01:00:49,360 --> 01:00:50,646 You got a good review. 726 01:00:50,800 --> 01:00:53,929 You are at the same level like Alexei, 727 01:00:54,080 --> 01:00:57,482 Alexei Ratmansky and Chris Wheeldon. 728 01:00:57,640 --> 01:00:59,324 Yes, That's quite a statement , so... 729 01:00:59,480 --> 01:01:01,960 No, that's great. What you do is great. 730 01:01:27,320 --> 01:01:28,810 Amar? - yes? 731 01:01:28,960 --> 01:01:30,644 Anda ingin mencoba sesuatu? 732 01:01:31,240 --> 01:01:32,890 - I said we went for it - Fine. 733 01:01:33,080 --> 01:01:34,161 - yes? - Yes? 734 01:01:34,240 --> 01:01:35,969 - I will only grab the hip. < br /> - elevator and everything? 735 01:01:36,120 --> 01:01:37,360 - Yeah. - Good. 736 01:01:37,520 --> 01:01:38,726 I'll just grab the hip and do it. 737 01:01:38,920 --> 01:01:39,921 - Good. - Cool? 738 01:01:40,080 --> 01:01:42,321 - Cool. - All right, baby Give me a kiss. 739 01:01:42,680 --> 01:01:44,284 - You look handsome. - Have fun. 740 01:01:46,280 --> 01:01:47,725 You too. Merde. 741 01:02:05,640 --> 01:02:08,689 - Merde. - Merde, guys 742 01:06:49,400 --> 01:06:52,131 Guys, that's great. Really great. 743 01:06:52,320 --> 01:06:54,721 - All right. - That's good. 744 01:06:54,880 --> 01:06:56,166 - Thank you - Yeah. 745 01:06:56,360 --> 01:06:57,964 This looks really good. 746 01:06:58,560 --> 01:06:59,925 Very good. 747 01:08:17,480 --> 01:08:19,881 Fifteen minutes until the third ballet that night: 748 01:08:20,040 --> 01:08:23,010 Alexei Ratmansky> ap Concerto DSCH. 749 01:08:23,200 --> 01:08:24,690 Dancing to the stage. 750 01:08:30,200 --> 01:08:32,567 Ladies and gentlemen, in this evening's show 751 01:08:32,720 --> 01:08:36,042 of the Concerto DSCH, remember 752 01:08:36,200 --> 01:08:37,406 to turn off your cellphone. 753 01:08:41,800 --> 01:08:44,883 Submitted by: www.subtitlecinema.com