1 00:02:54,800 --> 00:02:59,220 Visit www.Fortunebet99.cc Trusted Secure Online Gambling Agents 2 00:03:03,640 --> 00:03:07,140 It's not necessarily a bad thing. It's just 3 00:03:08,810 --> 00:03:10,900 I wake up, I write , I eat. 4 00:03:10,980 --> 00:03:13,110 I write, I watch TV. 5 00:03:15,520 --> 00:03:18,370 This is my 20,000th day on earth. 6 00:03:37,130 --> 00:03:39,380 Most of me feel like cannibals, 7 00:03:39,510 --> 00:03:42,680 You know, cartoon one - with big lips and cute hair 8 00:03:42,800 --> 00:03:44,970 and bones through his nose, 9 00:03:45,100 --> 00:03:48,020 always looking for for someone to cook in the pan. 10 00:03:49,680 --> 00:03:52,030 You can ask my wife, Susie, she will tell you... 11 00:03:53,600 --> 00:03:56,450 ... because she is usually who already cooked, 12 00:03:56,570 --> 00:03:59,410 cos there is an understanding between us... 13 00:04:00,900 --> 00:04:01,900 ... a pact... 14 00:04:03,240 --> 00:04:07,580 ... where every secret , the holy time that exists between husband and wife 15 00:04:07,660 --> 00:04:09,580 is cannibalization 16 00:04:09,700 --> 00:04:14,330 and land and spit it out the other side in song form, 17 00:04:14,420 --> 00:04:17,390 increases and distorts... 18 00:04:18,420 --> 00:04:20,140 ... and terrible 19 00:04:25,800 --> 00:04:27,680 Some I wrote, 20 00:04:27,800 --> 00:04:31,400 knocked and scratched away, sometimes day and night 21 00:04:32,430 --> 00:04:36,160 But if I stopped long enough to question what I really did, 22 00:04:36,270 --> 00:04:38,110 why is that, 23 00:04:38,230 --> 00:04:40,480 Well, I can't really tell you. 24 00:04:40,610 --> 00:04:42,580 I don't know 25 00:04:48,450 --> 00:04:50,750 This is the world I create... 26 00:04:52,000 --> 00:04:56,720 ... a world full of monsters and heroes, good people and bad people 27 00:04:57,790 --> 00:05:02,050 This is a world that is absurd, crazy, and violent... 28 00:05:02,170 --> 00:05:05,770 where people go berserk and God really exists. 29 00:05:06,800 --> 00:05:10,900 And the more I write, the more detailed and describe the world to be 30 00:05:11,010 --> 00:05:14,640 and all the characters who live and die or just fade away, 31 00:05:14,770 --> 00:05:17,860 they are just a crooked version of myself. 32 00:05:18,900 --> 00:05:21,990 However, for me, everything starts here 33 00:05:22,110 --> 00:05:24,700 in the smallest way. 34 00:05:42,590 --> 00:05:44,890 Can you do a beat for that? 35 00:05:45,010 --> 00:05:47,100 - Huh? - Can you do a beat for... < /p> 36 00:05:49,510 --> 00:05:51,510 Ya. 37 00:06:05,530 --> 00:06:07,780 Hai, Nick. Just to remind you, 38 00:06:07,900 --> 00:06:10,370 your meeting with Darian & apos; s at midday today 39 00:06:10,490 --> 00:06:14,420 In addition, don't forget you have to stop by the archive at some point this afternoon. 40 00:06:14,540 --> 00:06:16,830 They need to check a few things with you. 41 00:06:16,960 --> 00:06:20,260 I will write Darian address, but if you need anything else, tell me 42 00:06:22,960 --> 00:06:24,460 Fuck. 43 00:06:29,220 --> 00:06:31,690 And when I get out of that world, 44 00:06:31,800 --> 00:06:35,100 I always feel shocked by what is called the real world... 45 00:06:37,060 --> 00:06:39,780 ... and I eat and I watch TV 46 00:06:39,900 --> 00:06:43,200 and I play with children - child and I torture my wife 47 00:06:43,320 --> 00:06:47,160 and I gather experience and then come back in 48 00:06:48,860 --> 00:06:51,040 Can't get you out of my head) 49 00:06:56,290 --> 00:06:58,080 What We did it yesterday? 50 00:06:58,200 --> 00:07:00,550 Yes, you have... You... You played something on it. 51 00:07:00,670 --> 00:07:02,380 You sang it and that sounds really good. 52 00:07:02,500 --> 00:07:04,420 Yes, we have something, right? 53 00:07:04,540 --> 00:07:07,670 - Yeah. - Go together. Hey, that's cool. 54 00:07:07,800 --> 00:07:09,670 I ask what is that. 55 00:07:09,800 --> 00:07:11,800 I did this all the time lately. 56 00:07:12,930 --> 00:07:14,430 - Ah... - Cool. 57 00:07:19,520 --> 00:07:21,360 Where to choose You. P> 58 00:07:21,480 --> 00:07:25,610 Mereka bisa menangkapmu apakah Anda menginginkannya atau tidak. 59 00:07:26,940 --> 00:07:28,740 I used to go to Brighton many years ago, 60 00:07:28,820 --> 00:07:34,000 and what I remember most was that was always cold and always raining... 61 00:07:35,030 --> 00:07:37,580 ... with glacial wind it will explode in the streets 62 00:07:37,700 --> 00:07:39,630 and freeze you to your bones 63 00:07:40,620 --> 00:07:44,840 But you have to drop the anchor somewhere and somehow here I am. 64 00:07:46,210 --> 00:07:48,590 Brighton, with all the weather, has become my home 65 00:07:48,710 --> 00:07:51,680 and, whatever this city has for me, 66 00:07:51,800 --> 00:07:55,680 Now, that has forced the way < br /> loudly my songs 67 00:08:07,770 --> 00:08:09,900 Do you want to know how to write songs? 68 00:08:11,990 --> 00:08:14,410 Songwriters are about matches. 69 00:08:15,410 --> 00:08:17,410 Counterpoint is the key. 70 00:08:18,790 --> 00:08:23,920 Put two different images next to each of the other and look in which direction the sparks flew. 71 00:08:24,920 --> 00:08:27,640 Like letting a child in the same room 72 00:08:27,750 --> 00:08:32,180 Like, I don't know, a Mongolian psychopath or something... 73 00:08:33,170 --> 00:08:37,180 ... and just sit back and see what happens. 74 00:08:37,300 --> 00:08:38,900 Sorry, it shouldn't be long. 75 00:08:39,010 --> 00:08:42,520 Then you send a clown, say, on a tricycle, 76 00:08:42,640 --> 00:08:45,740 and again you wait and you watch... 77 00:08:47,980 --> 00:08:50,110 ... and if that doesn't work... 78 00:08:50,230 --> 00:08:51,660 you shoot a clown 79 00:08:56,780 --> 00:08:59,080 An American with a splash of milk in it. 80 00:08:59,200 --> 00:09:04,800 And I want a one-shot small latte with one sugar 81 00:09:06,040 --> 00:09:08,420 # I will go out 82 00:09:12,710 --> 00:09:15,090 p> 83 00:09:18,180 --> 00:09:20,060 # Today 84 00:09:20,140 --> 00:09:22,230 # Deviate 85 00:09:30,110 --> 00:09:33,830 # With a river... # 86 00:09:33,940 --> 00:09:37,450 There's something when you sing that reminds me on something. 87 00:09:37,570 --> 00:09:40,420 No, um... um... no. This is actually, um... 88 00:09:43,910 --> 00:09:45,790 All Night Long, Lionel Richie. 89 00:09:45,910 --> 00:09:48,380 Does that sound like that for you? Just sing what you sing. 90 00:09:49,710 --> 00:09:51,550 # One day I will go out... # 91 00:09:51,670 --> 00:09:54,050 Now I sing Lionel Richie's song. 92 00:09:54,170 --> 00:09:57,100 p> 93 00:09:57,180 --> 00:09:58,800 - # And dear - # baby 94 00:09:58,930 --> 00:10:01,310 # Yeah... # 95 00:10:02,680 --> 00:10:05,480 Is that my Lionel Richie type... 96 00:10:06,680 --> 00:10:08,440 Americano with cold milk splashes. 97 00:10:08,560 --> 00:10:11,610 Maybe I sing it like Lionel Richie. 98 00:10:11,730 --> 00:10:13,280 # Oh, Lionel... # 99 00:10:13,400 --> 00:10:17,280 What does Nick have? Latte? 100 00:10:17,400 --> 00:10:19,870 Latte with... latte one shot. What is that? One-shot latte and.... 101 00:10:19,990 --> 00:10:21,740 # One-shot latte... # 102 00:10:21,870 --> 00:10:26,250 Half a cup, one latte. 103 00:10:27,290 --> 00:10:30,380 - Lionel latte - # And latte one shot. # 104 00:10:35,420 --> 00:10:38,680 Oh, damn it. He really blew my mojo over that one. 105 00:10:41,180 --> 00:10:43,150 Darian is ready to meet you now. 106 00:10:59,360 --> 00:11:01,410 What is your earliest memory? from the female body? 107 00:11:01,530 --> 00:11:02,700 Huh? 108 00:11:02,820 --> 00:11:05,120 What is your earliest memory? from the female body? 109 00:11:05,240 --> 00:11:06,790 Um... 110 00:11:06,910 --> 00:11:11,710 um... the main department the sexual experience I experienced... 111 00:11:11,830 --> 00:11:13,840 Yes. 112 00:11:13,960 --> 00:11:17,180 ... with, er... a girl, 113 00:11:17,260 --> 00:11:21,810 um... that's me... who has hair black and a very white face. 114 00:11:21,930 --> 00:11:23,550 - Mm-hm. - He wears make-up, 115 00:11:23,680 --> 00:11:25,480 and he puts on make-up > on his lips too 116 00:11:25,600 --> 00:11:28,850 so only all of this... sort of Almost like this kabuki, 117 00:11:28,980 --> 00:11:33,150 and I... I don't know, 15 or like that. 118 00:11:33,270 --> 00:11:35,320 I've told my mother I live elsewhere, 119 00:11:35,440 --> 00:11:36,490 and I sleep with this girl. 120 00:11:36,610 --> 00:11:40,740 - Hm. - But we are not related sex. 121 00:11:40,860 --> 00:11:42,740 But there is something about shifting it... 122 00:11:42,860 --> 00:11:45,370 - He turns his back on me. - Hm. 123 00:11:45,490 --> 00:11:47,540 But I can see this face in... 124 00:11:47,660 --> 00:11:50,880 in half the light, this white face... 125 00:11:51,000 --> 00:11:54,500 and, um... that has is quite influential big to me, that. 126 00:11:54,630 --> 00:11:58,800 The thing about this girl 127 00:11:58,920 --> 00:12:00,420 and her friend Janine... 128 00:12:00,550 --> 00:12:02,350 - Julie, her name. - Mm-hm . 129 00:12:02,470 --> 00:12:07,270 They used to like dressing me up in, er... in the form... 130 00:12:07,390 --> 00:12:09,520 they like to dress me in women's clothes. 131 00:12:09,640 --> 00:12:11,990 - Hm. - When I will do anything, you know, 132 00:12:12,100 --> 00:12:16,650 and... I remember having some kind of toddle coming out of the family home 133 00:12:16,770 --> 00:12:19,450 in my high heels and hot pants when... 134 00:12:20,610 --> 00:12:23,110 Type, you know, "Off to..." "Where do you go, honey?" 135 00:12:23,240 --> 00:12:26,410 "To a fancy dress, Mum." And like coming out of the door, 136 00:12:26,530 --> 00:12:30,880 and... and finally my father... I remember my father, uh... come up 137 00:12:31,000 --> 00:12:34,220 and, obviously, I... my mother has... 138 00:12:34,330 --> 00:12:36,130 - has told her about this... - Mm. 139 00:12:36,250 --> 00:12:38,300 -... cos it's so out of character... - Mm. 140 00:12:38,380 --> 00:12:41,850 ... and he sits down, as you sit there, and says, 141 00:12:41,970 --> 00:12:45,640 "Well, kid, there comes a time when we all become human," 142 00:12:45,760 --> 00:12:48,350 and gives me a talk about this, um... 143 00:12:48,470 --> 00:12:50,890 .... about, er... wearing women's clothes, 144 00:12:51,020 --> 00:12:54,740 cos they are... I think they worry that I am a transvestite. 145 00:12:54,850 --> 00:12:55,770 Hm . 146 00:12:55,900 --> 00:12:59,490 Um... but I'm just sort of in... really in this thrall... 147 00:12:59,610 --> 00:13:02,110 weird, beautiful girl 148 00:13:02,240 --> 00:13:04,280 What are the earliest memories about him? 149 00:13:04,400 --> 00:13:05,830 - From my father - Mm. 150 00:13:05,950 --> 00:13:08,750 Oh, I don't know. 151 00:13:11,790 --> 00:13:13,460 You know, there must be something before, 152 00:13:13,540 --> 00:13:18,040
153
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But he... actually he did it
Take me away someday
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and read me the first chapter of Lolita.
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Why is that?
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Because he said that in that chapter,
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There is good writing there
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-... on so many different levels...
- Mm. P>
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... and he rather went
through alliteration
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and read it aloud and said,
"See what happened here? "
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- Mm.
-... the thing he has to do for me,
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because the way I see it
becomes around that kind of thing...
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- Um.
-... that, jar...
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... You know, different,
that he changed when he read it. P>
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What is it like? P>
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- You know, a... bigger thing.
- And have you ever remembered...
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Hey, this is great, < br /> have a piano, er...
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- control room
- Yeah, yeah
169
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We can, uh... tune
every piano if you need
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Yes, and... and what's in the warehouse.
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- Yeah.
- While Warren is doing something
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or Tommy do something,
I can take this part...
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- Yeah.
-... take it here and just play
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and do it, < br /> because many of the items don't...
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- You know, this is very free right now.
- Yeah, yeah
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That would be really good.
That was the girl.
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I mean , it's hard to tell
of some of these things what we have.
178
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- You have to be rather relaxed and...
- Mm.
179
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... because we have lots of ideas
about this,
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that is just damn anything here,
Honestly.
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No, it won't rain.
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Hey, he turns on the camera.
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I think we should put it
some basic songs.
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Here it is.
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Oh, no, I'm wrong.
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Alright.
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# And no more air
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Visit www.Fortunebet99.cc
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# And at the gate he meets a boy
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# We will call him Animal Y... #
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Ah, there's nothing to fear
but it's a bad idea... #
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Is your father?
ever come to see you playing?
198
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He came several times.
Second time,
I didn't know he was there. P>
199
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He came to the first one
New Year's Eve showed that I did it.
200
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It was a show on the road and I
kind of rolled around drunk and sang.
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The whole band from their faces.
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He asked how things were going
and I said, "Oh, that's good,"
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and he went, "Yes, I know, I'm there."
204
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- Hm, hm.
- But then he saw me before he died. P>
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It was a paid show at a club,
like the right band,
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and, um... he too ,
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and... and he, er... he saw it
and he made this comment
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- "You're like an angel," he said.
- Hm.
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I can't imagine how he can do it
see me that way, frankly.
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See you as an angel?
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Yes, angel. < br /> All things considered.
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With the way in which he will be present,
but without stating himself,
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has it ever happened at home?
214
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I remember one time my sister
was very upset with something,
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and my father drove her to bed
and then left the room
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and turned off the light, and my sister
sobbing in bed, you know,
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and then after a while...
We are very young.
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I kind of left "Pooh", like that,
and he starts giggling, you know,
219
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and then I go, "Damn",
and he starts giggling again,
220
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and I go, "Fuck"
and so on, and this, uh...
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- Mm.
-... until he kinda laughed
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Then I saw the door open
and my father moved a bit...
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- Mm.
-... and I was like, "Oh! "
you know.
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So, in all those examples,
he is like a silent witness?
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Yes.
Yes. p >
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Even though he doesn't... To say it
That he's not present isn't right.
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- But in that case.
- Mm, mm.
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My memory of my childhood
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It was amazing
childhood to... for children.
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Does it bring something to mind,
memory or...
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Well, the Ovens River
ran across Wangaratta
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and that's where I spent my childhood,
233
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- Near the river.
- Mm. / p>
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All the cool things
that I wake up for as kids.
235
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- What kind of thing is it?
- Girl kissing
236
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Jumping, er...
railroad bridge that passes through this river.
237
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I mean, we will point their ears to the path
and listen to the train
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and hear it vibrate on the track.
239
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Then we will run to the train
the track to the middle of the bridge
240
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and the train will rotate like this
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and we will run
and then we will jump, er...
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- Mm.
-... jump from the bridge to the river.
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Mm.
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All those brave ones
goods from childhood,
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who... is very much about
How much of my childhood about...
246
00:18:33,480 --> 00:18:36,080
- Mm.
-... um, and I really miss her,
247
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which my own children don't have
to experience such things.
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Um.
What are you most afraid of?
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Eh...
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Hm...
251
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I am... the biggest fear, I guess,
lost my memory
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This really worries me at times
253
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that I will not be able
to continue doing what I do...
254
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um... and reach somewhere
that I am sorry for.
255
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In a sense?
256
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Because of our memory,
you know, and I think
257
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it's your soul
and your reason... for life
258
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tied in memory
259
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I mean, I thought for a very long time,
260
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I have built a kind of world
through narrative songwriting.
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This is a kind of world created
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about valuable, um...
263
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Original memories that determine our lives
264
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and those memories
that we spend to keep chasing.
265
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Which memories
do you think you are chasing?
266
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I think exactly what
we've talked about
267
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The childhood memories.
268
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When did
the heart gear really changed
269
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and that... it could be,
er... found some artwork.
270
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Um... it could be some great
Experience the traumatic happened.
271
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Um... it could be a small moment,
er... a momentary fragment,
272
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and in some cases what really < br /> The process of writing the song for me.
273
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This retells these stories
and the mythology of these stories.
274
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Losing memory faculty
is a major trauma
275
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in that world, of course only.
276
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Yes, do you need to pursue?
Will I come back and...
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All right, I'll do... I'll do one more. p >
278
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# Childhood days
279
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# Shimmer in smoke haze
280
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Give us kisses
281
00:20:58,130 --> 00:21:01,220
# In the blue room
You whisper into the music
282
00:21:02,210 --> 00:21:05,340
# And the brown field under the thorns
283
00:21:07,260 --> 00:21:08,930
Give us a kiss
284
00:21:13,430 --> 00:21:16,900
# And then cross the overpass and down
285
00:21:17,020 --> 00:21:19,700
# with blood factory and enter the city
286
00:21:22,360 --> 00:21:24,160
Give us a kiss
287
00:21:28,450 --> 00:21:30,700
# Just a little sip, sip, sip
288
00:21:31,700 --> 00:21:34,670
# Before you slip, slip, slip
289
00:21:37,120 --> 00:21:39,130
# Again
290
00:21:42,510 --> 00:21:48,260
# You're still hanging out in my dreams
291
00:21:48,390 --> 00:21:51,060
# In your sister's shoes
292
00:21:52,720 --> 00:21:56,320
# In your blue jeans
293
00:21:57,560 --> 00:21:59,810
Ah, give us a kiss
294
00:22:02,190 --> 00:22:04,870
# Slightly sipping, sipping, sipping
295
00:22:06,780 --> 00:22:10,530
# Before I catch, catch, burn
296
00:22:12,410 --> 00:22:14,380
# Come on
297
00:22:15,700 --> 00:22:18,420
# And give us
298
00:22:19,460 --> 00:22:23,180
# Kiss
299
00:22:36,020 --> 00:22:39,150
# Want me to burn
300
00:22:40,770 --> 00:22:43,650
# I will
301
00:22:50,410 --> 00:22:54,540
# Want me to burn
302
00:22:54,620 --> 00:22:57,340
# I will
303
00:23:01,170 --> 00:23:04,590
# Yes I will.
#
304
00:23:17,890 --> 00:23:21,400
If you can enter the song
and enter the heart of the song,
305
00:23:21,520 --> 00:23:24,240
to the present, < Forget about everything else,
306
00:23:24,360 --> 00:23:27,240
you can be a little far away...
307
00:23:27,360 --> 00:23:30,200
and then you are sort of god
for a moment,
308
00:23:30,320 --> 00:23:32,450
and sometimes not , by the way.
309
00:23:32,570 --> 00:23:35,750
Not when you walk, you
turn into an angel or something.
310
00:23:35,870 --> 00:23:37,290
Sometimes that doesn't happen.
311
00:23:37,410 --> 00:23:40,380
- Angels?
- GOOD.
Come on... yes, yes, whatever.
312
00:23:40,460 --> 00:23:47,090
Is this a... a theme in your song -
responsibility and accountability?
313
00:23:47,210 --> 00:23:51,470
Um... I have some kind of strange relationship
with the idea of God,
314
00:23:51,590 --> 00:23:56,720
because in the world of my song writing,
something like that exists.
315
00:23:56,850 --> 00:23:58,940
- Someone watching?
- Yeah.
316
00:23:59,020 --> 00:24:01,690
Someone takes the value, say.
317
00:24:01,810 --> 00:24:04,360
>
318
00:24:04,480 --> 00:24:08,700
In the real world,
I don't believe that kind of thing.
319
00:24:08,780 --> 00:24:10,400
You know, when I have...
very interested in religion
320
00:24:10,530 --> 00:24:12,830
is when I drink a lot of drugs.
321
00:24:12,950 --> 00:24:15,540
- Mm.
- You know, I'm an addict.
322
00:24:15,620 --> 00:24:18,540
I will wake up and need to score
323
00:24:18,660 --> 00:24:19,710
and the first thing I will do
go to church...
324
00:24:19,830 --> 00:24:22,550
... and I will sit
through the entire service,
325
00:24:22,670 --> 00:24:27,220
listen to the priest's harsh words up there
and shake his hand on the way out,
326
00:24:27,290 --> 00:24:31,220
and then head up, er...
Portobello Road to Golborne Road.
327
00:24:31,300 --> 00:24:33,800
Traders just came out
You know, at that time,
328
00:24:33,930 --> 00:24:36,350
and I can score
and then return to...
329
00:24:36,470 --> 00:24:38,940
- Mm.
-... flat, take drugs and the like go,
330
00:24:39,010 --> 00:24:40,140
- "There," you know?
- Mm. P>
331
00:24:40,270 --> 00:24:41,610
I'll do a little... a little good
332
00:24:41,730 --> 00:24:43,940
and a little...
and , "What's the problem" type of item,
333
00:24:44,020 --> 00:24:46,940
and I really feel to some degree
334
00:24:47,060 --> 00:24:50,790
that I have some sort of
of the balance that can be done in my life
335
00:24:50,900 --> 00:24:53,950
- Um.
Mm.
- I mean, that's crazy
336
00:24:54,070 --> 00:24:59,330
You know, I mean, when... when I met Susie,
Susie like, you know,
337
00:24:59,450 --> 00:25:03,210
"You, er... you know, do
something very dangerous here
338
00:25:03,330 --> 00:25:07,180
"and... and... and life threatening
339
00:25:07,290 --> 00:25:10,640
" and, um... you know,
I want you to swear to me
340
00:25:10,750 --> 00:25:12,470
"that you will never go to church again"...
341
00:25:12,590 --> 00:25:15,180
... that kind of
342
00:25:15,300 --> 00:25:18,650
And when you appear,
Have you ever felt it
343
00:25:18,760 --> 00:25:20,390
to be an outsider or not?
344
00:25:20,510 --> 00:25:21,440
No, I'm not.
345
00:25:21,560 --> 00:25:25,440
I found doing something
more, um. .. communal types
346
00:25:25,560 --> 00:25:28,740
and the like
collect together people and...
347
00:25:28,860 --> 00:25:32,910
I mean you... got carried away, right?
348
00:25:33,030 --> 00:25:35,120
- You can be taken away, anyway.
- Mm. P>
349
00:25:35,240 --> 00:25:36,830
Sesuatu terjadi di atas panggung.
350
00:25:36,950 --> 00:25:38,820
- Once you were on stage?
- Yeah.
Even before
351
00:25:38,950 --> 00:25:41,790
I approached the stage.
Actually, before I was on stage,
352
00:25:41,910 --> 00:25:43,960
Previously, in the band room, it was horrendous,
353
00:25:44,080 --> 00:25:47,630
because you couldn't really understand
how you could perform the show
354
00:25:47,750 --> 00:25:51,380
But something happened on stage, um...
355
00:25:51,500 --> 00:25:56,510
that will take you away from it
and that's the type of concert,
356
00:25:56,630 --> 00:26:00,060
This is the concert we're trying to do
it's very important,
357
00:26:00,140 --> 00:26:03,810
and they are very important
for, um... audience.
358
00:26:03,930 --> 00:26:05,350
Beyond something?
359
00:26:05,480 --> 00:26:08,980
Well, not every show you will live < br /> will make you feel that way,
360
00:26:09,100 --> 00:26:11,730
but when... when they do it...
361
00:26:11,820 --> 00:26:16,700
I mean, I wear a concert
on the Meltdown London with Nina Simone,
362
00:26:16,820 --> 00:26:20,540
and before he continued,
he called me to his room,
363
00:26:20,620 --> 00:26:25,170
and he sat in this chair,
and he was like the most disgusting woman.
364
00:26:25,290 --> 00:26:29,340
He has this big, white, and blousy object
and Cleopatra's make up type,
365
00:26:29,420 --> 00:26:31,260
and she says...
366
00:26:31,340 --> 00:26:33,340
"I want you
to introduce me! "like that,
367
00:26:33,460 --> 00:26:35,720
and I like" Okay, how do you want me?
to introduce you? "
368
00:26:35,840 --> 00:26:40,810
" I am Dr. Nina Simone! " /> Like this, and I like, "Okay, okay." P>
369
00:26:40,930 --> 00:26:43,020
and, uh... I came out and I introduced it,
370
00:26:43,100 --> 00:26:45,770
and he walked towards... < br /> to the front of the stage
371
00:26:45,890 --> 00:26:50,690
He... he is unhealthy and that brings him
for a long time even to the stage
372
00:26:50,810 --> 00:26:52,740
and he walks
ahead stage
373
00:26:52,820 --> 00:26:54,820
and hold his fist from the side
374
00:26:54,940 --> 00:26:59,540
and stare at the audience with this
An expression of hatred on his face,
375
00:26:59,660 --> 00:27:03,210
and everyone just sits on their seats
Like, "What... what will happen?"
376
00:27:03,330 --> 00:27:04,580
and he sits on the piano
377
00:27:04,700 --> 00:27:08,250
and he takes gum from his mouth
and attaches it to the piano
378
00:27:08,370 --> 00:27:11,500
and just kind of launches it to this event,
379
00:27:11,630 --> 00:27:14,220
and through this performance process,
380
00:27:14,290 --> 00:27:16,470
um... be something else,
381
00:27:16,590 --> 00:27:18,470
and you can see it in the audience,
382
00:27:18,590 --> 00:27:20,470
- how they responded to this...
- Mm.
383
00:27:20,590 --> 00:27:24,970
... until finally he arrived in front and
touched people and danced on the stage,
384
00:27:25,060 --> 00:27:28,610
and it's absolute
transformative performance
385
00:27:28,730 --> 00:27:31,440
and it really changes
everyone in...
386
00:27:31,560 --> 00:27:33,740
you know, it can
pay the witness...
387
00:27:33,860 --> 00:27:34,780
- Mm.
-... show.
388
00:27:34,860 --> 00:27:37,530
And for me, that's what we should be...
389
00:27:37,650 --> 00:27:43,200
That's what we should try...
to do when... when you go on stage.
390
00:27:43,320 --> 00:27:45,540
You know, I don't know
how for others,
391
00:27:45,620 --> 00:27:48,870
but I think to some degree
we all want to be someone else,
392
00:27:49,000 --> 00:27:55,000
and we all are looking for that transformative
That can happen in... in our lives
393
00:27:55,130 --> 00:27:58,600
and I think most people find it
in some way or another
394
00:27:58,710 --> 00:28:03,390
and that's a place they can forget
who they are and become someone else
395
00:28:03,510 --> 00:28:06,350
- By forgetting who they are?
- Yeah.
396
00:28:06,470 --> 00:28:08,060
By forgetting who they are.
397
00:28:08,180 --> 00:28:09,180
Mm.
398
00:28:09,310 --> 00:28:13,190
And I think maybe that's what I'm talking about
about my father reading Lolita.
399
00:28:13,310 --> 00:28:15,190
- I noticed that about him... < br /> - Mm.
400
00:28:15,310 --> 00:28:17,570
... You know, that he's doing something.
401
00:28:17,690 --> 00:28:21,200
He only reads this, but indeed
is involved in this at a different level
402
00:28:21,320 --> 00:28:25,920
and , er... and very happy
to read this for... his son.
403
00:28:26,030 --> 00:28:27,540
Um.
404
00:28:27,620 --> 00:28:30,040
How old are you when he died?
405
00:28:30,160 --> 00:28:32,710
Uh... I
406
00:28:32,830 --> 00:28:35,130
um... 19. P>
407
00:28:35,250 --> 00:28:38,130
- Hm.
- And, uh... yeah. P>
408
00:28:39,250 --> 00:28:41,220
Um. ..
409
00:28:41,300 --> 00:28:44,180
and that... that's right
just got out of the blue
410
00:28:44,260 --> 00:28:48,260
That, um... something like that
shook the whole family and...
411
00:28:52,430 --> 00:28:53,860
Should we stop there?
412
00:29:19,670 --> 00:29:22,640
You turn it on.
413
00:29:22,760 --> 00:29:25,890
You turn it off.
414
00:29:26,010 --> 00:29:27,350
But someday you don't feel can,
415
00:29:27,470 --> 00:29:30,520
and you have become a thing
you want to be there...
416
00:29:31,720 --> 00:29:33,100
... come back when you were a child
in your room
417
00:29:33,230 --> 00:29:36,780
and sing into a broom
with the door locked
418
00:29:36,900 --> 00:29:41,280
You have dreamed of yourself outside,
and no one can restore you,
419
00:29:41,400 --> 00:29:44,830
and, however, you are not sure you ever
want to be there in the first place.
420
00:29:50,450 --> 00:29:53,330
You know... you know, I just thought,
You know what I mean. p >
421
00:29:53,450 --> 00:29:54,800
Are you, uh...
422
00:29:56,250 --> 00:29:58,750
Are you worried about getting old
or something like that?
423
00:29:59,840 --> 00:30:03,760
I think, you know, when did you get it < br /> For our age, you are worried about it.
424
00:30:03,880 --> 00:30:07,310
I think the point of the net is changing.
I mean...
425
00:30:07,430 --> 00:30:11,850
Why always urinate
with rain when I come to Brighton?
426
00:30:13,640 --> 00:30:17,650
You know, I don't know
about you, Nick, but, um...
427
00:30:19,440 --> 00:30:22,410
You know, I have 50 and I'm good Okay,
I'm so cool with that.
428
00:30:22,520 --> 00:30:25,450
But, you know, I... I'm 56.
How old are you?
429
00:30:27,650 --> 00:30:32,330
I kind of have to think...
rediscover myself, I think,
430
00:30:32,450 --> 00:30:35,500
in the business I entered,
You know, and that...
431
00:30:35,580 --> 00:30:37,800
I can't find myself again.
432
00:30:37,910 --> 00:30:40,420
- Do you want ?
- No.
433
00:30:40,540 --> 00:30:42,290
I don't... I don't want to,
434
00:30:42,380 --> 00:30:47,180
But I think the rock star already exists
You should be able to see from a distance.
435
00:30:47,260 --> 00:30:49,230
That is something
you can draw in a row...
436
00:30:49,340 --> 00:30:50,890
- Mm.
-... and you can't change it...
437
00:30:51,010 --> 00:30:53,060
every second week
they are something different,
438
00:30:53,180 --> 00:30:54,730
because they have to be gods.
439
00:30:54,850 --> 00:30:57,070
But that's all discovery.
440
00:30:57,180 --> 00:30:59,730
Tapi itu terjadi sejak dini untuk saya.
441
00:30:59,850 --> 00:31:03,570
As a child, I think I really need
to transform myself into something else.
442
00:31:03,690 --> 00:31:04,610
Mm.
443
00:31:04,730 --> 00:31:07,610
I will look in the mirror and... < br /> and not to be... I'm not happy.
444
00:31:07,690 --> 00:31:11,790
I used to see these people
on the cover and aspire to it.
445
00:31:23,500 --> 00:31:25,930
What do you think
from the Rolling Stones?
446
00:31:27,550 --> 00:31:30,350
Surely when they really look
with each other and think, you know,
447
00:31:30,470 --> 00:31:32,390
"Boys, don't we have enough money now?
Do we want to retire? "
448
00:31:32,510 --> 00:31:34,860
" We can always play banjo
on the terrace somewhere "
449
00:31:34,970 --> 00:31:36,970
" and sing a song
for our own entertainment. "
450
00:31:37,060 --> 00:31:38,900
I mean, do you like to be silent?
451
00:31:40,310 --> 00:31:41,230
I heard the actors say it.
452
00:31:41,350 --> 00:31:42,730
I live for that, I really did it.
453
00:31:42,850 --> 00:31:45,030
- Really?
- And... and that... this...
454
00:31:45,150 --> 00:31:48,740
was really at that time
I could be that person...
455
00:31:48,860 --> 00:31:51,200
- Yeah.
-... I always wanted it
456
00:31:51,320 --> 00:31:57,120
Something happened on the stage
where you were transported and you...
457
00:31:57,240 --> 00:32:01,470
Time has a different feel
and you are just this
458
00:32:01,580 --> 00:32:04,260
- and you feel you can't do anything wrong...
- Yeah.
459
00:32:04,380 --> 00:32:07,550
... and then you look down the front row
and someone yawns...
460
00:32:07,670 --> 00:32:09,420
... something like that,
461
00:32:09,550 --> 00:32:12,770
and everything falls away
and you are only this...
462
00:32:12,880 --> 00:32:14,140
- schmuck
- Just crucify you, yeah
463
00:32:14,220 --> 00:32:17,060
I have it when... when I... and I love
playing Henry VIII, you know,
464
00:32:17,180 --> 00:32:19,980
and, uh... I... I actually
became Henry VIII.
465
00:32:20,100 --> 00:32:23,860
I truly believe I am the King
from England and, er... You know, that I...
466
00:32:23,940 --> 00:32:25,310
- I can have a female head...
- And offstage? P>
467
00:32:25,440 --> 00:32:26,660
Yes, I will go home at night
468
00:32:26,770 --> 00:32:29,740
and think, you know,
I really can... I can become Henry.
469
00:32:29,820 --> 00:32:31,070
I can do this, you know.
470
00:32:31,190 --> 00:32:33,700
My agent and his mother came down,
471
00:32:33,820 --> 00:32:35,790
and he watched the shooting that day,
and I know,
472
00:32:35,910 --> 00:32:39,160
was quite happy with myself,
what I did, and he said, er...
473
00:32:39,290 --> 00:32:40,880
"Will you play it like that?"
474
00:32:41,000 --> 00:32:42,170
"" No?
475
00:32:42,290 --> 00:32:45,510
Yes.
And that really... it just kettled
me for a few days, you know
476
00:32:45,630 --> 00:32:47,340
I'm thinking, "Oh, damn it!
you know,
477
00:32:47,420 --> 00:32:49,340
because I think as...
as a player, you...
478
00:32:49,460 --> 00:32:51,840
- You need that feeling of confidence.
- You need to believe it, don't you?
479
00:32:51,970 --> 00:32:53,560
You need someone to say it
you are doing good
480
00:32:53,680 --> 00:32:55,020
I can't see anything bleeding here.
481
00:32:55,140 --> 00:32:58,560
Yeah, well, install your steam.
I mean, You know, this is science, Innit?
482
00:32:58,680 --> 00:33:01,930
I mean, if it's cold out there and it's hot in.
Here, you will get a steamy window.
483
00:33:02,020 --> 00:33:03,740
Yes, I know , but...
484
00:33:36,380 --> 00:33:37,640
- G & apos; day, Nick
- G & apos; day, Warren
485
00:33:37,760 --> 00:33:40,180
- How are you, buddy?
- Alright. /> Are you okay? P>
486
00:33:40,310 --> 00:33:42,060
Yes, I'm fine.
How are you? P>
487
00:33:42,180 --> 00:33:45,110
- That's the bird.
- Great.
Take it they come in.
488
00:33:45,230 --> 00:33:47,820
I'll put them in the trash.
489
00:33:49,020 --> 00:33:50,650
So how are you doing, Warren?
490
00:33:50,770 --> 00:33:55,910
I'm fine.
I've been good.
Covering some crows, shooting at them.
491
00:33:56,030 --> 00:33:58,870
It's good.
Good things.
How are you? P>
492
00:33:58,990 --> 00:34:00,740
I'm fine
493
00:34:00,870 --> 00:34:04,000
Are you, uh... hungry? P>
494
00:34:04,120 --> 00:34:06,290
- I'm cooking eels
- You cook eels?
495
00:34:06,410 --> 00:34:07,380
I'm cooking eels.
496
00:34:07,460 --> 00:34:10,960
- Um... a cup
We need a cup.
- Yeah.
497
00:34:11,090 --> 00:34:14,590
Half a cup, right ??
Will not like you
to have a full bladder on your way back.
498
00:34:14,710 --> 00:34:17,840
Oh, talk about the journey back,
see what am I getting here
499
00:34:17,970 --> 00:34:20,640
Terrorism of your children with this.
I got it
in France when I was there.
500
00:34:20,760 --> 00:34:22,480
- Some bangers. /> - Oh thank you. P>
501
00:34:22,600 --> 00:34:24,770
Don't be afraid of children,
though, with them, or...
502
00:34:24,890 --> 00:34:27,140
- or dogs
But, uh...
- Very good.
503
00:34:27,270 --> 00:34:29,440
- Machine-gun, too.
- Thank you.
My wife will be really...
504
00:34:29,560 --> 00:34:33,190
Tell them, you enter with ten fingers,
you have to come out with ten fingers. P>
505
00:34:33,320 --> 00:34:34,240
Understand. P>
506
00:34:34,360 --> 00:34:36,780
- Are you hungry?
- Yeah.
507
00:34:36,900 --> 00:34:39,620
Do you remember the show?
508
00:34:39,700 --> 00:34:41,250
- Nina Simone's performance?
- Oh yeah.
509
00:34:41,370 --> 00:34:43,840
p>
510
00:34:43,950 --> 00:34:45,700
- Fuck, that's good, right?
- Yeah, it's up there
Like,
511
00:34:45,830 --> 00:34:48,830
I've seen a lot of shows
512
00:34:48,960 --> 00:34:52,340
... it's one like
one of the greatest things I've ever seen.
513
00:34:52,460 --> 00:34:54,590
Do you remember,
before he started playing,
514
00:34:54,710 --> 00:34:57,220
He took out chewing gum from his mouth?
515
00:34:57,340 --> 00:34:59,890
take the gum out
and just stick to the piano,
516
00:35:00,010 --> 00:35:02,140
- and then just slam it...
- I chew gum at home.
517
00:35:02,260 --> 00:35:03,350
Yes, I have it in...
518
00:35:03,470 --> 00:35:05,140
- what do you understand?
- I took it, yes
519
00:35:05,270 --> 00:35:07,480
I... I went up
and take it from the stage.
520
00:35:07,600 --> 00:35:09,190
- are you right
- Yeah.
521
00:35:09,310 --> 00:35:13,280
I have it with a towel that he... that one
He rubs his forehead and then leaves...
522
00:35:13,400 --> 00:35:16,240
-... like that.
- Oh, fuck, I'm really jealous
523
00:35:16,360 --> 00:35:19,080
And, uh... that... I remember ,
cos Matt mixed it up.
524
00:35:19,200 --> 00:35:21,990
Matt apparently walked past his room,
and he sat there
525
00:35:22,120 --> 00:35:24,990
like, looked very upset
and didn't want be there.
526
00:35:26,120 --> 00:35:27,790
Dan... and he goes like, um...
527
00:35:27,910 --> 00:35:32,210
"Everything is fine, um...
Mrs. Simone?" Or whatever, you know.
528
00:35:32,330 --> 00:35:33,800
- Dr. Simone
- Dr. Simone, I think.
529
00:35:33,920 --> 00:35:35,920
He probably won't...
Matt won't say that.
530
00:35:36,050 --> 00:35:37,840
And, "Is there anything I can get from you?"
531
00:35:37,960 --> 00:35:39,590
and, uh... he just said,
532
00:35:39,720 --> 00:35:43,770
"I want some champagne,
some cocaine and some sausages!"
533
00:35:43,890 --> 00:35:49,020
And, uh... and, uh... Matt... Matt left,
"Okay, I'll see what I can do."
534
00:35:49,140 --> 00:35:51,940
So, Matt left
and he drank some coke, some champagne
535
00:35:52,060 --> 00:35:54,360
and some sausages for him
and bring them back
536
00:35:54,480 --> 00:35:56,360
and he says he just got
a big smile on his face
537
00:35:56,480 --> 00:35:57,700
and he go, "thank you!"
and only...
538
00:35:57,780 --> 00:36:00,950
... hoover up coke and drink
some champagne and eat the sausage.
539
00:36:01,070 --> 00:36:01,950
Yes.
540
00:36:02,070 --> 00:36:04,070
I've never seen an audience like that,
541
00:36:04,200 --> 00:36:06,950
that feels like they are about
to fall on top of each other.
542
00:36:07,080 --> 00:36:09,210
- Nobody knows what to expect and...
- Well, he... he...
543
00:36:09,330 --> 00:36:11,420
he was really scary
when he came...
544
00:36:11,540 --> 00:36:13,210
- terrible
-... on the front of the stage.
545
00:36:13,330 --> 00:36:17,510
He actually walked to the lips
from the stage and looked at everyone...
546
00:36:17,630 --> 00:36:19,180
- Yeah.
-... like that...
547
00:36:19,260 --> 00:36:20,760
Well, I remember... I remember seeing...
548
00:36:20,880 --> 00:36:24,010
I experienced the same thing
when I saw "The Killer" playing in Paris
549
00:36:24,140 --> 00:36:26,260
and my partner was there
and he was like... approaching me,
550
00:36:26,390 --> 00:36:27,940
He said, "The good news."
551
00:36:28,010 --> 00:36:31,020
"The... the T-shirt
sells T-shirts."
552
00:36:31,140 --> 00:36:32,860
And I'm like, "Ooh, what do you mean?"
553
00:36:32,940 --> 00:36:34,810
and he left , "Oh, I saw it last week
in Southern France"
554
00:36:34,900 --> 00:36:36,820
"and the T-shirt seller
did most of the sets
555
00:36:36,900 --> 00:36:38,400
" and The Killer just sat next to
and exit...
556
00:36:38,530 --> 00:36:40,320
- Oh really?
- "and do Great Balls Of Fire
557
00:36:40,440 --> 00:36:42,320
" And then, like, messy. "
558
00:36:42,450 --> 00:36:44,320
Then the band came along
and started playing
559
00:36:44,450 --> 00:36:46,120
and they only sounded
like dog poop, you know
560
00:36:46,240 --> 00:36:48,920
They were like playing
through standard items
561
00:36:49,040 --> 00:36:51,290
and then... then it feels like,
"Jerry Lee is at home,"
562
00:36:51,410 --> 00:36:54,210
like, "Jerry Lee at home" , and...
and suddenly you will look sideways
563
00:36:54,330 --> 00:36:55,960
and there is the Killer standing there
564
00:36:56,080 --> 00:37:00,090
looks like an orangutan,
just like this, glides,
565
00:37:00,210 --> 00:37:02,340
and that's as Nina Simone shows,
566
00:37:02,470 --> 00:37:04,010
and the man walks and hits the piano
567
00:37:04,130 --> 00:37:07,010
p>
568
00:37:07,100 --> 00:37:11,020
and this sounds like jackhammer,
and that's amazing,
569
00:37:11,140 --> 00:37:15,190
and it's only two microphones
Plugging into Fender Twin cuts,
570
00:37:15,310 --> 00:37:18,280
Like all that happened, only this voice
was Jerry Lee,
571
00:37:18,400 --> 00:37:22,200
and he walked on stage, and
he arrived at the front lip like that,
572
00:37:22,320 --> 00:37:24,240
and just left, "Yeah!"
like that,
and everyone like, "Wow!"
like this.
573
00:37:24,360 --> 00:37:26,160
Then he sat down > and go, "Brrr!"
like that,
574
00:37:26,280 --> 00:37:28,200
Then suddenly he starts playing
575
00:37:28,320 --> 00:37:31,750
- and this band sounds amazing...
- Yeah. P>
576
00:37:31,870 --> 00:37:34,920
and then he likes a lump of ballad
in the middle, Hank Williams and so on,
577
00:37:35,040 --> 00:37:37,340
and then he does Great Balls Of Fire,
578
00:37:37,420 --> 00:37:39,010
Then he tries to ride the piano < br /> and he can't,
580
00:37:41,170 --> 00:37:43,550
He just tries to get up,
and then they run behind him
581
00:37:43,670 --> 00:37:45,640
and they try to bring him there,
and he...
582
00:37:45,760 --> 00:37:47,600
went like this
583
00:37:47,720 --> 00:37:52,020
It was phenomenal, and then he left.
The power of blowing in that place.
584
00:37:52,140 --> 00:37:54,310
Guitar player, < br /> around 70 years or something,
585
00:37:54,430 --> 00:37:56,900
take the amp,
put it under his arm and walk away,
586
00:37:57,020 --> 00:37:59,940
Like this old man he must have > From day one, you know,
587
00:38:00,060 --> 00:38:03,190
and it feels like,
It's like that, you know. P>
588
00:38:03,320 --> 00:38:05,740
You see the show, you know. P>
590
00:38:10,120 --> 00:38:11,210
- Tidak.
- Apa itu cukup?
591
00:38:11,330 --> 00:38:12,500
No, I'm fine.
592
00:38:12,580 --> 00:38:15,830
I'll probably put it there for a while.
593
00:38:22,050 --> 00:38:23,140
Mm.
594
00:38:23,250 --> 00:38:25,550
I don't know
if they will be able...
595
00:38:25,670 --> 00:38:27,770
Vous vous taisez, d & apos;
596
00:38:27,880 --> 00:38:31,140
Oh, il fait chaud, huh?
597
00:38:32,810 --> 00:38:37,730
I have a feeling
it won't just disappear
598
00:38:37,850 --> 00:38:43,070
# You have to keep pushing
599
00:38:43,190 --> 00:38:46,240
# Keep pushing
600
00:38:47,320 --> 00:38:50,950
ii Push the sky away... ii.
601
00:38:51,070 --> 00:38:53,920
OK, come on...
602
00:38:54,040 --> 00:38:57,460
Yes.
Um... that sounds very good.
603
00:38:57,540 --> 00:39:00,790
- Only we need to join...
- Push , push the sky away.
604
00:39:00,920 --> 00:39:03,760
... the idea
bring the sky later
605
00:39:03,880 --> 00:39:06,130
"Go" later.
Push.
They will...
606
00:39:06,260 --> 00:39:09,560
- # Push the sky away... #
- You must only... You must...
607
00:39:09,680 --> 00:39:13,730
That's not good.
This must be done in
the same... how do I do it, huh?
608
00:39:13,850 --> 00:39:17,350
- GOOD.
This is actually like one word.
- D & apos;
609
00:39:17,480 --> 00:39:20,980
# You have to just... #
610
00:39:21,100 --> 00:39:23,400
- Tell me... Tell them
- Yes yes.
611
00:39:23,520 --> 00:39:26,370
Hey... hey, juste... just un petit truc.
612
00:39:26,480 --> 00:39:29,610
Um... push the sky away.
613
00:39:29,700 --> 00:39:31,450
614
00:39:31,570 --> 00:39:34,120
The ensemble.
The sky is far
615
00:39:34,240 --> 00:39:35,160
- In the sky... far away
- Ah, oui, d & apos; accord.
616
00:39:35,290 --> 00:39:38,460
The ensemble.
617
00:39:38,540 --> 00:39:44,760
# Push the sky away...
618
00:39:44,880 --> 00:39:47,680
# You must keep pushing
619
00:39:47,800 --> 00:39:53,020
# Continue pushing
620
00:39:53,140 --> 00:39:55,060
Push the sky away.
#
621
00:39:55,180 --> 00:39:58,770
Bravo!
C & apos; est fini
622
00:39:58,890 --> 00:40:01,570
(C & apos; est bon Super.
Bravo, tout Le monde.
623
00:40:01,690 --> 00:40:03,610
Good once, buddy, yeah.
You have a future career there.
624
00:40:03,730 --> 00:40:06,070
Well, that's my foster career,
625
00:40:07,900 --> 00:40:09,820
until I found heroin
and alcohol and then...
626
00:40:09,940 --> 00:40:13,410
Cannot juggle all three professions.
627
00:40:15,740 --> 00:40:17,420
There are helicopters.
628
00:40:20,370 --> 00:40:23,750
I might have eaten more with you
than my wife, actually, when I...
629
00:40:23,880 --> 00:40:27,000
- We've been a lot
We already have a lot.
-... if I do math
630
00:40:27,130 --> 00:40:30,880
We have a lot... lots of bad things.
631
00:40:34,640 --> 00:40:35,930
- Right, I have to go
- Yeah.
632
00:40:36,390 --> 00:40:38,260
I have to go to the archive.
633
00:40:47,320 --> 00:40:49,860
You have to understand
your limitations
634
00:40:51,650 --> 00:40:56,660
>
635
00:40:58,530 --> 00:41:02,000
This is your limitation that makes you a
beautiful disaster that you are most likely to experience.
636
00:41:02,120 --> 00:41:05,670
For me, that's where
collaboration comes in,
637
00:41:05,790 --> 00:41:08,760
to take a blind and unformed idea
638
00:41:08,880 --> 00:41:12,510
and who has hatched
mostly in solitude
639
00:41:12,630 --> 00:41:15,730
to change it to something else,
something better.
640
00:41:16,800 --> 00:41:18,180
Well, that's really something to see.
641
00:41:18,300 --> 00:41:21,350
I mean, with
the last note I followed,
642
00:41:21,470 --> 00:41:24,850
in Nocturama,
It didn't open like that again.
643
00:41:24,940 --> 00:41:27,280
You came with a song that basically remained,
644
00:41:27,400 --> 00:41:30,950
in the sense of music and also
lyrical, to the studio, and we...
645
00:41:31,070 --> 00:41:33,790
I just tried with that note for...
646
00:41:34,780 --> 00:41:37,950
... you know, a little disrupt the process
and... maybe it's...
647
00:41:38,070 --> 00:41:41,420
Yes, I noticed that you want...
You want to go to a different place.
648
00:41:41,540 --> 00:41:43,040
- Not much...
- So why did you leave? P>
649
00:41:43,160 --> 00:41:44,840
No, no, no, no, no. P>
650
00:41:44,960 --> 00:41:48,430
I departed basically because our management
651
00:41:48,540 --> 00:41:54,520
and because I feel that I can't follow
a marriage and two bands.
652
00:41:54,630 --> 00:41:57,310
- Right
- Time becomes a problem.
653
00:41:57,430 --> 00:42:01,310
I don't have personal conflict with you
or someone else in the band.
654
00:42:01,430 --> 00:42:05,440
- No, I... I don't think so.
- I also don't have a music schism.
655
00:42:19,820 --> 00:42:22,750
I... I sometimes listen to
the notes we make...
656
00:42:22,870 --> 00:42:24,250
Yes.
657
00:42:24,370 --> 00:42:27,420
... and I really hope there is
someone in the studio who already has...
658
00:42:27,500 --> 00:42:30,000
- Tell me that this is too much
-... say it's too long,
659
00:42:30,130 --> 00:42:33,010
"Edit," You know, < br /> and now I'm brutal by editing,
660
00:42:33,130 --> 00:42:35,600
and the wonderful thing about editing,
661
00:42:35,720 --> 00:42:38,220
When you actually sit there
and do take, p >
662
00:42:38,340 --> 00:42:41,190
and you ask, "How long is the song?"
and they say, "Six minutes,"
663
00:42:41,300 --> 00:42:42,930
and then you take a few verses.
664
00:42:43,060 --> 00:42:44,430
And suddenly it's better than before.
665
00:42:44,560 --> 00:42:46,780
Suddenly... well, suddenly,
This is a different song. P>
666
00:42:46,890 --> 00:42:48,990
In fact, you don't even know
what song it was until...
667
00:42:49,100 --> 00:42:51,280
- Yeah.
-... some time then when you type...
668
00:42:51,400 --> 00:42:52,770
Yes, I know that feeling.
669
00:42:52,860 --> 00:42:54,830
. "Because
from the edit.
670
00:42:54,940 --> 00:42:59,660
After you understand the song ,
it no longer attracts a lot,
671
00:42:59,740 --> 00:43:02,540
and some of them...
some great songs you do,
672
00:43:02,620 --> 00:43:07,170
that you become aware
new things for years,
673
00:43:07,290 --> 00:43:09,040
- with songs and...
- Yes.
674
00:43:09,170 --> 00:43:11,790
... the reason why you persisted
play them, for me...
675
00:43:11,920 --> 00:43:13,670
- Yes...
- And some of them others...
676
00:43:13,800 --> 00:43:15,340
Others just isolate themselves
677
00:43:15,460 --> 00:43:17,470
- and go somewhere else and...
- Yeah.
678
00:43:17,590 --> 00:43:19,180
... you didn't find the door again
679
00:43:19,260 --> 00:43:24,190
to be able to... bring something < br /> From there it's still true.
680
00:43:24,310 --> 00:43:26,350
- Yes, that's right.
- Yeah.
681
00:43:30,100 --> 00:43:33,570
I like to feel a song
before you understand it
682
00:43:33,690 --> 00:43:40,320
When we all play deep inside
For a moment, the song feels wild and unbroken.
683
00:43:40,450 --> 00:43:42,320
It will be tamed immediately
684
00:43:42,450 --> 00:43:46,170
and we will pull it back
for something familiar and obedient
685
00:43:46,290 --> 00:43:49,630
and we will put it in the cage
with all the other songs.
686
00:43:50,710 --> 00:43:53,960
But there's a time
When the song is still on duty
687
00:43:54,090 --> 00:43:56,510
and you just hold dear
688
00:43:56,630 --> 00:44:00,260
and you hope you don't fall
and break your neck or something.
689
00:44:00,380 --> 00:44:02,930
This is a glimpse of
that we chase in the studio.
690
00:44:03,050 --> 00:44:06,430
How long is that?
How long is it?
691
00:44:17,400 --> 00:44:20,150
# Don't remember it at all
692
00:44:21,700 --> 00:44:25,790
# Fire trees line up in the street
693
00:44:32,170 --> 00:44:35,640
# Don't remember the same once
694
00:44:37,090 --> 00:44:42,260
# But I drive my car to Geneva
695
00:44:47,350 --> 00:44:52,820
# I've sat on my basement
696
00:44:52,940 --> 00:44:57,240
# Aye, it's hot
697
00:44:59,690 --> 00:45:05,790
> # Up to the top, girls walk past it
698
00:45:05,910 --> 00:45:11,510
# Roses all bloom
699
00:45:13,660 --> 00:45:19,640
# Have you ever heard
about Higgs boson blues? P>
700
00:45:21,010 --> 00:45:24,600
I go to Geneva, baby
701
00:45:24,720 --> 00:45:28,390
# Will teach you
702
00:45:32,600 --> 00:45:34,730
# Who cares?
703
00:45:36,190 --> 00:45:41,790
Who cares about what will happen in the future?
704
00:45:45,530 --> 00:45:50,130
# Long black path
And I drive and drive
705
00:45:50,240 --> 00:45:53,090
# I arrive at the crossroads
706
00:45:53,200 --> 00:45:58,090
That night is hot and black
707
00:45:59,790 --> 00:46:02,890
# I see Robert Johnson
708
00:46:03,010 --> 00:46:07,640
# With a ten-dollar guitar
tied to his back
709
00:46:07,760 --> 00:46:10,390
# Search for songs
710
00:46:13,020 --> 00:46:16,740
#Ah
711
00:46:16,850 --> 00:46:22,580
# Well, here it is Lucifer
> with its canon law
712
00:46:22,690 --> 00:46:30,700
# And a hundred black babies
run from the jaws of its genocide
713
00:46:32,740 --> 00:46:35,710
# He gets the real killer groove
714
00:46:35,830 --> 00:46:39,080
# Robert Johnson and Devil , Dude
715
00:46:40,250 --> 00:46:45,550
Don't know who will tear anyone
716
00:46:47,300 --> 00:46:49,140
# Drive my car
717
00:46:49,220 --> 00:46:54,440
# Flame tree fire
718
00:46:54,560 --> 00:46:56,400
# Sit and sing
719
00:46:56,520 --> 00:47:00,740
# Higgs blues boson
720
00:47:01,770 --> 00:47:04,370
# A shot out
721
00:47:04,480 --> 00:47:07,330
# For spiritual paths
722
00:47:07,450 --> 00:47:11,450
# Everyone bled
723
00:47:11,570 --> 00:47:16,300
# For that blues bosgs blues
724
00:47:18,330 --> 00:47:20,250
# And if I die tonight
725
00:47:20,370 --> 00:47:27,760
# Bury me in my favorite
Patent yellow leather shoes
726
00:47:30,590 --> 00:47:33,270
# And with mummy cats
727
00:47:34,310 --> 00:47:36,350
# and cone hats
728
00:47:36,470 --> 00:47:44,230
# That Caliphate forces Jews
729
00:47:45,360 --> 00:47:47,610
# Can you feel my heartbeat?
730
00:47:48,740 --> 00:47:52,960
# Can you feel my heartbeat... #
731
00:47:55,490 --> 00:47:58,210
Ssh !
732
00:48:00,830 --> 00:48:06,380
# Hannah Montana
is the African savanna
733
00:48:06,500 --> 00:48:12,930
# As the rainy season simulations begin
734
00:48:14,850 --> 00:48:19,600
# He condemns the Zulu queue
735
00:48:19,730 --> 00:48:28,330
> # Move to Amazonia
and cry with dolphins
736
00:48:29,400 --> 00:48:31,700
# Can you feel my heartbeat? P>
737
00:48:33,070 --> 00:48:38,250
# Can you feel my heartbeat? P>
738
00:48:39,410 --> 00:48:42,290
# Can you feel my heartbeat?
739
00:48:43,330 --> 00:48:46,210
Mama eats the dwarf
740
00:48:46,340 --> 00:48:48,960
# The grouper eats the monkey
741
00:48:49,090 --> 00:48:52,310
# The monkey has a gift, man
742
00:48:52,430 --> 00:48:55,900
743
00:48:57,390 --> 00:49:00,110
p>
744
00:49:00,220 --> 00:49:04,070
# And he sent it for you
745
00:49:04,190 --> 00:49:09,860
# He saved them wild people
with Higgs boson blues
746
00:49:09,980 --> 00:49:11,080
# Yeah
747
00:49:11,190 --> 00:49:13,450
# But can you feel my heartbeat?
748
00:49:13,570 --> 00:49:17,790
# Yeah , can you feel my heartbeat?
749
00:49:17,910 --> 00:49:20,330
# Can you feel my heartbeat?
750
00:49:21,450 --> 00:49:23,130
# Yeah, I drive my car
751
00:49:23,250 --> 00:49:25,420
# I want to feel your heartbeat
752
00:49:25,540 --> 00:49:27,790
# I kissed your lips
753
00:49:29,000 --> 00:49:30,970
# I kissed your lips
754
00:49:31,090 --> 00:49:34,680
# Feeling you deep in
755
00:49:34,800 --> 00:49:38,150
# Waiting for me in Geneva... #
756
00:49:38,260 --> 00:49:40,140
Ssh!
757
00:49:40,260 --> 00:49:42,020
# Waiting in Geneva
758
00:49:43,770 --> 00:49:47,570
# Waiting for me in Geneva... #
759
00:49:49,690 --> 00:49:52,070
Ssh!
760
00:49:53,530 --> 00:49:57,870
Ah, let the bad day break
761
00:49:57,990 --> 00:50:04,000
# Rain always makes me sad... #
762
00:50:06,250 --> 00:50:08,380
Ssh!
763
00:50:08,460 --> 00:50:14,810
# Miley Cyrus floats in the pool < br /> on Lake Toluca
764
00:50:14,920 --> 00:50:19,400
# And you are the best girl I have ever had
765
00:50:23,970 --> 00:50:27,700
# I don't remember at all.
#
766
00:50:39,870 --> 00:50:42,290
Who knows their own story?
767
00:50:42,410 --> 00:50:45,960
Sure, that doesn't make sense
When we live in the middle of it.
768
00:50:47,040 --> 00:50:48,960
Everything is just clash and confusion.
769
00:50:50,130 --> 00:50:54,130
It just becomes a story
00:50:57,180
Our small memories
771
00:50:57,260 --> 00:51:01,640
that we speak again and again
for ourselves or others.
772
00:51:03,100 --> 00:51:05,940
First, create our life's narrative
773
00:51:06,020 --> 00:51:09,820
and then save the story
from dissolving into darkness.
774
00:51:11,770 --> 00:51:14,120
- Hello?
- We are here
775
00:51:15,190 --> 00:51:16,940
Hi.
What do we do?
776
00:51:17,070 --> 00:51:20,070
Do you mind if we pass some
photos that you sent?
777
00:51:21,120 --> 00:51:23,240
- Hey, are you in this photo?
- where are you
778
00:51:23,370 --> 00:51:25,870
- We... we can't actually identify you.
- OK
779
00:51:26,000 --> 00:51:28,040
- Can you...
- Yeah, I can see me
780
00:51:28,160 --> 00:51:30,760
Seeing that with ears,
singing their little heart out? P>
781
00:51:30,870 --> 00:51:33,340
- What, son this?
- Yeah.
782
00:51:33,420 --> 00:51:35,470
Those who have "stars"
are written all over their bodies.
783
00:51:38,130 --> 00:51:39,550
What else does Dawn send?
784
00:51:40,720 --> 00:51:44,020
I'm the bearded man
and the dog collar. P>
785
00:51:44,100 --> 00:51:45,560
Are you there? P>
786
00:51:46,720 --> 00:51:48,440
Yes.
Gloomy, dreary, dreary
787
00:51:51,770 --> 00:51:54,270
Yes , I think it's from high school
788
00:51:54,400 --> 00:51:56,240
- where I live in a city city...
- Right, become Wangaratta.
789
00:51:56,360 --> 00:51:58,450
- Wangaratta High School, yeah...
- North Caulfield, yes. P>
790
00:51:58,570 --> 00:52:03,080
... and we have this barber
that my mother used to hate
791
00:52:03,200 --> 00:52:05,580
and, uh... we all used to have this...
cut her hair the same.
792
00:52:05,660 --> 00:52:08,500
She used to cut everyone out
Wangaratta's hair was the same.
793
00:52:08,620 --> 00:52:13,090
He used to cut a sloping edge like that,
because he thought you would shake it back.
794
00:52:13,210 --> 00:52:15,880
But everyone just walks
with these things, and my mom...
795
00:52:16,000 --> 00:52:20,220
We were back and my mother
used to be angry with this barber.
796
00:52:22,050 --> 00:52:25,150
That's me as... I don't know,
teenager or the like
797
00:52:25,260 --> 00:52:27,260
I don't really exercise
and things like that,
798
00:52:27,390 --> 00:52:30,890
and there are many of us who do art,
799
00:52:30,980 --> 00:52:33,700
which basically be
Boys Next Door.
800
00:52:33,810 --> 00:52:35,810
Oh!
801
00:52:35,940 --> 00:52:38,410
That, um... Mick Harvey.
802
00:52:38,530 --> 00:52:40,450
It's back when he's in good hair,
803
00:52:40,570 --> 00:52:42,950
p>
804
00:52:43,070 --> 00:52:46,450
and that, um...
805
00:52:46,580 --> 00:52:48,540
That's Tracy Pew.
806
00:52:48,620 --> 00:52:52,870
Tracy is one of those people
who comes out completely formed,
807
00:52:53,000 --> 00:52:55,000
is very similar to Rowland Howard too.
808
00:52:55,130 --> 00:52:58,170
You know, they only
sort of appear, complete
809
00:52:58,300 --> 00:53:00,670
But he is an amazing bass player,
that person,
810
00:53:00,800 --> 00:53:04,100
and really heart and soul
Birthday party.
811
00:53:06,010 --> 00:53:09,230
That's him there
That's Mick, Rowland.
812
00:53:09,350 --> 00:53:12,690
That's a beautiful photo, that one.
813
00:53:14,600 --> 00:53:18,400
There's a big photo of Tracy
peeing.
Do you have it
814
00:53:18,520 --> 00:53:21,370
Yes, we have it somewhere, right?
815
00:53:22,650 --> 00:53:28,380
OK, now, that was a
concert in Cologne in 1981
816
00:53:28,490 --> 00:53:32,750
and I don't know if you can see,
But this guy here is German,
817
00:53:32,870 --> 00:53:37,420
and he. .. That's Mick Harvey,
You can see the classic profile,
818
00:53:37,540 --> 00:53:39,420
and he... actually,
we are playing King Ink
819
00:53:39,550 --> 00:53:42,420
- because he is playing, er... the drum.
- Snare drum.
820
00:53:42,550 --> 00:53:45,100
He will play the snare drum in the song
821
00:53:45,180 --> 00:53:47,680
and this person here is peeing
822
00:53:47,800 --> 00:53:53,610
and you can see the flow of urine
sort of curved gracefully
823
00:53:53,730 --> 00:53:55,950
into, er... right side
from that image
824
00:53:56,060 --> 00:53:59,070
- Can you... can you show the next image?
- Sure. p >
825
00:54:00,650 --> 00:54:02,070
And there... there he urinated.
826
00:54:02,190 --> 00:54:03,940
There was a stream of urine,
827
00:54:04,070 --> 00:54:08,040
and Tracy, noticed it
Germans were urinating
828
00:54:08,160 --> 00:54:11,210
and move towards the Germans.
829
00:54:11,330 --> 00:54:12,950
Can you...
830
00:54:13,080 --> 00:54:18,380
Now Tracy, er... decide
to push this person away
831
00:54:18,460 --> 00:54:21,180
Mick is still playing here. P>
832
00:54:21,300 --> 00:54:22,640
Berikutnya.
833
00:54:22,760 --> 00:54:26,980
There you have Mick
still playing there
834
00:54:27,090 --> 00:54:29,970
Rowland there
not realizing what's going on
835
00:54:30,100 --> 00:54:33,320
Tracy stops playing bass
at all and now punching the man
836
00:54:33,430 --> 00:54:36,310
and the man flies backwards
from the stage
837
00:54:37,730 --> 00:54:40,400
Yes, he says a lot about the type of show
838
00:54:40,520 --> 00:54:43,450
we did
with The Birthday Party at that stage,
839
00:54:43,570 --> 00:54:47,370
because we were billed
by some promoters as
840
00:54:47,490 --> 00:54:49,660
the meanest live band in the world.
841
00:54:49,780 --> 00:54:55,880
So, what does that mean
that every skinhead and biker
842
00:54:56,000 --> 00:55:00,970
and general lowlife type
and, er... psychopath
843
00:55:01,080 --> 00:55:02,840
come to this concert
844
00:55:02,960 --> 00:55:05,460
It seems to us,
towards the end of the birthday party,
845
00:55:05,590 --> 00:55:08,220
that is very little to do
with more music,
846
00:55:08,340 --> 00:55:10,340
and only people who come to see
847
00:55:10,470 --> 00:55:12,770
what will happen to the show,
and, uh...
848
00:55:12,890 --> 00:55:18,610
We kind of get some kind of joy
from disappointing everyone
849
00:55:18,730 --> 00:55:22,030
by just basically playing
with our backs for the audience
850
00:55:22,150 --> 00:55:28,120
and squatting together and doing this
shows towards... towards the end.
851
00:55:31,200 --> 00:55:33,790
Last will and will I
852
00:55:41,580 --> 00:55:44,680
Alright, it looks like I want all my money,
853
00:55:44,800 --> 00:55:47,510
which is nothing,
I will say, at that time...
854
00:55:48,630 --> 00:55:52,430
... go to the christmas cave
Memorial Museum...
855
00:55:55,390 --> 00:55:58,390
... small but adequate rooms or rooms
856
00:55:58,520 --> 00:56:02,190
will serve
as Nick Cave Memorial Museum. P>
857
00:56:02,310 --> 00:56:06,410
Yes, I always sort of...
show off bastards. P>
858
00:56:07,940 --> 00:56:10,540
- Do you remember writing it?
- No.
859
00:56:12,160 --> 00:56:18,580
That... & apos; 87 is a, uh...
This is a year that is hard to remember, & apos; 87.
861
00:56:23,880 --> 00:56:25,420
You know, I shifted continuously.
862
00:56:25,540 --> 00:56:29,340
I never really had my own place
until it dissolved in the picture
863
00:56:29,460 --> 00:56:32,640
and I would like me very much
wherever I live
864
00:56:32,760 --> 00:56:35,260
But I will always have a table or table
865
00:56:35,390 --> 00:56:37,890
and kind of sweep it off
and paste it in the box. P>
866
00:56:38,020 --> 00:56:41,900
I think that's why
actually has an archive p >
867
00:56:49,030 --> 00:56:52,910
That's my room in Berlin
868
00:56:53,030 --> 00:56:55,750
and this room
is just a kind of crawling space, actually,
869
00:56:55,870 --> 00:56:58,420
You have to climb a small staircase
to enter this
870
00:56:58,540 --> 00:57:00,830
You can't really stand here.
871
00:57:00,950 --> 00:57:04,830
So it's really amazing
the type of uterus like a room,
872
00:57:04,960 --> 00:57:06,590
that has a mattress where I can sleep,
873
00:57:06,710 --> 00:57:09,260
and this is where I wrote
And The Ass Saw The Angel.
874
00:57:09,380 --> 00:57:13,300
I spent quite a lot of time
at the Berlin flea market,
875
00:57:13,430 --> 00:57:15,600
that happened every Saturday morning,
876
00:57:15,720 --> 00:57:18,470
and I get an incredible collection
877
00:57:18,600 --> 00:57:25,900
of, um... pornography
and religious art and icons in general,
878
00:57:25,980 --> 00:57:29,070
and I found this chocolate box...
879
00:57:30,400 --> 00:57:33,750
... and opened it, and inside
Chocolate box, wrapped in tissue paper,
880
00:57:33,860 --> 00:57:39,080
What are these three keys, < very long, hair,
881
00:57:39,200 --> 00:57:43,300
and they, um...
From a different head, I think,
882
00:57:43,410 --> 00:57:47,090
and that's actually... hanging < br /> in the photo there right?
883
00:57:47,210 --> 00:57:51,310
And hair like this always
something that I come back to all the time
884
00:57:51,420 --> 00:57:53,470
in the actual song writing.
885
00:57:53,590 --> 00:57:56,140
Do you know what this item is?
886
00:57:56,220 --> 00:57:59,350
Is this a torn page
or is this your handwriting?
887
00:57:59,470 --> 00:58:06,530
I think they are tearing out of a book
and the type of writing.
I don't know
888
00:58:07,980 --> 00:58:10,860
Um... I don't know.
It's just bad luck, isn't it?
889
00:58:11,940 --> 00:58:16,200
But bad luck is important... to me, at that moment.
890
00:58:18,410 --> 00:58:20,910
I will tell You amazing thing
It happened with that room. P>
891
00:58:21,030 --> 00:58:24,160
I used to leave the door open
and... and I was on the second floor,
892
00:58:24,290 --> 00:58:28,010
and there this person named Chris,
he lives upstairs,
893
00:58:28,130 --> 00:58:29,750
and one day I write on the table
894
00:58:29,880 --> 00:58:31,750
and... and sort of looks up
and he stands ,
895
00:58:31,880 --> 00:58:36,760
and I can see him a little charmed
with what's on the wall
896
00:58:36,880 --> 00:58:39,230
and he says, "Do you want?
come to my room"
897
00:58:39,340 --> 00:58:42,850
"And see what I got upstairs?"
Right?
And I said, "Yeah, alright."
898
00:58:42,970 --> 00:58:47,190
And so we went to it, um...
For this little flat he goes upstairs
899
00:58:47,310 --> 00:58:49,360
and he opens it,
we go to the living room,
900
00:58:49,480 --> 00:58:52,950
and everywhere there,
uh... christmas items from christmas
901
00:58:53,070 --> 00:58:57,040
He will make a star and he will make a star
cut out of a neon carton,
902
00:58:57,150 --> 00:59:00,080
and then he will cut
the small one from it
903
00:59:00,200 --> 00:59:01,540
and then another small one from it.
904
00:59:01,620 --> 00:59:02,830
It must have been an hour or something like
905
00:59:02,950 --> 00:59:05,420
to make one of This little little...
These little stars,
906
00:59:05,500 --> 00:59:07,840
and there are thousands of them
the whole wall,
907
00:59:07,960 --> 00:59:10,180
and I like, "Fuck, man ,
this is amazing.
908
00:59:10,290 --> 00:59:14,920
"It's like the most beautiful thing,
uh... I can imagine it." "
909
00:59:15,050 --> 00:59:18,640
And he has all of this
some kind of glass-coated table
910
00:59:18,760 --> 00:59:21,560
and he said, "Look at this,"
like that, and I'm like, "Um."
911
00:59:21,680 --> 00:59:23,770
And he turns off the main light
912
00:59:23,890 --> 00:59:26,480
and then this other shine < br /> that appears from the floor
913
00:59:26,600 --> 00:59:30,400
and they throw light
all through the table,
914
00:59:30,520 --> 00:59:32,520
uh... who has
these photos of Jesus
915
00:59:32,650 --> 00:59:33,770
- and baby Jesus and all that.
- Yeah.
916
00:59:33,860 --> 00:59:36,450
So, suddenly these images
Jesus disappears
917
00:59:36,570 --> 00:59:39,120
and it's all just this kind of
page three girls of all kinds...
918
00:59:39,240 --> 00:59:41,540
- Wow, yeah
- Soft porn type,
919
00:59:41,620 --> 00:59:44,490
Playboy type stuff, which have
obviously pulled it when he...
920
00:59:44,580 --> 00:59:46,200
- Yeah.
-... look into my room,
921
00:59:46,330 --> 00:59:48,670
and suddenly this whole room
has turned into this,
922
00:59:48,790 --> 00:59:53,800
and that's the most extraordinary
sort of thing that moves
923
00:59:53,920 --> 00:59:55,720
- that This lonely person...
- Yeah.
924
00:59:55,840 --> 00:59:58,890
... has worked for...
for years, you know...
925
00:59:59,010 --> 01:00:00,430
- Yeah.
-... surely he has done this,
926
01:00:00,550 --> 01:00:02,520
and this kind of thing I have here
927
01:00:02,640 --> 01:00:04,100
- meaning that is important...
- Yeah. P>
928
01:00:04,180 --> 01:00:07,770
... for the kind of monomania
from this incredible room
929
01:00:07,890 --> 01:00:12,610
Really living with me like that
the power to change yourself....
930
01:00:12,730 --> 01:00:14,150
Yes.
931
01:00:14,270 --> 01:00:16,570
... with what you can do
with imagination
932
01:00:16,690 --> 01:00:17,820
Yes.
933
01:00:17,940 --> 01:00:19,950
Anyway , I always remember that person.
934
01:00:24,200 --> 01:00:26,120
- Eh... Woz?
- yes?
935
01:00:26,240 --> 01:00:28,960
You started that
with, er... back fourth, right?
936
01:00:29,080 --> 01:00:30,460
- Yeah.
- Like I did that...
937
01:00:30,580 --> 01:00:33,300
- # I'm wrong... #
- Yeah, you did that
938
01:00:39,510 --> 01:00:41,510
When... when did you come in? P>
939
01:00:42,550 --> 01:00:44,470
When did Marty come in? P>
940
01:00:45,510 --> 01:00:47,860
After your little thing
and it goes...
941
01:00:49,430 --> 01:00:52,900
# I ride, I rode
942
01:00:54,650 --> 01:00:56,870
# On the hills
943
01:00:59,730 --> 01:01:01,700
# Yeah
944
01:01:03,610 --> 01:01:06,410
Sun, sun, sun
945
01:01:06,530 --> 01:01:10,880
# Up on the hill
946
01:01:11,870 --> 01:01:13,620
# Yeah
947
01:01:44,200 --> 01:01:49,670
# I feel I can't shake
948
01:01:51,080 --> 01:01:52,830
# I have a feeling
949
01:01:52,950 --> 01:01:56,050
# It won't just disappear
950
01:01:56,170 --> 01:01:58,130
> # You have to be fair
951
01:01:58,250 --> 01:02:04,930
# Keep pushing
952
01:02:05,050 --> 01:02:10,100
Push the sky away
953
01:02:11,140 --> 01:02:15,770
# Some people say
it's just rock & apos; n & apos; roll p >
954
01:02:17,480 --> 01:02:21,910
# Oh, but that makes you
get to your soul
955
01:02:22,030 --> 01:02:28,370
# You have to keep pushing
956
01:02:28,490 --> 01:02:32,090
# Keep pushing
957
01:02:32,200 --> 01:02:36,460
Push the sky away
958
01:02:48,550 --> 01:02:54,020
# You must keep pushing
959
01:02:54,100 --> 01:02:57,480
# Keep pushing
960
01:02:57,600 --> 01:03:01,780
ii Push the sky away... ii
961
01:03:12,280 --> 01:03:16,410
One of the things we want to find
more about is the weather diary. P>
962
01:03:16,500 --> 01:03:21,220
Well, basically, this is
daily weather inventory,
963
01:03:21,330 --> 01:03:24,260
and what actually happening is that
I am an Australian living in England...
964
01:03:24,340 --> 01:03:26,640
- Yeah.
-... and getting even more upset
965
01:03:26,760 --> 01:03:31,390
by the weather endless misery
966
01:03:31,510 --> 01:03:36,770
... that, you know...
that... is owned by England.
967
01:03:36,890 --> 01:03:40,940
As a way to take control of
from that's in a number of ways...
968
01:03:42,190 --> 01:03:44,990
... or turning it into my advantage,
I decided to write about it,
969
01:03:45,110 --> 01:03:47,910
and because of bad weather
far away more interesting to write
970
01:03:48,030 --> 01:03:49,410
- from good weather...
- Yeah.
971
01:03:49,530 --> 01:03:52,950
... I'm quite happy when I wake up
and that is miserable, storm...
972
01:03:53,070 --> 01:03:54,580
- Yeah.
-... a cold and windy day.
973
01:03:54,660 --> 01:03:57,710
Such entries develop
to other things too
974
01:03:57,830 --> 01:04:02,340
and Susie is very pregnant
at that time, with the twins.
975
01:04:02,420 --> 01:04:04,970
So , he has many features in it.
976
01:04:05,090 --> 01:04:08,560
There is a sequence where you see
two men in the van very briefly,
977
01:04:08,670 --> 01:04:11,300
and you say you forgot to write about them
until five days later
978
01:04:11,430 --> 01:04:14,770
But you always think about it all the time
and you question yourself here
979
01:04:14,890 --> 01:04:17,770
is it because
you think of twins. p >
980
01:04:21,020 --> 01:04:24,270
Ah, well, you know, at one level,
I am a very practical person
981
01:04:24,400 --> 01:04:26,370
about how I do certain things.
982
01:04:26,480 --> 01:04:30,910
But, er... there is another side that is very
superstitious, and I can tend towards
983
01:04:31,030 --> 01:04:33,000
See things like that in various ways,
984
01:04:33,110 --> 01:04:37,120
especially if it's base day,
which... where is this,
985
01:04:37,240 --> 01:04:40,620
starts to churn out
on grinding imagination,
986
01:04:40,750 --> 01:04:43,000
and that is what happens
with, uh... weather.
987
01:04:43,120 --> 01:04:44,590
Weather becomes unreal,
988
01:04:44,710 --> 01:04:47,550
This becomes fictitious
because I wrote about it
989
01:04:47,670 --> 01:04:50,590
The weather is lying...
990
01:04:50,720 --> 01:04:53,220
... and what happens is...
991
01:04:53,340 --> 01:04:56,390
My life is everyday lie,
992
01:04:56,510 --> 01:05:00,730
because of that... it becomes
an imaginative exercise,
993
01:05:00,850 --> 01:05:06,610
and I think to some degree I
are very scared about having the twins.
994
01:05:06,730 --> 01:05:11,660
You know, I thought I was,
er... afraid of coming out of mind.
995
01:05:11,740 --> 01:05:15,870
And then stopped in June 2000
and restarted in August 2001. P>
996
01:05:15,990 --> 01:05:18,620
- Right
- Do you know why there is...
997
01:05:18,740 --> 01:05:20,000
- No.
-... a distance?
998
01:05:20,120 --> 01:05:22,620
I don't know
Maybe it's because we have a baby.
999
01:05:22,750 --> 01:05:25,720
This is the last beautiful line
to end.
1000
01:05:25,830 --> 01:05:29,460
"The sky came out of my window
Now it has become a real blue."
1001
01:05:31,460 --> 01:05:35,770
The sky in Brighton
is not like anything I have ever look.
1002
01:05:35,890 --> 01:05:38,480
Stay by the sea,
look out of my window,
1003
01:05:38,600 --> 01:05:41,690
I feel like my part
from the weather itself
1004
01:05:41,810 --> 01:05:44,560
Sometimes the sky is so blue
1005
01:05:44,690 --> 01:05:48,860
and the reflection of the sea is so enchanting
you can't even see it,
1006
01:05:48,980 --> 01:05:54,360
and other times, big black thunder
rolled across the ocean
1007
01:05:54,490 --> 01:05:57,990
and you feel like
you are in the storm itself.
1008
01:05:59,530 --> 01:06:02,080
What I fear most is nature.
1009
01:06:02,200 --> 01:06:05,800
Now the weather has been sent
to reply revenge,
1010
01:06:05,920 --> 01:06:08,460
we all sign in for it now
1011
01:06:08,590 --> 01:06:11,430
Immediately the weather
will appear on a real event
1012
01:06:12,670 --> 01:06:17,390
The funny thing is, the more I write about
the weather, the worse it feels
1013
01:06:17,510 --> 01:06:19,680
and the more interesting it becomes
1014
01:06:19,800 --> 01:06:23,680
and the more prints themselves
to the narrative I have set for it.
1015
01:06:25,480 --> 01:06:28,730
You know, I can control it < br /> weather with my mood
1016
01:06:28,860 --> 01:06:31,700
I can't control my mood.
1017
01:06:37,860 --> 01:06:39,620
That's me and Kylie.
1018
01:06:39,740 --> 01:06:41,740
I wear shorts there.
1019
01:06:41,870 --> 01:06:43,540
I wear shorts there.
1020
01:06:43,660 --> 01:06:45,830
What happened to Kylie, Nick?
1021
01:06:45,960 --> 01:06:47,250
I just wrote this song,
Where Wild Roses Grows,
1022
01:06:47,370 --> 01:06:50,920
and wants her to sing on it
1023
01:06:51,040 --> 01:06:54,390
and we just tried
to find out how to get to Kylie
1024
01:06:54,510 --> 01:06:55,550
and protect his image...
1025
01:06:55,670 --> 01:06:57,270
- Yeah.
-... and all that sort of thing.
1026
01:06:57,380 --> 01:07:00,390
But he happened to be dating
with Michael Hutchence. P>
1027
01:07:00,510 --> 01:07:03,060
So... we managed to master Michael
1028
01:07:03,180 --> 01:07:06,440
and he sat next to him
when... when we rang
1029
01:07:06,560 --> 01:07:09,810
We said, "Can you ask Kylie
will she come and sing a song for us?" P>
1030
01:07:09,900 --> 01:07:10,860
"We have this song." P>
1031
01:07:10,980 --> 01:07:12,900
And finally we end
Top Of The Pops...
1032
01:07:13,020 --> 01:07:13,950
Um. P>
1033
01:07:14,070 --> 01:07:17,200
... and the whole program, around Kylie,
1034
01:07:17,320 --> 01:07:20,750
type of life
in kind This kind of strange bubble
1035
01:07:20,870 --> 01:07:24,040
where living for that short time
is somewhat different,
1036
01:07:24,160 --> 01:07:27,840
because we are suddenly
thrown into this strange situation p >
1037
01:07:27,960 --> 01:07:29,880
has a hit record,
1038
01:07:30,000 --> 01:07:33,920
and then, obviously, people buy
albums and listen to it,
1039
01:07:34,050 --> 01:07:37,050
and realize that, you know,
it will be their last time...
1040
01:07:37,170 --> 01:07:40,890
they will, er... there's something to do with
with Nick Cave and The Bad Seeds again.
1041
01:07:41,010 --> 01:07:42,310
But for that time, that's...
1042
01:07:42,430 --> 01:07:46,650
that's a bit... for me,
A very special moment, you know.
1043
01:07:57,490 --> 01:08:00,030
Louis Wain.
Look at that.
1044
01:08:00,150 --> 01:08:02,620
That's The Fire Of The Mind
Agitates the Atmosphere.
1045
01:08:04,660 --> 01:08:07,130
Do you have a copy of my Lolita?
1046
01:08:24,430 --> 01:08:26,400
That's Anita.
Yes.
1047
01:08:29,180 --> 01:08:31,310
That's Susie.
1048
01:08:31,440 --> 01:08:34,060
The word "muse"
I often feel reluctant to use,
1049
01:08:34,190 --> 01:08:38,790
Because it feels like this muse
something smooth and out there
1050
01:08:38,900 --> 01:08:40,320
This is not for me. P>
1051
01:08:40,450 --> 01:08:42,910
The songs are very much about people
1052
01:08:43,030 --> 01:08:46,210
and... and these people
sort of support the songs.
1053
01:08:46,330 --> 01:08:47,870
If I sing songs like Deanna,
1054
01:08:47,990 --> 01:08:53,000
It's very much three minutes or whatever
with that person's memory.
1055
01:08:53,120 --> 01:08:56,340
Not that I'm interested
in the way that person is now,
1056
01:08:56,460 --> 01:08:59,470
but I'm very interested
in that person's memory
1057
01:08:59,590 --> 01:09:05,140
That mythology, edited
some kind of memory of that person
1058
01:09:05,260 --> 01:09:09,110
There are slides that I want to show you.
If you just turn off the lights.
1059
01:09:20,740 --> 01:09:24,160
That's my absolute favorite
photo of Susie
1060
01:09:24,280 --> 01:09:26,530
It's my staggers that, um...
1061
01:09:26,620 --> 01:09:29,370
Susie, who has a default like this
relationship with the camera .. .
1062
01:09:29,490 --> 01:09:30,420
Yes.
1063
01:09:30,500 --> 01:09:35,380
... can be so fierce, uh...
reluctant to be photographed,
1064
01:09:35,500 --> 01:09:40,100
and... that's really framing
from the face,
1065
01:09:40,210 --> 01:09:44,140
of hair, black hair,
and framing of white faces
1066
01:09:44,220 --> 01:09:47,270
That's right, uh... interesting.
1067
01:09:49,010 --> 01:09:53,110
There are audio clips that I want
to play through you too.
1068
01:09:53,230 --> 01:09:55,230
If you just want to listen to this one .
1069
01:09:55,350 --> 01:10:00,660
The first time I saw Susie was at
Victoria & Albert Museum in London
1070
01:10:00,780 --> 01:10:02,950
and when she entered,
1071
01:09:03,070 --> 01:10:07,750
everything I was obsessed with all
years - pictures of movie stars,
1072
01:10:07,870 --> 01:10:11,750
Jenny Agutter in billabong,
Anita Ekberg in the fountain,
1073
01:09:11,870 --> 01:10:13,960
Ali MacGraw in her black tights, p >
1074
01:10:14,080 --> 01:10:16,420
pictures from TV as a child,
1075
01:10:16,500 --> 01:10:19,750
Barbara Eden
and Elizabeth Montgomery and Abigail,
1076
01:10:19,880 --> 01:10:24,550
Miss World competition, Marilyn Monroe
and Jennifer Jones and Bo Derek
1077
01:10:24,670 --> 01:10:26,430
and Angie Dickinson as Female Police,
1078
01:10:26,550 --> 01:10:32,480
Maria Falconetti and Suzi Quatro,
Bolshoi ballerinas and Russian gymnasts,
1079
01:10:32,600 --> 01:10:36,350
Wonder Woman and Barbarella
and supermodels and girls,
1080
01:10:36,480 --> 01:10:39,650
are all endless, endless fantasies,
1081
01:10:39,770 --> 01:10:42,870
young girls in Wangaratta ponds
lie on hot concrete,
1082
01:10:42,980 --> 01:10:45,700
The origin of Courbet from the World,
1083
01:10:45,780 --> 01:10:49,330
A bowl of Bataille milk,
Jean Simmons nose ring,
1084
01:10:49,450 --> 01:10:52,080
all things I've heard
and seen and read.
1085
01:10:53,330 --> 01:10:55,420
Advertising and TV ads,
1086
01:10:55,500 --> 01:10:59,300
billboards and fashion spreads
and Playmate of the Month, p >
1087
01:10:59,380 --> 01:11:01,720
Caroline Jones is dying in Elvis's arms,
1088
01:11:01,840 --> 01:11:05,140
Jackie O is in mourning,
Tinker Bell is trapped in a drawer,
1089
01:11:05,210 --> 01:11:09,310
all continues, never ends
erotic data drop-feeds
1090
01:11:09,430 --> 01:11:14,270
came together at that time
in one great big explosion
1091
01:11:14,390 --> 01:11:16,940
and I got lost to him
1092
01:11:17,020 --> 01:11:19,320
and that's all.
1093
01:11:38,250 --> 01:11:42,220
Sometimes it feels like a ghost
the past is all about and crowding in,
1094
01:11:42,340 --> 01:11:44,340
vying for space and recognition.
1095
01:11:46,340 --> 01:11:50,090
They are no longer satisfied
to be stored there in the dark.
1096
01:11:50,180 --> 01:11:52,300
They have been there for too long.
1097
01:11:52,430 --> 01:11:56,270
They are angry and gather strength
and ask attention.
1098
01:11:58,270 --> 01:12:01,440
They scratching their way into the future
and will wait there
1099
01:12:02,520 --> 01:12:03,990
Have I remembered it enough?
1100
01:12:05,610 --> 01:12:07,660
Have I respected him enough?
1101
01:12:07,740 --> 01:12:09,950
Have I done what best to keep them alive?
1102
01:12:11,030 --> 01:12:13,030
There is a dock.
1103
01:12:13,160 --> 01:12:15,500
You are very important in my life.
1104
01:12:18,960 --> 01:12:22,680
You are like
This kind of mist is rolling,
1105
01:12:22,790 --> 01:12:26,720
I know about you and...
and I've heard of...
1106
01:12:26,840 --> 01:12:29,060
Your desire to do this song,
1107
01:12:29,170 --> 01:12:33,430
and then I see you performing live
with The Bad Seeds and it feels like, "Uh!"
1108
01:12:33,550 --> 01:12:36,650
You walk up this road to go
on the stage.
It feels like a scene from a movie. P>
1109
01:12:36,760 --> 01:12:39,810
You all only have pride like this
and energy,
1110
01:12:39,930 --> 01:12:42,530
You know, when you're building
to go up stage,
1111
01:12:42,650 --> 01:12:45,270
and then its performance
is only electrifying,
1112
01:12:45,400 --> 01:12:48,280
and your body language,
you are like this...
1113
01:12:48,400 --> 01:12:50,750
like... like a tree
1114
01:12:51,860 --> 01:12:53,660
That might not sound...
1115
01:12:53,780 --> 01:12:55,120
- Like a big tree?
- Like...
1116
01:12:55,240 --> 01:13:00,370
You know, like from the Hitchcock movie,
some kind of tree in... in silhouette,
1117
01:13:00,450 --> 01:13:02,500
like really in a storm or something.
1118
01:13:02,620 --> 01:13:04,970
That... really amazing.
1119
01:13:05,080 --> 01:13:07,050
Cos You don't know much
about what I did, right?
1121
01:13:10,260 --> 01:13:12,930
- Oh, you read that?
- Yeah.
1122
01:13:14,050 --> 01:13:16,100
That's not truth.
1123
01:13:25,350 --> 01:13:27,230
Do you feel anxious
about being forgotten?
1124
01:13:27,360 --> 01:13:31,240
Yes, I'm worried about being forgotten
and about loneliness.
1125
01:13:32,280 --> 01:13:33,200
- Oh really ?
- Yeah.
1126
01:13:33,320 --> 01:13:36,670
- You have waxworks made from you.
- I have some waxworks.
1127
01:13:36,780 --> 01:13:38,130
How many?
1128
01:13:38,240 --> 01:13:40,500
I think I have five. P>
1129
01:13:40,580 --> 01:13:42,250
- Well, at some point...
- I'm really jealous of you
1130
01:13:42,370 --> 01:13:43,460
... the story goes like this
1131
01:13:43,540 --> 01:13:46,260
the only person who has
Waxworks more than me is Queen.
1132
01:13:46,380 --> 01:13:47,470
Is that true?
1133
01:13:47,590 --> 01:13:49,680
I don't know if it's still a fact,
but at that time.
1134
01:13:51,380 --> 01:13:56,640
I remember Michael Hutchence
saying that he was short-sighted
1135
01:13:56,760 --> 01:14:01,390
and he tried to wear glasses or contacts
to see the audience,
1136
01:14:01,520 --> 01:14:03,390
and it was very frightening
he never did it again
1137
01:14:03,520 --> 01:14:05,520
- Oh, really ?
- We talked about that
1138
01:14:05,650 --> 01:14:10,900
because the first time I saw INXS playing,
I thought he was looking at me,
1140
01:14:13,490 --> 01:14:15,990
Everyone in the audience
must feel like you have seen them,
1141
01:14:16,110 --> 01:14:20,370
and it becomes clear that
he may never see me, just run away.
1142
01:14:20,490 --> 01:14:25,370
But he has some sort of way
projecting out.
I'm jealous of that.
1143
01:14:25,460 --> 01:14:27,380
I really like the front man type.
1144
01:14:27,500 --> 01:14:31,850
I don't feel like that
from a player who can....
1145
01:14:33,630 --> 01:14:34,970
So far, you know.
1146
01:14:35,090 --> 01:14:37,310
For me, there is a kind of psychodrama
1148
01:14:41,060 --> 01:14:43,230
that is very important in...
1149
01:14:43,350 --> 01:14:46,650
in telling...
the narrative of the songs
1150
01:14:46,770 --> 01:14:49,770
I get a large amount of energy from...
1151
01:14:49,860 --> 01:14:52,030
From choosing singular...
1152
01:14:52,150 --> 01:14:53,870
People, and frighten them.
1153
01:14:53,990 --> 01:14:55,910
Very?
Did you succeed
your mission to frighten them?
1154
01:14:56,030 --> 01:14:59,080
Well, that's how it is, um...
a mixture of wonder and terror
1155
01:14:59,200 --> 01:15:02,120
that you can get from one person
or a small group of people
1157
01:15:04,700 --> 01:15:11,840
... who gave a large amount, eh...
energy to... change yourself.
1158
01:15:21,760 --> 01:15:23,730
# Ooh
1160
01:15:28,850 --> 01:15:30,230
# Ooh
1161
01:15:30,350 --> 01:15:32,780
# Rainy day
1162
01:15:34,190 --> 01:15:36,490
# Always makes me sad
1163
01:15:36,610 --> 01:15:38,740
# Ooh
1164
01:15:38,860 --> 01:15:45,120
# Miley Cyrus floats in the pool
on Toluca Lake... #
1165
01:15:49,250 --> 01:15:52,630
# You are the best girl I have ever had... #
1167
01:16:00,840 --> 01:16:03,190
# Can you feel my heartbeat?
1168
01:16:04,220 --> 01:16:07,400
# I drive my car to Geneva
1169
01:16:12,980 --> 01:16:15,200
# I'm driving
1170
01:16:17,900 --> 01:16:20,160
# Can you feel my heartbeat... #
1171
01:16:29,870 --> 01:16:32,880
# I drive my car
1172
01:16:34,790 --> 01:16:37,470
# Don't remember at all... #
1173
01:16:47,260 --> 01:16:49,890
# Don't remember at all
1174
01:16:50,980 --> 01:16:52,650
# Sit here
1175
01:16:52,770 --> 01:16:57,200
# On the underground terrace me.
#
1176
01:17:33,730 --> 01:17:36,230
No.
1177
01:17:36,360 --> 01:17:37,950
No?
You don't want to?
1178
01:17:39,150 --> 01:17:40,740
You want to make love to me
1179
01:17:44,200 --> 01:17:46,240
> You fucking with the best
1180
01:17:46,370 --> 01:17:48,370
Do you want to? P>
1181
01:17:49,950 --> 01:17:52,460
You want to make love to me
GOOD. P>
1182
01:17:58,000 --> 01:18:00,300
Do you want to play games? .
1183
01:18:01,550 --> 01:18:02,670
Come on.
1184
01:18:04,930 --> 01:18:07,100
GOOD.
You want to play rough
GOOD!
1185
01:18:08,100 --> 01:18:10,190
- Greet my little friend!
- Say hello to my little friend! P>
1186
01:18:13,520 --> 01:18:18,240
Yes, yes, yes, Yes! P>
1188
01:18:22,150 --> 01:18:23,740
Yes, yes, yes, Yes! P>
1189
01:18:24,950 --> 01:18:32,420
Yes, yes, yes, Yes!
1190
01:18:32,490 --> 01:18:35,870
Yes, yes, yes, yes!
#
1191
01:18:38,500 --> 01:18:40,380
# Yeah, yeah, yeah, yes
1192
01:18:41,630 --> 01:18:43,380
# Oh, no, no, no... #
1194
01:19:01,020 --> 01:19:06,030
# Saying, "I came to bring you down
Mr. Stagger Lee"
1195
01:19:08,660 --> 01:19:12,080
Well, those are the last words
the word Devil
1196
01:19:12,200 --> 01:19:14,500
# Cos Stag put four holes
1197
01:19:14,620 --> 01:19:17,210
# Inside his mother... damn
1199
01:19:21,090 --> 01:19:26,090
Yes, yes, yes, Yes!
1200
01:19:37,480 --> 01:19:40,320
Yes, yes, yes , Yes! P>
1201
01:19:40,440 --> 01:19:43,410
Yes, yes, yes, yes!
#
1202
01:20:25,900 --> 01:20:30,280
The song is heroic,
because the song faces death. P>
1203
01:20:31,820 --> 01:20:36,370
The song is immortal and brave
gazing at our own extinction. P>
1204
01:20:45,880 --> 01:20:50,550
The song emerged from the spirit world
with the correct message
1205
01:20:51,720 --> 01:20:55,100
One day, I will tell you
how to kill dragons
1206
01:21:41,980 --> 01:21:43,940
All days we are numbered.
1207
01:21:44,940 --> 01:21:46,940
We cannot be idle.
1208
01:21:48,020 --> 01:21:52,450
To act on bad ideas
is better than not acting at all...
1209
01:21:53,450 --> 01:21:57,920
... because the value of the idea
never becomes clear until you do it p >
1210
01:22:00,080 --> 01:22:04,250
Sometimes this idea can be
the smallest thing in the world,
1211
01:22:04,370 --> 01:22:07,970
a little flame that you think
and a cup with your hand
1212
01:22:08,090 --> 01:22:12,430
and praying will not extinguished
by all the howling storms about it.
1213
01:22:13,760 --> 01:22:19,110
If you can hold on to the fire,
Great things can be built around it
1214
01:22:19,220 --> 01:22:23,320
that's great and strong
and the world changes...
1215
01:22:25,310 --> 01:22:28,360
... everything is held by the smallest idea.
1216
01:22:38,490 --> 01:22:41,120
# The problem is
1217
01:22:41,240 --> 01:22:44,590
# He has a black book small
1218
01:22:47,620 --> 01:22:50,300
# And my name is
1219
01:22:50,380 --> 01:22:53,680
# This has been written
1220
01:22:53,800 --> 01:22:56,680
# On each page
1221
01:23:00,100 --> 01:23:03,020
# Well, a girl must meet the needs
1222
01:23:03,140 --> 01:23:07,520
# p p>
1223
01:23:14,570 --> 01:23:20,120
# I have to practice what I preach
1224
01:23:23,830 --> 01:23:27,050
# These days I go to the city
1225
01:23:29,120 --> 01:23:34,260
# On my tie and tail
1226
01:23:35,630 --> 01:23:38,380
# I got fetus
1227
01:23:41,010 --> 01:23:43,060
# Above the rope
1228
01:23:46,730 --> 01:23:49,820
# Myself now
1229
01:23:49,900 --> 01:23:53,450
# I am unexpected
1230
01:23:54,780 --> 01:23:57,650
# Curtain closed
1231
01:23:57,740 --> 01:23:59,960
# Furniture has gone
1232
01:24:00,990 --> 01:24:03,710
# I changed
1233
01:24:03,830 --> 01:24:06,120
# I vibrate
1234
01:24:06,250 --> 01:24:08,420
# I am glowing
1235
01:24:08,500 --> 01:24:11,220
# Yes, look at me now
1236
01:24:11,330 --> 01:24:13,340
# p> # p>
1237
01:24:13,460 --> 01:24:15,460
# I changed
1238
01:24:15,590 --> 01:24:17,760
# I vibrate
1239
01:24:21,890 --> 01:24:24,230
# See me now
1240
01:24:24,350 --> 01:24:26,940
# Yes, I fly
1241
01:24:27,020 --> 01:24:28,890
# I vibrate
1242
01:24:33,020 --> 01:24:35,370
# Look at me Now
1243
01:25:30,080 --> 01:25:32,000
# Yeah
1244
01:25:50,140 --> 01:25:52,730
# Yeah
1245
01:25:52,850 --> 01:25:54,820
# I changed
1246
01:25:54,900 --> 01:25:56,400
# I vibrate
1247
01:25:59,940 --> 01:26:01,660
# See me now
1248
01:26:01,740 --> 01:26:03,360
# I fly
1249
01:26:03,490 --> 01:26:05,660
# See me now
1250
01:26:08,870 --> 01:26:10,540
# I'm flying
1251
01:26:10,620 --> 01:26:12,370
# I'm glowing
1252
01:26:12,500 --> 01:26:13,960
# See me now
1253
01:26:16,960 --> 01:26:19,010
# I changed
1254
01:26:19,130 --> 01:26:21,130
1255
01:26:21,250 --> 01:26:23,130
# I changed
1256
01:27:04,210 --> 01:27:08,770
p>
1257
01:27:10,100 --> 01:27:13,650
# I vibrate
1258
01:27:14,930 --> 01:27:18,900
# Look at me now.
#
1259
01:27:18,980 --> 01:27:24,030
In the end, I'm not interested
in what I fully understand.
1260
01:27:24,150 --> 01:27:26,070
The words I've written for years
are just veneers
1261
01:27:26,190 --> 01:27:29,570
There are truths that lie
beneath the surface of words...
1262
01:27:29,660 --> 01:27:33,130
the truth that rose without warning,
like a sea monster mound
1263
01:27:33,240 --> 01:27:35,000
and then disappeared.
1264
01:27:35,120 --> 01:27:39,220
The show and the song for me
1265
01:27:41,250 --> 01:27:46,470
This sparkling space,
where imagination and reality intersect...
1266
01:27:47,590 --> 01:27:52,270
... this is where all love
and tears and joy exist.
1267
01:27:53,970 --> 01:27:55,390
This is the place. P>
1268
01:27:56,640 --> 01:27:58,640
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